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A historian, poet and autobiographer, A. L. Rowse (1903-1997) moved through the worlds of academia, politics and publishing; those he encountered upon the way came in for witty and vitriolic diatribes in his journals. On their first publication in 2003 these diaries were already widely anticipated - Rowse himself had suggested in his lifetime that there would be much to scandalise and entertain in them, and they didn't disappoint this prediction. Winston Churchill, G. M. Trevelyan, T. S. Eliot and John Betjeman are among the famous characters who came under his gaze, and whose conversations and opinions of one another he recorded. Compiled and edited by Richard Ollard, the diaries stretch from the 1920s - when Rowse first left his native Cornwall to study at Cambridge - to the 1960s, a fascinating and personal study of the most turbulent decades in recent history.
A.L. Rowse's journals extend over the greater part of the 20th century. Born in 1903, the son of a poor, virtually illiterate Cornish china-clay worker, he became one of the most prolific authors of his time and one of the most read. For 50 years a Fellow of All Souls College, Oxford (its first working-class entrant) he seized the opportunities offered in scholarship, in literature, in politics and above all in public controversy.
Erasmus, Leonardo da Vinci, King James I, Francis Bacon, Frederick the Great, Tchaikovsky, Diaghilev, Ernst Rohm, and E.M. Forster. The legacies they left to the world are as varied as their talents and temperaments, yet all shared a single predilection -- homosexuality. Now one of the most foremost historians of our time provides a thought provoking look at these and other homosexual men of genius in society, politics, literature and the arts in this first serious study of the problems and contributions of the homosexual through the ages.
Contains the material gathered by the author's investigation into the identity of the real Shakespeare--Edward de Vere, the 17th Earl of Oxford.
There is nothing like Keith Vaughan's Journals. They represent one of the greatest pieces of confessional writing of the twentieth-century. Keith Vaughan was a painter and belonged to the Neo-Romantic group, other members including Graham Sutherland, John Minton, Michael Ayrton, Ceri Richards, John Piper and John Craxton. He was also gay and much troubled by his sexuality. 'Faced at the age of 27 with what then seemed the likelihood of imminent extinction before I had properly got started', he began the Journals in 1939 and only finished them at the very moment of his suicide in 1977. The Journals are edited by Alan Ross, and in his words they are 'a self-portrait of astonishing honesty: devoid of disguise in any shape or form, or hypocrisy. It is difficult to think of anything in literature they resemble.' The earlier Journals, covering his war and his period of greatest creativity in the late 1940s and 1950s, 'are revealing for the light they shed on a painter's character and, to a lesser extent, working methods.' The last Journals chronicle 'a descent into hell . . . redeemed by their frankness, spleen and dry humour.' First published in 1966 and then reissued in amplified form in 1989, it is the latter version Faber Finds is reissuing. The fuller edition itself has been out of print for a long time, so its renewed availability will be welcome.
Aemilia Bassano Lanyer published poetry to and for women in 1611, at the height of the largely misogynistic reign of James I. Her verse complements and extends our view of her contemporaries, such as Spenser, Shakespeare, Jonson, and Donne, whose work in turn provides a context for her unique and engaging voice. This book situates Lanyer within the rich tradition of Jacobean poetry.
In this book, William Caferro asks if the Renaissance was really a period of progress, reason, the emergence of the individual, and the beginning of modernity. An influential investigation into the nature of the European Renaissance Summarizes scholarly debates about the nature of the Renaissance Engages with specific controversies concerning gender identity, economics, the emergence of the modern state, and reason and faith Takes a balanced approach to the many different problems and perspectives that characterize Renaissance studies