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Dewey Webster is admitted country hick from Tennessee. He has torn up numerous bars, hired a mob lawyer to settle a divorce, acted on off-off-off-Broadway, and has written pulp fiction stories. The large-bodied Dewey's adventures take place in 1947. Previously told in the "Dewey Chronicles" series, these stories are combined in one volume for the first time. Follow Dewey as he becomes a covert operator for the U.S. government; fights evil extra-terrestrial aliens; defends his dog in court; and goes back in time to the medieval ages. While Dewey is hard-headed and is not the sharpest knife in the drawer, he has unusual insight and a straightforward approach to life that serves him well. A good right-hand haymaker punch comes in handy, too. Give Dewey a pickup, a shotgun and a good "dawg," and he'll take on anything or anyone at any time.
Looking back at the last thirty-five years of Vanity Fair stories on women, by women, with an introduction by the magazine’s editor in chief, Radhika Jones Gail Sheehy on Hillary Clinton. Ingrid Sischy on Nicole Kidman. Jacqueline Woodson on Lena Waithe. Leslie Bennetts on Michelle Obama. And two Maureens (Orth and Dowd) on two Tinas (Turner and Fey). Vanity Fair’s Women on Women features a selection of the best profiles, essays, and columns on female subjects written by female contributors to the magazine over the past thirty-five years. From the viewpoint of the female gaze come penetrating profiles on everyone from Gloria Steinem to Princess Diana to Whoopi Goldberg to essays on workplace sexual harassment (by Bethany McLean) to a post–#MeToo reassessment of the Clinton scandal (by Monica Lewinsky). Many of these pieces constitute the first draft of a larger cultural narrative. They tell a singular story about female icons and identity over the last four decades—and about the magazine as it has evolved under the editorial direction of Tina Brown, Graydon Carter, and now Radhika Jones, who has written a compelling introduction. When Vanity Fair’s inaugural editor, Frank Crowninshield, took the helm of the magazine in 1914, his mission statement declared, “We hereby announce ourselves as determined and bigoted feminists.” Under Jones’s leadership, Vanity Fair continues the publication’s proud tradition of highlighting women’s voices—and all the many ways they define our culture.
Many contemporary constructivists are particularly attuned to Dewey's penetrating criticism of traditional epistemology, which offers rich alternatives for understanding processes of learning and education, knowledge and truth, and experience and culture. This book, the result of cooperation between the Center for Dewey Studies at Southern Illinois University Carbondale, and the Dewey Center at the University of Cologne, provides an excellent example of the international character of pragmatist studies against the backdrop of constructivist concerns. As a part of their exploration of the many points of contact between classical pragmatism and contemporary constructivism, its contributors turn their attention to theories of interaction and transaction, communication and culture, learning and education, community and democracy, theory and practice, and inquiry and methods. Part One is a basic survey of Dewey's pragmatism and its implications for contemporary constructivism. Part Two examines the implications of the connections between Deweyan pragmatism and contemporary constructivism. Part Three presents a lively exchange among the contributors, as they challenge one another and defend their positions and perspectives. As they seek common ground, they articulate concepts such as power, truth, relativism, inquiry, and democracy from pragmatist and interactive constructivist vantage points in ways that are designed to render the preceding essays even more accessible. This concluding discussion demonstrates both the enduring relevance of classical pragmatism and the challenge of its reconstruction from the perspective of the Cologne program of interactive constructivism.
Profiles the Lakota who witnessed the Battle of Little Bighorn and the massacre at Wounded Knee, worked in Hollywood and for Buffalo Bill Cody's "Wild West Show," and fought for the transformation of the Black Hills.
A gentle, delicately illustrated story, told from the perspective of a young boy who has lost a beloved grandfather. Occupying two dimensions--one that is tangible and heart-wrenching in its details of traces left behind, and another that is cosmic, created by the boy's imagination as he longs for a reunion--'One Day' explores the inner world of a child as he comes to terms with a deeply felt and aching loss.
Laurel Tanner examines closely the practices and policies of Dewey’s Laboratory School from their inception to the current day. Dewey’s Laboratory School: Lessons for Today provides a wealth of practical guidance on how schools today can introduce Deweyian reforms the way they were originally—and successfully—practiced. It is filled with fascinating excerpts from the school’s teachers’ reports and other original documents. It will be an indispensable text in graduate courses in foundations, curriculum and instruction, early childhood education, instructional supervision, and philosophy of education and for professors, researchers, and general readers in these fields. Selected Topics: Dewey’s Developmental Curriculum—An Idea for the Twenty-First Century • Dewey’s School as a Learning Community • What Have We Learned from Dewey’s School? • Looking at Reform the Dewey Way “The most readable account published of Dewey’s Laboratory School and its lessons for American schools today.” —Elliot W. Eisner, Chair, Curriculum Studies and Teacher Education, Stanford University School of Education “In this fascinating account of the Dewey School, we can almost imagine ourselves as teachers in those fabled classrooms.” —Vivian Gussin Paley, Author and teacher “Laurel Tanner has written the book we should have had decades ago.” —John I. Goodlad, Co-Director, Center for Educational Renewal and President, Institute for Educational Inquiry “Tanner highlights what can be learned today from the setbacks and successes of John Dewey and the teachers at the [Laboratory School at the] University of Chicago.” —Lilian G. Katz, Director, ERIC Clearinghouse on Elementary and Early Childhood Education
Written with candor and the wisdom of experience, this account tells of struggles with substance--and with self--and of strength both in and out of the ring for the wrestler known as The Missing Link.
Odessa is a Barn Owl with an attitude, who befriended Jaxon (a magical Jackalope). The two of them met Dewey (a cat with all the usual cat characteristics based around a desire for a life of luxury), and the three of them moved into an empty farm. Joshua Pebblestone bought his dream farm. His life was now going to be spent immersed in the peace and quiet of rural life, but then he found that he had three lodgers! Jaxon worked his magic which allowed them all to communicate with each other and, by some cunning feline manipulation, Joshua was soon known as the man-servant! The man-servant had no idea how full of adventures and humor his life was to become, with the antics of his three lodgers. He also had no idea that they would quickly steal his heart and be his best friends!
Lewrie’s ship has been recalled to England; life in London beckons... Lewrie loses his command when he receives news that Vigilance must return to England to be decommissioned and turned over to the dockyards for a complete refit. Lewrie is grounded, put on half-pay, and his crew disperses to look for new positions. It's late Autumn, and being ashore is heavenly, after a time. Lewrie spends time with his wife Jessica, helps his son Hugh find a new ship, and happily marries off Charlotte. Life onshore is quiet until Lewrie finds himself once again in the headlines of the city papers after discovering a dognapping gang and uncovering stolen Bisquits and Rembrants. The headlines should be positive, but soon the tides turn against Lewrie once again. There's never a dull moment for Lewrie! Number twenty-five in the Alan Lewrie Naval Adventures, Much Ado About Lewrie is perfect for fans of Patrick O'Brian, Julian Stockwin and C.S. Forester. Praise for Dewey Lambdin ‘Great naval action and deep historical detail in the vein of O’Brian and Forester’ Kirkus Reviews (starred review) ‘You could get addicted to this series. Easily.’ New York Times Book Review
From the archives of the Library of Congress: “An irresistible treasury for book and library lovers.” —Booklist (starred review) The Library of Congress brings book lovers an enriching tribute to the power of the written word and to the history of our most beloved books. Featuring more than two hundred full-color images of original catalog cards, first edition book covers, and photographs from the library’s magnificent archives, this collection is a visual celebration of the rarely seen treasures in one of the world’s most famous libraries and the brilliant catalog system that has kept it organized for hundreds of years. Packed with engaging facts on literary classics—from Ulysses to The Cat in the Hat to Shakespeare’s First Folio to The Catcher in the Rye—this is an ode to the enduring magic and importance of books. “The Card Catalog is many things: a lucid overview of the history of bibliographic practices, a paean to the Library of Congress, a memento of the cherished card catalogs of yore, and an illustrated collection of bookish trivia . . . . The illustrations are amazing: luscious reproductions of dozens of cards, lists, covers, title pages, and other images guaranteed to bring a wistful gleam to the book nerd’s eye.” —The Washington Post