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This collection of gems from the Baha'i writings is a much-loved classic that has been familiar to generations of Baha'is for over 60 years. Now available to the general public for the first time, the book is a guide to the spiritual development and walking a spiritual path with practical feet. Among the wealth of subjects the book explores are learning to know, love, and trust God; the purpose of life; the importance of prayer and meditation; developing faith and certitude; learning to cope with life's difficulties with patience and confidence; and the importance of service to humanity-to name only a few. Spiritual seekers of any faith tradition will find here timeless wisdom and inspiration that can help them better understand and appreciate the divine art of living.
Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognise now as major world religions, took place in the first millennium AD, in the period we call 'Late Antiquity'. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalogue highlights religious and artistic creativity at points of contact and cultural borders between late antique civilisations. This catalogue features the creation of specific visual languages that belong to four major world religions: Christianity, Judaism, Buddhism and Islam. The imagery still used by these belief systems today is evidence for the development of distinct religious identities in Late Antiquity. Emblematic visual forms like the figure of Buddha and Christ, or Islamic aniconism, only evolved in dialogue with a variety of coexisting visualisations of the sacred.0As late antique believers appropriated some competing models and rejected others, they created compelling and long-lived representations of faith, but also revealed their indebtedness to a multitude of contemporaneous religious ideas and images. 00Exhibition: Ashmolean Museum, Oxford, UK (19.10.2017-18.02.2018).
Excerpt from The Divine Authority of the Old and New Testament Asserted Pretenfion to this Charaéter. I would be one Of the lafl to charge any Man with a Want of Honefiy and Sincerity: but there are ma ny Things in his Book that look like a wilful Perverfion and Mifreprefentation of Faéts, as well as Arguments and fometimes fo circum fianced, that it is fcarce pofiible for the molt extenfive Charity to fuppofe that it'was owing to mere Ignorance. Perhaps the Author him felf would not be willing to accept of this A pology. I cannot help looking upon it as an Honour to Chrifiianity, that its Adveifaries find themfelves obliged to take fuch Methods as thefe, in order to carry on their Defigns a gainft it. Does not this argue a fecret Con fcioufnefs that they can never prevail by a fair Attack upon the Scriptures For furely he muf't be either very wicked or very foolilh, that would have recourfe to fuch bafe Arts as thefe to ferve his Caufe, if he thought his End could be anfwered without it, and that fair and juft Reafoning, and an equal candid Ma nagement would do as well. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people and objects in religious contexts across the ancient world. These shifts in behavior and formalizing of iconographies are visible in art associated with numerous religious traditions including, but not limited to, Buddhism, Christianity, Hinduism, Islam, Judaism, Zoroastrianism, religions of the Roman Empire, and paganism in northern Europe. Studies of these religions and their material culture, however, have been shaped by Eurocentric and post-Reformation Christian frameworks that prioritized Scripture and minimized the capacity of images and objects to hold religious content. Despite recent steps to incorporate objects, much academic discourse, especially in comparative religion, remains stubbornly textual. This volume therefore seeks to explore the ramifications of placing objects first and foremost in the comparative study of religions in late antiquity, and to consider the potential for interdisciplinary conversation to reinvigorate the field.
Art and the Form of Life takes a classic theme—philosophy as the art of living—and gives it a contemporary twist. The book examines a series of watershed moments in artistic practice alongside philosophers’ most enduring questions about the way we live. Coupling Tino Sehgal with Wittgenstein, cave art with Foucault, Stanley Kubrick with Nietzsche, and the Bauhaus with Walter Benjamin, the book animates the idea that life is literally ours to make. It reflects on universal themes that connect the long histories of art and philosophy, and it does so using a contemporary approach. Drawing on great philosophical works, it argues that life practiced as an art form affords an experience of meaning, in the sense that it is engaging, creative, and participatory. It thus effects a fundamental renewal of experience.
Biretta Books is proud to present this masterwork of the great Archbishop Fulton J. Sheen! In The Divine Romance, Archbishop Fulton J. Sheen delves into love and life with all its pain, sorrow, loneliness and human failures from the perspective of our human quest for God, the inner life of the Trinity, the outpouring of the Spirit and most of all the Lord of Calvary and Easter. The Divine Romance touches on perennial themes and is a classic that has a power to heal, help and inspire the reader. In his crisp pastoral style, Sheen describes the believer's spiritual journey back to the Father with all of its ecclesial dimensions. Christ guides our mystical journey and forms us into his very Body on Earth.
25th Anniversary Edition Over 3 Million Copies Sold 'I couldn't give this book a higher recommendation' BILLY CONNOLLY Written by the Buddhist meditation master and popular international speaker Sogyal Rinpoche, this highly acclaimed book clarifies the majestic vision of life and death that underlies the Tibetan Buddhist tradition. It includes not only a lucid, inspiring and complete introduction to the practice of meditation, but also advice on how to care for the dying with love and compassion, and how to bring them help of a spiritual kind. But there is much more besides in this classic work, which was written to inspire all who read it to begin the journey to enlightenment and so become 'servants of peace'.
THE MANUAL FOR LIVING is the first and best primer for living the best possible life -- as helpful in the twenty-first century as it was in the first. Epictetus's teachings rank among the greatest wisdom texts of human civilization. Epictetus taught that philosophy is a way of life and not just a theoretical discipline. To Epictetus, all external events are beyond our control; we should accept calmly and dispassionately whatever happens. However, individuals are responsible for their own actions, which they can examine and control through rigorous self-discipline. By putting into practice the ninety-three wise instructions that make up The Art of Living, readers learn to successfully meet the challenges of everyday life.