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Jackie French is a full-time writer who lives near Braidwood in the Araluen Valley, NSW. In 2000, HITLER'S DAUGHTER was awarded the CBC Younger Readers' Award. TO THE MOON AND BACK won the Eve Pownall Award in 2005. Most recently, A ROSE FOR THE ANZAC BOYS was named an Honour Book in the 2009 CBCA awards
THE DIARY OF WILLIAM SHAKESPEARE, GENTLEMAN is part comedy, part love story, the threads of Shakespeare's life drawn from his plays. Could the world's greatest writer truly put down his pen forever to become a gentleman? He was a boy who escaped small town life to be the most acclaimed playwright of the land. A lover whose sonnets still sing 400 years later; a glover's apprentice who became a gentleman. But was he happy with his new riches? Who was the woman he truly loved? The world knows the name of William Shakespeare. This book reveals the man - lover, son and poet. Based on new documentary evidence, as well as textual examination of his plays, this fascinating book gives a tantalising glimpse at what might have been: the other hands that helped craft those plays, the secrets that must ever be hidden but - just possibly - may now be told. Ages 12+
Shakespearean Spaces in Australian Literary Adaptations for Children and Young Adults offers a comprehensive examination of Shakespearean adaptations written by Australian authors for children and Young Adults. The 20-year period crossing the late-twentieth and early twenty-first centuries came to represent a diverse and productive era of adapting Shakespeare in Australian literature. As an analysis of Australian and international marketplaces, physical and imaginative spaces and the body as a site of meaning, this book reveals how the texts are ideologically bound to and disseminate Shakespearean cultural capital in contemporary ways. Combining current research in children’s literature and Bourdieu’s theory of cultural capital deepens the critical awareness of the status of Australian literature while illuminating a corpus of literature underrepresented by the pre-existing concentration on adaptations from other parts of the world. Of particular interest is how these adaptations merge Shakespearean worlds with the spaces inhabited by young people, such as the classroom, the stage, the imagination and the gendered body. The readership of this book would be academics, researchers and students of children’s literature studies and Shakespeare studies, particularly those interested in Shakespearean cultural theory, transnational adaptation and literary appropriation. High school educators and pre-service teachers would also find this book valuable as they look to broaden and strengthen their use of adaptations to engage students in Shakespeare studies.
The acclaimed Pelican Shakespeare series, now in a dazzling new series design The Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers designed by Manuja Waldia, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. This edition of Much Ado About Nothing is edited with an introduction by Peter Holland. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A Kirkus Prize nominee and Stonewall Honor winner with 5 starred reviews! A New York Times bestseller! Named one of the best books of 2017 by NPR and the New York Public Library! "The queer teen historical you didn’t know was missing from your life.”—Teen Vogue "A stunning powerhouse of a story."—School Library Journal "A gleeful romp through history."—ALA Booklist A young bisexual British lord embarks on an unforgettable Grand Tour of Europe with his best friend/secret crush. An 18th-century romantic adventure for the modern age written by This Monstrous Thing author Mackenzi Lee—Simon vs. the Homo Sapiens Agenda meets the 1700s. Henry “Monty” Montague doesn’t care that his roguish passions are far from suitable for the gentleman he was born to be. But as Monty embarks on his grand tour of Europe, his quests for pleasure and vice are in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy. So Monty vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt, it calls into question everything he knows, including his relationship with the boy he adores. Witty, dazzling, and intriguing at every turn, The Gentleman's Guide to Vice and Virtue is an irresistible romp that explores the undeniably fine lines between friendship and love. Don't miss Felicity's adventures in The Lady's Guide to Petticoats and Piracy, the highly anticipated sequel!
Following on from I AM JULIET (August 2014), this is the second title in a new series for young people that focuses on the reinterpretation of Shakespeare's classic and enduring plays. Ages: 10+ She is the girl who will be queen: Ophelia, daughter of Denmarks lord chancellor and loved by Prince Hamlet. But while Hamlets family stab, poison or haunt one another, Ophelia plans a sensible rule, one filled with justice and the making of delicious cheeses. Even if she has to pretend to be mad to make it happen, Ophelia will let nothing, not even howling ghosts, stand in her way. This is Shakespeares play, but with what might also have happened behind the scenes. And this story has a happy ending. From Jackie French, one of Australias most respected and awarded authors and the Australian Childrens Laureate and 2015 Senior Australian of the Year, comes a book that reimagines the life of one of Shakespeares most intriguing female characters. Praise for I am Juliet: The captivating storyline and well-developed characters will make it popular with high school-aged readers. Magpies
The world's most famous love story told by one of Australia's most respected authors Ages: 10+ this is the well-known story of Juliet Capulet and her love for Romeo. It also the story about the increasing helplessness Juliet feels as she realises that unlike young men her age, her life will effectively be determined and controlled by others, who see her having an arranged marriage of alliance and becoming a breeder of sons. I am Juliet closely follows the well-known and loved plot of the play, but we also see the point of view of Rob, the thirteen-year-old boy who is the first to play the role of Juliet on the Elizabethan stage. Like many young people today, he too is overwhelmed by 'all those words' that Shakespeare wrote. But Rob realises that the story of love and tragedy is a somewhat simple one and the words are there for their extraordinary beauty and meaning. He will be Juliet and let the power of the words sing - as they still do today.
A searing story of passion, betrayal, battles and love, this is Shakespeare's 'Macbeth' stripped of superstition, and its power and beauty refined into fewer words where good balances the evil and there is a happy ending - for some. Following on from OPHELIA, QUEEN OF DENMARK and I AM JULIET, this is the third title in the series for young people that focuses on the reinterpretation of Shakespeare's classic and enduring plays. 'I didn't mean to do it'. Annie is not a witch, but when her mistress Lady Macbeth calls for a potion to 'stiffen Macbeth's sinews', Annie is caught up in plots that lead to murder, kingship and betrayal. Annie must also not only choose between Rab the Blacksmith and Murdoch, Thane of Greymouth, but discover where her loyalty lies. Ages: 10+