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Informed by selected postmodern theories and cultural criticism, this study argues that while American fiction of the 1980s and 1990s bears the outward signs of a return to realism, it also evidences recurring themes of postmodernism, such as alienation, social disintegration, personal despair, historical dislocation, and authorial self-reflexiveness.
Informed by selected postmodern theories and cultural criticism, this study argues that while American fiction of the 1980s and 1990s bears the outward signs of a return to realism, it also evidences recurring themes of postmodernism, such as alienation, social disintegration, personal despair, historical dislocation, and authorial self-reflexiveness.
This book presents three generations of German, French, and Anglo-American thinking on the Hegelian narrative of desire, recognition, and alienation in life, labor, and language—a narrative that has been subject to extensive commentary in philosophy, literature, psychoanalysis, and feminist thought. The texts focus on a central topos in Western thought, the story of self-consciousness awakened in nature and in history. John O'Neill argues that current postmodern rejections of the Hegelian-Marxist narrative demand an understanding of the texts included here. Without Hegel and Marx in our toolbox, he argues, we will flounder in a world marked by the split between postmodern indifference and premodern passion. The book makes a strong selection from the history of Hegelian-Marxist debate, hermeneutical and critical theory, and Freudian/Lacanian and feminist commentary on the dialectic of desire and recognition, on the levels of social psychology and political economy. Included are articles by Karl Marx, G. W. F. Hegel, Alexandre Kojève, Jean Hyppolite, Jean-Paul Sarte, Georg Lukács, Jürgen Habermas, Hans-Georg Gadamer, Howard Adelman, Shlomo Avineri, Jessica Benjamin, Edward S. Casey and J. Melvin Woody, Henry S. Harris, George Armstrong Kelly, Ludwig Siep, Judith N. Shklar, and Henry Sussman. The texts and commentaries show how the Hegelian-Maxist narrative of desire, recognition, and alienation is a contested story, one in which class, race, and gender issues are drawn into a historical romance that is being rewritten in contemporary cultural politics.
The period from Plato's birth to Aristotle's death (427–322 BC) is one of the most influential and formative in the history of Western philosophy. The developments of logic, metaphysics, epistemology, ethics and science in this period have been investigated, controversies have arisen and many new theories have been produced. But this is the first book to give detailed scholarly attention to the development of dialectic during this decisive period. It includes chapters on topics such as: dialectic as interpersonal debate between a questioner and a respondent; dialectic and the dialogue form; dialectical methodology; the dialectical context of certain forms of arguments; the role of the respondent in guaranteeing good argument; dialectic and presentation of knowledge; the interrelations between written dialogues and spoken dialectic; and definition, induction and refutation from Plato to Aristotle. The book contributes to the history of philosophy and also to the contemporary debate about what philosophy is.
This exciting new edited collection bridges the gap between narrative and self-understanding. The problem of self-knowledge is of universal interest; the nature or character of its achievement has been one continuing thread in our philosophical tradition for millennia. Likewise the nature of storytelling, the assembly of individual parts of a potential story into a coherent narrative structure, has been central to the study of literature. But how do we gain knowledge from an artform that is by definition fictional, by definition not a matter of ascertained fact, as this applies to the understanding of our lives? When we see ourselves in the mimetic mirror of literature, what we see may not just be a matter of identifying with a single protagonist, but also a matter of recognizing long-form structures, long-arc narrative shapes that give a place to – and thus make sense of – the individual bits of experience that we place into those structures. But of course at precisely this juncture a question arises: do we make that sense, or do we discover it? The twelve chapters brought together here lucidly and steadily reveal how the matters at hand are far more intricate and interesting than any such dichotomy could accommodate. This is a book that investigates the ways in which life and literature speak to each other.
wide criticism both from Western and Eastern scholars.
Russians have often been characterized as people with souls rather than selves. This study considers the stories of self of men and women across 200 years, from peasants to Tolstoy, as 15 historians and literary scholars situate narratives of self in their historical context.
Mathematics curriculums used in progressive classrooms of the United States and in classrooms of the People’s Republic of China presuppose markedly different philosophies. Xie and Carspecken reconstruct different assumptions operating implicitly within mathematics curriculums developed by the Ministry of Education in China and NCTM in the United States. Each curriculum is constructed upon a deep structure holistically integrating presuppositions about the nature of the human self, society, learning processes, language, concepts, human development, freedom, authority and the epistemology and ontology of mathematical knowledge. Xie and Carspecken next present an extended discussion of the two main philosophical traditions informing these curriculums: dialectical materialism in the case of the Chinese mathematics curriculum, and Dewey’s instrumental pragmatism in the case of NCTM. Both philosophies were developed as movements out of Hegelian idealism while retaining the anti-dualist and anti-empiricist insights of Hegel’s thought. The history of dialectical materialism and Dewey’s instrumentalism is carefully examined by the authors to identify both similarities and sharp differences in the resulting mature philosophies. Drawing upon more recent philosophies of intersubjectivity (Brandom, Habermas) and dialectical materialist psychologies (Vygotsky, Luria), the authors conclude this book with arguments for overcoming the limitations of a purely instrumentalist framework and for expanding potentialities implicit within dialectical philosophies. This book will be of value to a broad audience, including mathematics educators, philosophers, curriculum theorists, social theorists, and those who work in comparative education and learning science.
"In Paul in Israel's Story, John Meech addresses the problem of the self in community in a theological hermeneutics that brings together recent biblical scholarship and constructive theology."--BOOK JACKET.
In contemporary societies privatization has long ceased to be just an economic concept; rather, it must increasingly be made to refer to the ongoing shrinking of the public space under the impact of the representation of individual lives and images, which cuts across all discourses, genres and media to become one of the primary means of production of culture. This volume is intended to cover such an historical, social and intellectual ground, where self-representation comes to the fore. Targeting mostly an academic readership but certainly also of interest to the general educated public, it collects a wide range of essays dealing with diverse modes of life writing and portraying from a variety of perspectives and focusing on different historical periods and media. It thus offers itself as a major contribution to a better understanding of the world we live in: its past legacy and present configuration.ContentsIntroduction: Signposts of the Self in Modernity Part I. The Representational Dilemma Christopher PRENDERGAST: The Self as a Work of Art: Proust's ScepticismPaulo DE MEDEIROS: (Re-)Constructing, (Re-)Membering Postcolonial Selves Aleksandra PODSIADLIK: `Doing Identity? in Fiction: Identity Construction as a Dialogue between Individuals and Cultural Narratives Clara ROWLAND: Self-Representation and Temporality: `Parabasis? in Guimar'es Rosa's Grande Sert'o: Veredas Daniel ROVERS: New Man: Marie Kessels? Inner Portrait of a Writing Self Gaston FRANSSEN: Good Intentions, Ethical Commitment, and Impersonal Poetry:The Work of Gerrit Kouwenaar Jan RUPP: `For-Getting? Plural Selves: Narrative and Identity in Caryl Phillips's A Distant Shore Lars BERNAERTS: The Straitjacket of Normality. The Interaction with the Psychiatrist in Maurits Dekker's Waarom ik niet krankzinnig benLars DALUM GRANILD: The Self's Struggle for Recognition: August Strindberg and the Other Marinela FREITAS: Unshaded Shadows: Performances of Gender in Emily Dickinson and Luiza Neto Jorge Part II. Signalling Identity Peter BROOKS: The Identity Paradigm Roland GREENE: The Global I Davy VAN OERS: Staining the Past with Ink in Lorenzo Da Ponte's Memorie (1830): The Fallacies of Autobiographical `Writing? Eli PARK SORENSEN: Between Autobiography and Fiction: Narrating the Self in Gabriel Garcia Marquez's Vivir para contarla Mirjam TRUWANT: The Passion of Lena Christ: From Fictionalized Autobiography to Biographical Novel Ricardo GIL SOEIRO: Dreams in the Mirror: George Steiner by George Steiner Part III. Images of the Self Across the Arts Timothy MATHEWS: Reading W. G. Sebald with Alberto Giacometti Paula MOR?O: The Impossible Self-Portrait Anna Viola SBORGI: Between Literature and the Visual Arts: Portraits of the Self in William Carlos Williams, Marianne Moore, and Fernando Pessoa Jakob STOUGAARD-NIELSEN: Photography and Shadow-Writing: Henry James's Revisions of the Self in the New York Edition Patrick VAN ROSSEM: Consumed by the Audience. Inhibition, Fear, and Anxiety in the Oeuvre of Bruce Nauman Anke BROUWERS: There Was Something about Mary: Mary Pickford's Perfect `Little American? Verena-Susanna NUNGESSER: Paint it Red: Death Artistry as a Portrait of the Self