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A moving spiritual masterpiece that shows the true meaning of divinity in a hostile world A young, shy, sickly priest is assigned to his first parish, a sleepy village in northern France. Though his faith is devout, he finds nothing but indifference and mockery. The children laugh at his teachings, his parishioners are consumed by boredom, rumours are spread about him and he is tormented by stomach pains. Even his attempts to clarify his thoughts in a diary fail to deliver him from worldly concerns. Yet somehow, despite his suffering, he tries to find love for his fellow humans, and even a state of grace. Translated by Howard Curtis
In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself. Awarded the Grand Prix for Literature by the Academie Fran�aise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. "A book of the utmost sensitiveness and compassion... it is a work of deep, subtle and singularly encompassing art." - New York Times Book Review
Includes an introduction for each writing, suggested grade levels, related themes, review questions and answers, suggested activities, and discussion ideas.
Although Robert Bresson is widely regarded by movie critics and students of the cinema as one of the greatest directors of the twentieth century, his films are largely unknown and are rarely shown in the English-speaking world. Nonetheless, Susan Sontag has called Bresson "the master of the reflective mode in film."Martin Scorsese suggested that a young filmmaker should ask: "Is it as tough as Bresson?... Is Ýmeaning ̈ as ruthlessly pared down, as direct, as unflinching in its gaze at aspects of life I might feel more comfortable ignoring?" Questions that every reader of this book and every viewer of Bresson's films will also ask.Joseph Cunneen's book, now in paperback, introduces Bresson's movies to a broader audience, assesses thirteen of his most significant films in the context of detailed plot summaries, vivid descriptions of characters and settings, and perceptive, jargon-free insights into the director's execution, intention, and technique. Each of these films in its own way illustrates what Joseph Cunneen calls Bresson's "spiritual style." Though not necessarily focused on the explicitly religious, they illustrate two complementary principles: on the negative side, the rejection of what the director called "photographed theater" with its artificiality and dependence on celebrity performers. On the more positive side, as Bresson himself expressed it, the conviction that, "The supernatural is only the real rendered more precise; real things seen close up."
'The Films of Robert Bresson: A Casebook' presents an outstanding collection of essays and interviews with this legendary auteur, many of which were written by renowned directors and critics, including Jean-Luc Godard, Susan Sontag, and Francois Truffaut.
An examination of the French director's vision and style.
Being a pastor is a complicated calling. Pastors are often pulled in multiple directions and must "become all things to all people" (1 Cor. 9:22). What does the New Testament say (or not say) about the pastoral calling? And what can we learn about it from the apostle Paul? According to popular New Testament scholar Scot McKnight, pastoring must begin first and foremost with spiritual formation, which plays a vital role in the life and ministry of the pastor. As leaders, pastors both create and nurture culture in a church. The biblical vision for that culture is Christoformity, or Christlikeness. Grounding pastoral ministry in the pastoral praxis of the apostle Paul, McKnight shows that nurturing Christoformity was at the heart of the Pauline mission. The pastor's central calling, then, is to mediate Christ in everything. McKnight explores seven dimensions that illustrate this concept--friendship, siblings, generosity, storytelling, witness, subverting the world, and wisdom--as he calls pastors to be conformed to Christ and to nurture a culture of Christoformity in their churches.
Imaginatio et Ratio (www.imaginatioetratio.org) is a peer reviewed journal primarily focusing on the intersection between the arts and theology, hoping to allow imagination and reason to be seen as intimately intertwined-as different expressions of the same divine truth. Imaginatio et Ratio was started in the hopes that it could serve a growing community of artists and thinkers and strives to present accessible but high quality art, literary fiction, creative non-fiction, and theology/philosophy-as well as interviews and book, film, art and music reviews. The journal is published twice a year and is available in print and digital formats.
Revelation & Convergence brings together professors of literature, theology, and history to help both critics and readers better understand Flannery O’Connor’s religious imagination.
This text looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the œuvre's seminal place in the history of film.