Download Free The Diary Of Stella Benson June To September 1920 Book in PDF and EPUB Free Download. You can read online The Diary Of Stella Benson June To September 1920 and write the review.

Giving a comprehensive critique of Cholmondeley's writings, Oulton analyzes the inspiration and influences behind some of her greatest work and provides an appealing biography on a writer whose work is of increasing interest to modern scholars.
Between its founding in 1854 and its collapse in 1952, the Chinese Maritime Customs Service delivered one-third to one-half of all revenue collected by China's central authorities. Much more than a tax collector, the institution managed China's harbors, erected lighthouses, and surveyed the Chinese coast. It funded and oversaw the Translator's College, which trained Chinese diplomats while its staff translated Chinese classics, novels, and poetry and wrote important studies on the Chinese economy, its financial system, its trade, its history, and its government. It organized contributions to international exhibitions, developed its own shadow diplomacy, pioneered China's modern postal system, and even maintained its own armed force. After the 1911 Revolution, the agency became deeply involved in the management of China's international loans and domestic bond issues. In other words, the Customs Service was pivotal to China's post-Taiping integration into the world of modern nation-states and twentieth-century trade and finance. If the Customs Service introduced the modern governance of trade to China, it also made Chinese legible to foreign audiences. Following the activities of the Inspectors General, who were virtual autocrats within the service and communicated regularly with senior Chinese officials and foreign diplomats, this history tracks the Customs Service as it transformed China and its relationship to the world. The Customs Service often kept China together when little else did. This book reveals the role of the agency in influencing the outcomes of the Sino-French War, the Boxer Rebellion, and the 1911 Revolution, as well as the rise of the Nationalists in the 1920s, and concludes with the Customs Service purges of the early 1950s, when the relentless logic of revolution dismantled the agency for good.
At the dawn of the 1930s a new empowered and liberated image of the female was taking root in popular culture in the West. This 'modern woman' archetype was also penetrating into Eastern cultures, however, challenging the Chinese and Japanese historical norm of the woman as homemaker, servant or geisha. Through a focus on the writings of the Western women who engaged with the Far East, and the Eastern writers and personalities who reacted to this new global gender communication by forming their own separate identities, Katrina Gulliver reveals the complex redefining of the self taking place in a crucial time of political and economic upheaval. Including an analysis of the work of Nobel Prize laureate Pearl S. Buck, The Modern Woman in China and Japan is an important contribution to gender studies and will appeal to historians and scholars of China and East Asia as well as to those studying Asian and American literature.
With its fossil hunters and philosophers, diplomats, dropouts, writers and explorers, missionaries and refugees, Peking's foreign community in the early 20th century was as exotic as the city itself. Always a magnet for larger than life individuals, Peking attracted characters as diverse as Reginald Johnston (tutor to the last emperor), Bertrand Russell, Pierre Loti, Rabrindranath Tagore, Sven Hedin, Peter Fleming, Wallis Simpson and Cecil Lewis. The last great capital to remain untouched by the modern world, Peking both entranced and horrified its foreign residents. Ignoring the poverty outside their gates, they danced, played and squabbled among themselves, oblivious to the great political events that were to shape modern China unfolding around them. This is a dazzling portrait of an eclectic foreign community and of China itself.
This book provides a necessary critical reappraisal of one of the most challenging and subversive of nineteenth-century women writers.
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
Living Alone (1919) is a novel by Stella Benson. Considered a pioneering work of fantasy fiction, Living Alone is a story of magic set in London during the First World War. Benson’s meditative, diaristic prose guides the reader alongside her protagonist, a young woman introduced to a world of witchcraft and wizardry at “the House of Living Alone.” “Nothing else happened in that room. At least nothing more important than the ordinary manifestations attendant upon magic. The lamp had tremulously gone out. Coloured flames danced about the Stranger's head. One felt the thrill of a purring cat against one's ankles, one saw its green eyes glare. But these things hardly counted.” Guided by her political commitments, Sarah Brown dedicates herself to charity work during the First World War. When a witch invites her to stay in a mysterious home, Sarah embarks on the adventure of a lifetime with her loyal dog David. Described by its author in playfully mysterious terms—“This is not a real book.”—Living Alone is a unique and haunting masterpiece that looks upon a tumultuous historical period with fresh perspective, presenting a story of growth and identity in an intoxicating world of magic and mystery. With a beautifully designed cover and professionally typeset manuscript, this edition of Stella Benson’s Living Alone is a classic work of British literature reimagined for modern readers.