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Disaster threatens when a mild-mannered Italian priest wages a personal war against the village communists.
Set against the post-war backdrop of a rural village in the Emilia-Romagna, this is the second in a new series of hilarious and incisive Don Camillo anthologies, which offer 215 stories translated into English for the very first time. As ever, the townsfolk, riven by their disparate allegiances to the hot-headed Catholic priest and his equally pugnacious adversary Peppone, the Communist Mayor, are relieved of their prejudices by the gentle humour and insights coming from high above the altar in the village church. REVIEWS 'Written with such warmth and simplicity, so concerned with the trivialities of everyday life and giving us so shrewd a glimpse into the minds of the people . . .' London Evening News 'Charming and enchanting...witty and wise' -- Edinburgh Evening News 'You'll find Don Camillo not just enchanting and lovable, and at times hilariously funny, but also strangely moving in his simple but certain faith.' -- BBC Radio Books by the Fire ABOUT THE AUTHOR Giovannino Guareschi, known as Giovanni to his millions of English language readers, was born at Fontanelle in the Valley of the Po on the 1st of May, 1908. His father wanted him to become a naval engineer. He, for the very enjoyment of going the opposite way, determined to become a lawyer, but found his vocation when he sent some cartoons he had drawn to the satirical magazine, 'Bartoldo'. Later he founded a satirical magazine, 'Candido', and wrote 346 stories featuring Don Camillo, a character who has done for Italy what Cervantes Don Quixote did for Spain.
Giovannino Guareschi (1908-1968) was an Italian journalist, humorist, and cartoonist best known for his short stories based on the fictional Catholic priest Don Camillo. In this study, Alan R. Perry explores the Don Camillo stories from the perspective of Christian hermeneutics, a unique approach and the best critical key to unlocking the richness of both the author and his tales. The stories of Don Camillo, the cantankerous but beloved priest, and his sidekick, Communist mayor Peppone, continue to entertain viewers and readers. Their Cold War adventures, mishaps, arguments, and reconciliations have a timeless quality, and their actions reflect endearing values that prevail even today. The stories delight, to be sure, but the best of them also force us to stop and think about how Guareschi so powerfully conveyed the Christian message of faith, hope, and love. To appreciate the true genius of Guareschi, Perry argues that we must delve deeper into the latent spiritual meaning that many of his stories contain. In reflecting popular understandings of the faith, the Don Camillo tales allow us to appreciate a sacred awareness of the world, an understanding communicated through objects, gestures, expressions, and actual religious rites. The first full-length scholarly examination of the Don Camillo stories to appear, this book offers a solid appreciation of Italian cultural values and discusses the ways in which those values were contested in the first decades of the Cold War.
Disaster threatens when a mild-mannered Italian priest wages a personal war against the village communists.
How do you fight without hate?Racing Demon reveals the struggle of four clergymen to make sense of their mission. David Hare's play opened at the National Theatre, London, in 1990 to universal acclaim, and won four awards as Play of the Year. Racing Demon was the first part of David Hare's trilogy of plays about British institutions; Murmuring Judges and The Absence of War completed the trilogy.
Translated by Lucinda Byatt This book tells the remarkable story of a rare discovery: the uncovering of two lost paintings by the great Renaissance artist Michelangelo. Like many stories of artistic loss, this one begins in a library in Italy, where Antonio Forcellino - a distinguished Michelangelo scholar and restorer - stumbled across some unpublished letters among the papers of Cardinal Ercole Gonzaga, son of Isabella d’Este and an extremely important figure in the Italian Renaissance. These letters comment on the paintings of Michelangelo in a way that is completely at odds with what was to become the dominant critical tradition of Michelangelo scholarship, an inconsistency that set Forcellino off on a journey that took him to Dubrovnik, Oxford, New York and Niagara Falls and culminated in the discovery of two magnificent paintings: Pieta with Mary and Two Angels, now in a private collection in America, and Cavalieri Crucifixion, now held by an educational institution in England. Through a combination of careful historical research, extensive restoration and meticulous radiographic analysis, Forcellino shows convincingly that these paintings can be traced back to the studio of Michelangelo. This extraordinary story, brilliantly retold, calls into question the received view of Michelangelo’s work and fills in a missing piece in our understanding of one of the greatest artists of all time.
Driven away from his parish by a censorious bishop, Monsignor Quixote sets off across Spain accompanied by a deposed renegade mayor as his own Sancho Panza, and his noble steed Rocinante – a faithful but antiquated SEAT 600. Like Cervantes’s classic, this comic, picaresque fable offers enduring insights into our life and times.