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Suffused with pain and power, Minnie Bruce Pratt's poetry is as evocative of the swamps and streets of the southern United States as it is of the emotional lives of those too often forced into the margins of society. Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention.
Finalist for Audre Lorde Award for Lesbian Poetry, given by The Publishing Triangle, 2022 This collection of love poems draws us into the sacred liminal space that surrounds death. With her beloved gravely ill, poet and activist Minnie Bruce Pratt turns to daily walks and writing to find a way to go on in a world where injustice brings so much loss and death. Each poem is a pocket lens "to swivel out and magnify" the beauty in "the little glints, insignificant" that catch her eye: "The first flowers, smaller than this s." She also chronicles the quiet rooms of "pain and the body's memory," bringing the reader carefully into moments that will be familiar to anyone who has suffered similar loss. Even as she asks, "What's the use of poetry? Not one word comes back to talk me out of pain," the book delivers a vision of love that is boldly political and laced with a tumultuous hope that promises: "Revolution is bigger than both of us, revolution is a science that infers the future presence of us." This lucid poetry is a testimony to the radical act of being present and offers this balm: that the generative power of love continues after death. Oh Death Someone sang, Oh death! Oh death! Won't you pass me over for another day? Someone said, I dreamed of you last night. I dreamed you were telling me your whole life story. Whole. Whorled. Welkin, winkle, wrinkle. The loop of time holds us all together. The pile of laundry on the bed. You folding socks one inside the other. We have had this day, and now this night. The clothes are put away, and from the bed we see the moon folding light into darkness, not death.
Poetry. LGBT Studies. The first title from Sapphic Classics, a co-edition between Sinister Wisdom Magazine and A Midsummer Night's Press to reprint seminal works of lesbian poetry. "In spare and forceful language Minnie Bruce Pratt tells a moving story of loss and recuperation, discovering linkages between her own disenfranchisement and the condition of other minorities. She makes it plain, in this masterful sequence of poems, that the real crime against nature is violence and oppression."--From the Judges' Statement, Lamont Poetry Prize 1989, CRIME AGAINST NATURE "Minnie Bruce Pratt's CRIME AGAINST NATURE is, for a number of reasons, a work at the poetic crossroads. It extends the subject of love poetry; it extends the subject of feminist and lesbian poetry; it looks in several directions through the lens of a strong, sensuous poetics, through that fusion of experience with imagination that is the core of poetry, and through cadences founded in the music of speech, tightened and drawn to an individual pitch."--Adrienne Rich
Gert loves dirt. She rolls in it, digs in it, even tastes it. But one day, while she's making mud pies, all that dirt changes her. Gert sprouts leaves, grows roots, and begins to photosynthesize in the sunlight! Gert is delighted, but the neighborhood can’t believe it. . . and soon the notoriety becomes too much for the grungy, green girl. Luckily, Mom and Dad know just what to do! Told in rhythm and rhyme and full of fun, tongue-twisting vocabulary, Dirty Gert is a celebration of individuality and unconditional love. . . and, of course, of the fun of playing in the dirt. Tedd Arnold’s cartoonish illustrations—complete with a cast of whispering worm commentators—express the joy of making mudpies, playing with worms, and most importantly, spending time with your loving family.
Doctor of Natural Medicine and wellness authority Dr. Josh Axe delivers a groundbreaking, indispensable guide for understanding, diagnosing, and treating one of the most discussed yet little-understood health conditions: leaky gut syndrome. Do you have a leaky gut? For 80% of the population the answer is “yes”—and most people don’t even realize it. Leaky gut syndrome is the root cause of a litany of ailments, including: chronic inflammation, allergies, autoimmune diseases, hypothyroidism, adrenal fatigue, diabetes, and even arthritis. To keep us in good health, our gut relies on maintaining a symbiotic relationship with trillions of microorganisms that live in our digestive tract. When our digestive system is out of whack, serious health problems can manifest and our intestinal walls can develop microscopic holes, allowing undigested food particles, bacteria, and toxins to seep into the bloodstream. This condition is known as leaky gut syndrome. In Eat Dirt, Dr. Josh Axe explains that what we regard as modern “improvements” to our food supply—including refrigeration, sanitation, and modified grains—have damaged our intestinal health. In fact, the same organisms in soil that allow plants and animals to flourish are the ones we need for gut health. In Eat Dirt, Dr. Axe explains that it’s essential to get a little “dirty” in our daily lives in order to support our gut bacteria and prevent leaky gut syndrome. Dr. Axe offers simple ways to get these needed microbes, from incorporating local honey and bee pollen into your diet to forgoing hand sanitizers and even ingesting a little probiotic-rich soil. Because leaky gut manifests differently in every individual, Dr. Axe also identifies the five main “gut types” and offers customizable plans—including diet, supplement, and lifestyle recommendations—to dramatically improve gut health in just thirty days. With a simple diet plan, recipes, and practical advice, Eat Dirt will help readers restore gut health and eliminate leaky gut for good.
Unearth the glorious mysteries that lie beneath our feet with 15 fun and fact-filled poems about soil--what it is, how it's made, and who lives in it! A New York Public Library Best Book of the Year Named to the Texas Bluebonnet Master List Spectacular vertical panoramas illustrating life underground accompany 15 funny, fascinating poems that explore dirt and the many creatures that make their homes underground. Spiders, earthworms, ants, chipmunks and more crawl across the pages, between stretching roots and buried stones. Chipmunk, for such a little squirt you sure do move a lot of dirt, you sure do dig your tunnels deep, you sure do find some nuts to keep, you sure do know your underground. Chipmunk, you sure do get around. This unique celebration of dirt-- what makes it, what lives in it, and the many wonderful things the soil does to support life on our planet-- is a whimsical, cleverly-illustrated pick for kids who love animals... or who just love playing in the mud. From the creators of And the Bullfrogs Sing, a Bank Street Best Book of the Year, this intriguing, uniquely charming nature book has been vetted by experts and includes an author's note with more information about all the featured creatures, as well as a bibliography. An NSTA Outstanding Science Trade Book for Students An NCTE Notable Poetry Book
A Washington Post Notable Nonfiction Book of 2017 One of NPR Fresh Air's "Books to Close Out a Chaotic 2017" NPR's Book Concierge Guide To 2017’s Great Reads “How lucky for us readers that Shapiro has been listening so perceptively for decades to the language of food.” —Maureen Corrigan, NPR Fresh Air Six “mouthwatering” (Eater.com) short takes on six famous women through the lens of food and cooking, probing how their attitudes toward food can offer surprising new insights into their lives, and our own. Everyone eats, and food touches on every aspect of our lives—social and cultural, personal and political. Yet most biographers pay little attention to people’s attitudes toward food, as if the great and notable never bothered to think about what was on the plate in front of them. Once we ask how somebody relates to food, we find a whole world of different and provocative ways to understand her. Food stories can be as intimate and revealing as stories of love, work, or coming-of-age. Each of the six women in this entertaining group portrait was famous in her time, and most are still famous in ours; but until now, nobody has told their lives from the point of view of the kitchen and the table. What She Ate is a lively and unpredictable array of women; what they have in common with one another (and us) is a powerful relationship with food. They include Dorothy Wordsworth, whose food story transforms our picture of the life she shared with her famous poet brother; Rosa Lewis, the Edwardian-era Cockney caterer who cooked her way up the social ladder; Eleanor Roosevelt, First Lady and rigorous protector of the worst cook in White House history; Eva Braun, Hitler’s mistress, who challenges our warm associations of food, family, and table; Barbara Pym, whose witty books upend a host of stereotypes about postwar British cuisine; and Helen Gurley Brown, the editor of Cosmopolitan, whose commitment to “having it all” meant having almost nothing on the plate except a supersized portion of diet gelatin.
This book chronicles fifth and sixth grade writers in a poor, culturally diverse, rural school in the southwest US coming into their voices, cultivating those voices, and using those voices in a variety of venues, beginning with the classroom community and spreading outward. The big ideas of official and unofficial portraits are presented, followed by data and facets of the theoretical construct of counterportraits in each chapter, as a response to official portraits.