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Neo-Victorian writers invoke conflicting viewpoints in diaries, letters, etc. to creatively retrace the past in fragmentary and contradictory ways. This book explores the complex desires involved in epistolary discoveries of 'hidden' Victorians, offering new insight into the creative synthesising of critical thought within the neo-Victorian novel.
If any scientific object has over the course of human history aroused the fascination of both scientists and artists worldwide, it is beyond doubt the moon. The moon is also by far the most interesting celestial body when it comes to reflecting on the dualistic nature of photography as applied to the study of the universe. Against this background, Selene’s Two Faces sets out to look at the scientific purpose, aesthetic expression, and influence of early lunar drawings, maps and photographs, including spacecraft imaging. In its approach, Selene’s Two Faces is intermedial, intercultural and interdisciplinary. It brings together not only various media (photography, maps, engravings, lithographs, globes, texts), and cultures (from Europe, America and Asia), but also theoretical perspectives. See inside the book.
When Max finds herself shooting a picture at a crime scene, she changes her life forever. Suddenly, every Polaroid she takes is accompanied by a dark figure, that seems to follow everywhere she goes. Unable to rid herself of it, she starts to dig, trying to find out what it wants. But what she discovers, scares her: because the thing turns out to be a former human that went to Max's High school, murdered in cold blood. And she won't leave Max alone until she solves the case...
Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Dusseldorf led to his attempted suicide in 1854. Schumann was voluntarily committed to an insane asylum near Bonn where, despite indications of improvement and dissatisfaction with his treatment, he spent the final two years of his life. Drawing on original research and newly published letters and journals from the time, author Eric Frederick Jensen presents a balanced portrait of the composer with both scholarly authority and engaging clarity. Biographical chapters alternate with discussion of Schumann's piano, chamber, choral, symphonic, and operatic works, demonstrating how the circumstances of his life helped shape the music he wrote. Chronicling the romance of Robert and Clara, Jensen offers a nuanced look at the evolution of their relationship, one that changed dramatically after marriage. He also follows Schumann's creative musical criticism, which championed the burgeoning careers of Chopin, Liszt, and Brahms and challenged the musical tastes of Europe.
There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies.
Despite her continual efforts to improve her life, Yvonne finally realizes that everything changes so that nothing ever changes for her: Wherever she goes, she always faces hostility, contempt, intrigues, misfortunes, disapproval, failures. She begins to understand what kind of forces hide behind the veneer of human civilization and who her real enemies are. The consequences are like running-fire: After yearlong mobbing at work, she ends up unemployed and she has to change jobs. She is completely isolated from friends and acquaintances. Dreams become nightmares. When everything seems to be lost, Yvonne begins to suspect what her real destiny in life is...
The extraordinary daughter of Cleopatra and Mark Anthony seeks to reclaim her birthright in the first novel of an epic historical fiction trilogy from the New York Times bestselling author of America's First Daughter. With both of her parents dead, Princess Selene and her two surviving brothers are left at the mercy of their captors, taken from Egypt and put on display as war trophies in Rome. Trapped in an empire that reviles her heritage and suspects her faith, Selene struggles for survival in a court of intrigue. She can't hide the hieroglyphics that carve themselves into her hands, nor can she stop the emperor from using her powers for his own ends. Faced with a new and ruthless Caesar who is obsessed with having a Cleopatra of his very own, Selene is determined to resurrect her mother's dreams and succeed where she failed. But there's no telling what success will cost her in a treacherous political game where the only rule is win or die...
Interior designer Selene Winston had arrived to remodel his mansion, not tangle in the sheets with her brutally handsome new boss. And yet the reclusive Adrien Morell haunted her dreams; his fantasies played through her mind. Soon she found herself succumbing to Adrien's magnetic power. But he was not about to walk out of the shadows with her. If she wanted more than a midnight lover, Selene would have to tame the beast beyond the bedroom door.