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Now that she’s betrothed to Sidis, Lyse is dreaming of the life she’s always wanted back in the Razanate Empire. She’s in for a rude awakening, however, when she crosses the border to find her engagement challenged by members of the imperial family—who want the happy couple to choose other spouses in order to spread their Light in different lineages?! This isn’t what Lyse came to the empire for! Can she come up with a clever way to navigate imperial politics, romantic intrigue, and family drama all to save her engagement?
A look at the tragically short life of the only daughter of Britain’s King George IV who won the heart of a nation. As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment, and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband, and when she married Prince Leopold of Saxe-Coburg, she finally achieved contentment. Her happiness was cruelly cut short when she died in childbirth at the age of twenty-one, only eighteen months later. A shocked nation went into mourning for its “people’s princess,” the queen who never was. “This perspicacious study of Charlotte’s short life is superb. Anne Stott is an accomplished and highly readable biographer whose earlier subjects have included William Wilberforce and Hannah More. She wears her research lightly—which is not to say that the book is anything less than scholastic (quite the opposite). Highly recommended.” —Naomi Clifford, author of The Murder of Mary Ashford
The second volume of the remarkable, Sunday Times bestselling diaries of Chips Channon. This second volume of the bestselling diaries of Henry 'Chips' Channon takes us from the heady aftermath of the Munich agreement, when the Prime Minister so admired by Chips was credited with having averted a general European conflagration, through the rapid unravelling of appeasement, and on to the tribulations of the early years of the Second World War. It closes with a moment of hope, as Channon, in recording the fall of Mussolini in July 1943, reflects: 'The war must be more than half over.' For much of this period, Channon is genuinely an eye-witness to unfolding events. He reassures Neville Chamberlain as he fights for his political life in May 1940. He chats to Winston Churchill while the two men inspect the bombed-out chamber of the House of Commons a few months later. From his desk at the Foreign Office he charts the progress of the war. But with the departure of his boss 'Rab' Butler to the Ministry of Education, and Channon's subsequent exclusion from the corridors of power, his life changes - and with it the preoccupations and tone of the diaries. The conduct of the war remains a constant theme, but more personal preoccupations come increasingly to the fore. As he throws himself back into the pleasures of society, he records his encounters with the likes of Noël Coward, Prince Philip, General de Gaulle and Oscar Wilde's erstwhile lover Lord Alfred Douglas. He describes dinners with members of European royal dynasties, and recounts gossip and scandal about the great, the good and the less good. And he charts the implosion of his marriage and his burgeoning, passionate friendship with a young officer on Wavell's staff. These are diaries that bring a whole epoch vividly to life.
This lively story has never been told before: the complete history of women's reading and the ceaseless controversies it has inspired. Belinda Jack's groundbreaking volume travels from the Cro-Magnon cave to the digital bookstores of our time, exploring what and how women of widely differing cultures have read through the ages. Jack traces a history marked by persistent efforts to prevent women from gaining literacy or reading what they wished. She also recounts the counter-efforts of those who have battled for girls' access to books and education. The book introduces frustrated female readers of many eras—Babylonian princesses who called for women's voices to be heard, rebellious nuns who wanted to share their writings with others, confidantes who challenged Reformation theologians' writings, nineteenth-century New England mill girls who risked their jobs to smuggle novels into the workplace, and women volunteers who taught literacy to women and children on convict ships bound for Australia. Today, new distinctions between male and female readers have emerged, and Jack explores such contemporary topics as burgeoning women's reading groups, differences in men and women's reading tastes, censorship of women's on-line reading in countries like Iran, the continuing struggle for girls' literacy in many poorer places, and the impact of women readers in their new status as significant movers in the world of reading.
An important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times Volume 2 of Tolstoy's Diaries covers the years 1895-1910. These Diaries were meticulously edited by R.F. Christian so as to reflect Tolstoy's preoccupations as a writer (his views on his own work and that of others), his development as a person and as a thinker, and his attitudes to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions. Christian introduces each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is a unique portrait of a great writer in the variegation of his everyday existence. 'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess 'A model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, Spectator
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
Enlightenment writers fiercely debated the nature of distraction in literature. Early novel reading typically conjures images of rapt readers in quiet rooms, but commentators at the time described reading as a fraught activity, one occurring amidst a distracting cacophony that included sloshing chamber pots and wailing street vendors. Auditory distractions were compounded by literary ones as falling paper costs led to an explosion of print material, forcing prose fiction to compete with a dizzying array of essays, poems, sermons, and histories. In Distraction, Natalie M. Phillips argues that prominent Enlightenment authors—from Jane Austen and William Godwin to Eliza Haywood and Samuel Johnson—were deeply engaged with debates about the wandering mind, even if they were not equally concerned about the problem of distractibility. Phillips explains that some novelists in the 1700s—viewing distraction as a dangerous wandering from singular attention that could lead to sin or even madness—attempted to reform diverted readers. Johnson and Haywood, for example, worried that contemporary readers would only focus long enough to “look into the first pages” of essays and novels; Austen offered wry commentary on the issue through the creation of the daft Lydia Bennet, a character with an attention span so short she could listen only “half-a-minute.” Other authors radically redefined distraction as an excellent quality of mind, aligning the multiplicity of divided focus with the spontaneous creation of new thought. Laurence Sterne’s Tristram Shandy, for example, won audiences with its comically distracted narrator and uniquely digressive form. Using cognitive science as a framework to explore the intertwined history of mental states, philosophy, science, and literary forms, Phillips explains how arguments about the diverted mind made their way into the century’s most celebrated literature. She also draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus.
British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers’ attitudes towards, and portrayals of, Modern Greece. Whereas, traditionally, studies of British Romantic Hellenism have predominantly focused on Europe’s preoccupation with an idealized Ancient Greece, this study emphasizes the nuanced and complex nature of British Romantic writers’ engagements with Modern Greece. Specifically, the book emphasizes the ways that early nineteenth-century British literature about contemporary Greece helped to strengthen British-Greek intercultural relations and, ultimately, to situate Greece within a European sphere of influence.