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In our industrialized society, it is often difficult to imagine how the objects around us are made. How, for example, are triple spirals put into the stem of a wine glass or table tops inlaid with whole landscapes of semi-precious stones? This unique dictionary is devoted to the fascinating materials and techniques used in the decorative arts. Materials range from the exotic to the most basic, from rare stones found only in the mountains of Badakshan, unsavory animal products, and the ground bodies of South American insects to ones as common as sand, clay, and lime. Compiled by a team of experts, each with an intimate knowledge of his or her subject, the entries are written in clear, accessible language and supplemented by numerous photographs and drawings. Each core material (glass, ceramics, textiles, paper, plastics, leather, metal, stone, wood, and paint) is covered from its raw state through any processing or preparation to various craft stages and finally, to any surface finishing. Traditionally, the kind of information found in these pages has been passed on from craftsman to craftsman or confined to highly specialized books, and even common terms are often misunderstood. This dictionary makes the subject accessible to all--from art and architectural historians, curators, collectors, restoration specialists, artists, and museum staff to decorators, aficionados, and those who enjoy watching Antiques Roadshow. In short, this book is for all those who are intrigued by the materials and techniques used to create the beautiful objects that surround us.
Over 5500 entries, 750 drawings, 6 color plates, 182 photographs. A complete reference book of: furniture, cabinetwork, ceramics, glass, enamels, bibelots, silver, pewter, bronzes, clocks, watches, tapestries, textiles, arms & armor, sword mounts, ecclesiastical art and more including: styles, periods, terms, methods, processes and craftsmen in American, European and Oriental decorative art.
First published in 1998, Miller's Antiques Encyclopedia has gone on to sell more than 150,000 copies worldwide and been published into seven languages. This new edition includes a thoroughly updated directory, list of suppliers and up-to-date price codes for each item. Compiled by an international team of over 40 consultants and writers, and offering clear and wide-ranging coverage of antiques and collectables, this book contains valuable information for both the enthusiast and the experienced dealer. An extensive glossary explains the terms used throughout the book and clear cross-referencing leads you into related areas of interest. All the traditional areas of collecting are featured, with extensive sections on furniture, ceramics, silver and glass. More specialist subjects, such as jewellery, scientific instruments, Oriental art and sporting memorabilia are also included. Clearly and logically organised, practical and packed with absorbing and useful information, Miller's Antiques Encyclopedia is an invaluable aid to collecting and the definitive reference book on the subject.
Edgar Brandt: Master of Art Deco Ironwork is the first book to document the life and work of the premier metalsmith of the twentieth century. A member of a group of extraordinary artist-craftsmen that included Emile-Jacques Ruhlmann, Jean Puiforcat, and Jean Dunand, among others, Edgar Brandt (1880-1960) was a leading force during a period of great achievement in French decorative arts and design, creating an entirely new aesthetic for the medium of wrought iron.
"Home Comforts" meets Miss Manners in this elegant, comprehensive guide to the table -- an invaluable resource for every aspect of formal and informal dining and entertainment. 130 line drawings throughout. 16 pages of color photos.
An engaging, encyclopedic account of the material world of early modern Britain as told through a unique collection of dated objects The period from 1500 to 1800 in England was one of extraordinary social transformations, many having to do with the way time itself was understood, measured, and recorded. Through a focused exploration of an extensive private collection of fine and decorative artworks, this beautifully designed volume explores that theme and the variety of ways that individual notions of time and mortality shifted. The feature uniting these more than 450 varied objects is that each one bears a specific date, which marks a significant moment—for reasons personal or professional, religious or secular, private or public. From paintings to porringers, teapots to tape measures, the objects—and the stories they tell—offer a vivid sense of the lived experience of time, while providing a sweeping survey of the material world of early modern Britain.