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Introduces Asser Levy, a member of the first group of refugee Jews who, fleeing persecution, arrived in America from Brazil in 1654 and began a legal fight for religious and civil rights. Includes historical notes, timeline, and glossary.
NATIONAL BESTSELLER • In this modern classic from the National Book Award–nominated author of The Chosen, a young religious artist is compulsively driven to render the world he sees and feels, even when it leads him to blasphemy. “A novel of finely articulated tragic power .... Little short of a work of genius.”—The New York Times Book Review Asher Lev is a Ladover Hasid who keeps kosher, prays three times a day and believes in the Ribbono Shel Olom, the Master of the Universe. He grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. He is torn between two identities, the one consecrated to God, the other devoted only to art and his imagination, and in time, his artistic gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous, visionary portrait of the artist, by turns heartbreaking and exultant.
It's time to go to market, so Nasreddine loads up the donkey and sets off with his father. But when onlookers criticize his father for riding while Nasreddine walks, the boy is ashamed. The following week, Nasreddine persuades his father to walk, and let him ride — but then people criticize the boy for making his father walk! No matter what Nasreddine tries, it seems that someone always finds something to disapprove of. Nasreddine is a legendary character popular in stories told throughout the Middle East, and this clever story will bring him to a new audience. Accompanied by stunning artwork, this tale offers a gentle reminder to readers that it isn't always necessary to listen to the world's criticisms.
Comprehensive history of crypto-Jewish beliefs and social customs.
Scholars have long recognized that ethnographic method is bound up with the construction of theory in ways that are difficult to teach. The reason, Allaine Cerwonka and Liisa H. Malkki argue, is that ethnographic theorization is essentially improvisatory in nature, conducted in real time and in necessarily unpredictable social situations. In a unique account of, and critical reflection on, the process of theoretical improvisation in ethnographic research, they demonstrate how both objects of analysis, and our ways of knowing and explaining them, are created and discovered in the give and take of real life, in all its unpredictability and immediacy. Improvising Theory centers on the year-long correspondence between Cerwonka, then a graduate student in political science conducting research in Australia, and her anthropologist mentor, Malkki. Through regular e-mail exchanges, Malkki attempted to teach Cerwonka, then new to the discipline, the basic tools and subtle intuition needed for anthropological fieldwork. The result is a strikingly original dissection of the processual ethics and politics of method in ethnography.
With truly startling statistics and a wealth of anecdotes, Silbiger reveals the cultural principles that form the bedrock of Jewish success in America.
Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- 1 Youth and Media -- 2 Then and Now -- 3 Themes and Theoretical Perspectives -- 4 Infants, Toddlers, and Preschoolers -- 5 Children -- 6 Adolescents -- 7 Media and Violence -- 8 Media and Emotions -- 9 Advertising and Commercialism -- 10 Media and Sex -- 11 Media and Education -- 12 Digital Games -- 13 Social Media -- 14 Media and Parenting -- 15 The End -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
“An important beginning to understanding the truth over myth about Judaism in American history” (New York Journal of Books), Steven R. Weisman tells the dramatic story of the personalities that fought each other and shaped this ancient religion in America in the eighteenth and nineteenth centuries. The struggles that produced a redefinition of Judaism illuminate the larger American experience and the efforts by all Americans to reconcile their faith with modern demands. The narrative begins with the arrival of the first Jews in New Amsterdam and plays out over the nineteenth century as a massive immigration takes place at the dawn of the twentieth century. First there was the practical matter of earning a living. Many immigrants had to work on the Sabbath or traveled as peddlers to places where they could not keep kosher. Doctrine was put aside or adjusted. To take their places as equals, American Jews rejected their identity as a separate nation within America. Judaism became an American religion. These profound changes did not come without argument. Steven R. Weisman’s “lucid and entertaining” (Publishers Weekly, starred review) The Chosen Wars tells the stories of the colorful rabbis and activists—including Isaac Mayer Wise, Mordecai Noah, David Einhorn, Rebecca Gratz, and Isaac Lesser—who defined American Judaism and whose disputes divided it into the Reform, Conservative, and Orthodox branches that remain today. “Only rarely does an author succeed in writing a book that reframes how we perceive our own history. The Chosen Wars is...fascinating and provocative” (Jewish Journal).