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Covers the period from 1660-1990.
Do animals have rights? If not, do we have duties towards them? If so, what duties? These and a myriad of other issues are discussed in the brilliantly argued Animal Rights and Wrongs. Issues discussed include- - Why are animal-rights groups so keen to protect the rights of rabbits and foxes but not of rats or mice or even humans? - How can we bridge the growing gap between rural producers and urban consumers? -Why is raising animals for fur more heinous than raising them for their meat? -Are we as human beings driving other species either to extinction or to a state of dependency? Animal Rights and Wrongs includes chapters on the livestock crisis, fishing, BSE and a layman's introduction to philosophical concepts. The book presents a radical response to the defenders of animal rights, and a challenge to those who think that because they are kind to their pets, they are therefore good news for animals.
Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.
Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.
Literature and Union opens up a new front in interdisciplinary literary studies. There has been a great deal of academic work--both in the Scottish context and more broadly--on the relationship between literature and nationhood, yet almost none on the relationship between literature and unions. This volume introduces the insights of the new British history into mainstream Scottish literary scholarship. The contributors, who are from all shades of the political spectrum, will interrogate from various angles the assumption of a binary opposition between organic Scottish values and those supposedly imposed by an overbearing imperial England. Viewing Scottish literature as a clash between Scottish and English identities loses sight of the internal Scottish political and religious divisions, which, far more than issues of nationhood and union, were the primary sources of conflict in Scottish culture for most of the period of Union, until at least the early twentieth century. The aim of the volume is to reconstruct the story of Scottish literature along lines which are more historically persuasive than those of the prevailing grand narratives in the field. The chapters fall into three groups: (1) those which highlight canonical moments in Scottish literary Unionism--John Bull, 'Rule, Britannia', Humphry Clinker, Ivanhoe and England, their England; (2) those which investigate key themes and problems, including the Unions of 1603 and 1707, Scottish Augustanism, the Burns Cult, Whig-Presbyterian and sentimental Jacobite literatures; and (3) comparative pieces on European and Anglo-Irish phenomena.
This is the first biography in over 100 years of the great Tom Morris of St Andrews, who presided over one of the most illustrious periods in the history of golf, who - more than anyone before or since in any game - stamped his individual character upon his sport and how, in large measure, made golf what it is today. Born in a humble weaver's cottage in St Andrews in 1821, by the time of his death in 1908, he had become a figure of international renown. When he was buried with all the pomp and ceremony befitting an eminent Victorian, newspapers around the world reported his funeral, followed by his internment below the effigy of his son, Tommy, amidst the ruins of St Andrews Cathedral. In the course of his long life, he witnessed huge social and scientific changes in the world, none more so than in the game of golf that he had, in many respects, overseen and directed. By the time of his death, the game had expanded to become the most popular and geographically widespread of all sports and the essential recreational pursuit of gentlemen. Tom Morris was a sporting hero in an age of heroes, as well as golf's first iconic figure.
With over 6,000 entries, this is the most authoritative dictionary of architectural history available.
This magnificent volume offers a richly illustrated survey of art in Scotland, from 1460 to the current day. Its main emphasis is on painting and the graphic arts, and its scope clearly establishes the place of visual art in Scottish culture. Placing in perspective the impact of the Reformation and the richness of late medieval art, the book then follows the growth of art in the new Protestant culture through the 17th century. It culminates with the glorious achievements of the 18th, 19th, and 20th centuries, of painters such as Ramsay, Raeburn, Mackintosh, and Wilkie. A splendid volume that establishes the claim of Scottish art to a distinct identity and that changes our understanding of the wider history of European art.