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"Walt Whitman, though not a Jewish poet, has served as a crucial figure within the tradition of Jewish American poetry, starting in the mid-nineteenth century, until today. However, the genealogy of Jewish American poets responding to Whitman is wider and more nuanced than often recognized. Due to Allen Ginsberg's overt adoption of Whitman, it is often believed that Ginsberg is the only Jewish American poet to have engaged with Whitman's poetic style and democratic ethos. This book reveals how the lineage of poets responding to Whitman extends far beyond Ginsberg, and that Ginsberg himself receives Whitman through earlier Jewish American poets, like Charles Reznikoff. This project presents such a genealogy of poets in dialogue with Whitman (and each other), from Emma Lazarus and Adah Isaacs Menken, through twentieth-century poets, such as Charles Reznikoff, Karl Shapiro, Kenneth Koch, Muriel Rukeyser, Adrienne Rich, Marge Piercy, and Alicia Suskin Ostriker, Gerald Stern, and beyond. By researching Whitman's role in this tradition systematically, in the work of individual poets, and in the framework of Jewish American poetry more broadly, this book seeks to fill a gap in the understanding of these dynamics, and to invite other scholars to examine the Whitman-Jewish connection. A major finding in this book is that Whitman has been adopted by Jewish American poets as a liberal symbol against elements in High Modernist literary culture, which the poets perceived to be exclusionary and anti-Semitic. Thus, there is a negotiation of the vexed territory of being Jewish in America through an alignment with Whitman. As such, the turn to Whitman serves as a mode of exploring Jewish and American identity, whereby Walt Whitman the poet is imagined to be Jewish and American"--
Walt Whitman wrote three distinct editions of Leaves of Grass before the Civil War. During those years he was passionately committed to party anti-slavery, and his unpublished tract The Eighteenth Presidency shows that he was fully attuned to the kind of rhetoric coming out of the new Republican party. This study explores how the prophecies of the pre–war Leaves of Grass relate to the prophecy of this new party. It seeks not only to ground Whitman’s work in this context but also to bring out features of party discourse that make it relevant to literary and cultural studies. Anti-slavery party discourse set itself the task of curing an ailing people who had grown compliant, inert, and numb; it fashioned a complete fictional world where the people could be reactivated into assuming their true role in the republic. Both as a cause and a result of this rejuvenation, they would come into their own and spread their energies over the land and over the body politic, thereby rescuing their country at the last minute from what would otherwise be the permanent dominion of slavery. Party discourse had long hinged its success on such magical transformations of the people individually and collectively, and Whitman’s celebrations of his nation’s potential need to be seen in this context: like his party, Whitman calls on the people to reject their own subordination and take command of the future, and redeem themselves as they also redeem the nation.
Freedom's Journal is a comprehensive study of the first African-American newspaper, which was founded in the first half of the 19th Century. The book investigates all aspects of publication as well as using the source material to extract information about African-American life at that time.
"Elijah P. Lovejoy was a Princeton Seminary-trained Presbyterian minister, native of Maine, abolitionist, newspaper editor, and religious critic. After leaving Princeton in 1833 he established himself in St. Louis, a city in which he had lived briefly before taking his divinity degree. On there separate occasions pro-slavery mobs destroyed his pro-abolitionist press on 7 November 1837, burned the building, and killed the man himself. This Memoir, written by his brothers Joseph and Owen and with an introduction by John Quincy Adams, helped establish Elijah Lovejoy as a martyr in the causes of freedom of the press and the anti-slavery movement." (background from Philadelphia Rare Book & Manuscript).