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The Westford Knight is a mysterious, controversial stone carving in Massachusetts. Some believe it is an effigy of a 14th century knight, evidence of an early European visit to the New World by Henry Sinclair, the Earl of Orkney and Lord of Roslin. In 1954, an archaeologist encountered the carving, long known to locals and ascribed a variety of origin stories, and proposed it to be a remnant of the Sinclair expedition. The story of the Westford Knight is a mix of history, archaeology, sociology, and Knights Templar lore. This work unravels the threads of the Knight's history, separating fact from fantasy. This revised edition includes a new foreword and four new chapters which add context to the myth-building that has surrounded the Westford Knight and artifacts like it.
Viking America examined through the writing and rewriting of the Vinland story from the middle ages to the twentieth century. The accounts in the Vinland sagas of the great voyages to the northeast coast of America in the early years of the eleventh century have often been obscured by detailed argument over the physical identity of the West Atlantic landwhich its Scandinavian discoverers named Vinland. Geraldine Barnes leaves archaeological evidence aside and returns to the Old Norse narratives, Groenlendinga saga (Saga of Greenlanders) and Eiriks saga rauda(Saga of Eric the Red), in her study of the writing and rewriting of the Vinland story from the middle ages to the late twentieth century. She sets the sagas in the context of Iceland's transition from paganism to Christianity; later chapters explore the Vinland story in relation to issues of regional pride and national myths of foundation in nineteenth- and early twentieth-century America, to the ethos of popular imperialism during the same periodin English literature, and, in the late twentieth century, to postcolonial concerns. GERALDINE BARNES is associate professor of English, University of Sydney.
American Literature Before 1880 attempts to place its subject in the broadest possible international perspective. It begins with Homer looking westward, and ends with Henry James crossing the Atlantic eastwards. In between, the book examines the projection of images of the East onto an as-yet unrecognised West; the cultural consequences of Viking, Colombian, and then English migration to America; the growth and independence of the British American colonies; the key writers of the new Republic; and the development of the culture of the United States before and after the Civil War. It is intended both as an introduction for undergraduates to the richness and variety of American Literature, and as a contribution to the debate about its distinctive nature. The book therefore begins with a lengthy survey of earlier histories of American Literature.