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The Devil's Storybook is a 1974 New York Times Book Review Notable Children's Book of the Year and a 1975 National Book Award Finalist for Children's Books. An ALA Notable Book Chosen by School Library Journal as one of the Best of the Best Books
Twenty short stories display Satan's vanity and other failings as well as his unflagging gusto for dirty tricks.
The Devil is back, just as full of vanity and other human feelings as he was in Natalie Babbitt's first collection, The Devil's Storybook.
It's not treason when you're taking back your own kingdom. Forgive me but the evidence shows the devil was wrongly convicted of high treason. Begin with this biblical fact: He was the number one angel in heaven known as God's cover angel. He sat next to God and was promised to be god's successor to rule the kingdom of heaven. Lucifer was the Minister of Music and was actually a musical instrument. He wore a sheet with colored jewels that when turned made music. He was the one who brought us music. All this went to hell when God had a son named Jesus. God promised the kingdom to his new son, a breach of promise that Lucifer forbeared. Jesus enacted laws restricting angels. A group of angels believed the new laws enslaved them. Lucifer was their leader and led the angel revolt. The Devil's Story is a rock musical of his retrial for high treason. Don't worry it has a happy ending, sort of.
Devil’s Gate—the name conjures difficult passage and portends a doubtful outcome. In this eloquent and captivating narrative, Tom Rea traces the history of the Sweetwater River valley in central Wyoming—a remote place including Devil’s Gate, Independence Rock, and other sites along a stretch of the Oregon Trail—to show how ownership of a place can translate into owning its story. Seemingly in the middle of nowhere, Devil’s Gate is the center of a landscape that threatens to shrink any inhabitants to insignificance except for one thing: ownership of the land and the stories they choose to tell about it. The static serenity of the once heavily traveled region masks a history of conflict. Tom Sun, an early rancher, played a role here in the lynching of the only woman ever hanged in Wyoming. The lynching was dismissed as swift frontier justice in the wake of cattle theft, but Rea finds more complicated motives that involve land and water rights. The Sun name was linked with the land for generations. In the 1990s, the Mormon Church purchased part of the Sun ranch to memorialize Martin’s Cove as the site of handcart pioneers who froze to death in the valley in 1856. The treeless, arid country around Devil’s Gate seems too immense for ownership. But stories run with the land. People who own the land can own the stories, at least for a time.
Following the 2012 release of The Devils, Raising Hell examines the film from its inception through its reception.
This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.
Absurd fairy tales, very sensibly told ;There once was a good little devil - did you read that right? Yes you did: not a wicked little devil but a good one, and boy, was he in a fix! ;Instead of doing bad things like forgetting his homework and playing tricks on his teachers, this little devil kept trying to be good. He did all his homework - and sometimes enjoyed it! He was never rude and he even encouraged sinners to say sorry. His parents were at their wits' end. So the little devil struck out on his own.On his quest to learn to be good, our little devil meets all kinds of people, from priests to police and from the Pope in Rome to Little Jesus himself. But will the angels let a little red devil with black horns into Heaven? ;In these thirteen tales, clever young people find nifty ways to overcome greedy kings, wicked witches, unlucky spells and even silly names. And there's a big dash of magic to help them on the way!
A heart-pumping short story from the New York Times–bestselling author featuring one of operative Cotton Malone’s earliest missions . . . In this alternate-history-with-a-twist Thriller Short, Steve Berry explores one of Cotton Malone’s early missions, from a time when Malone was still employed as one of the Magellan Billet’s twelve agents. Malone is sent on a mission to a small central Asian country run by an enigmatic dictator, Yossef Sharma, whose alliance with the United States must be kept under wraps. It’s not a mission Malone enjoys, since Sharma has a penchant for burning books. Things get even more interesting when Sharma connects Malone with the world’s most infamous criminal, a man who wants to surrender. Things are not always what they seem, and Malone will need Sharma’s help if he plans to set things right and give the devil his due. This story was originally published in the “outstanding anthology” Thriller (Publishers Weekly), edited by #1 New York Times–bestselling author James Patterson. Many other Thriller Shorts are available from such blockbuster authors as Lee Child, David Morrell, Brad Thor, Katherine Neville, Heather Graham, and Douglas Preston and Lincoln Child. Praise for Steve Berry “Berry pumps the veins of history with action-packed adrenaline.” —Chicago Tribune “A fast-moving, globe-hopping tale of long-lost treasure and shadowy bad guys.” —San Francisco Chronicle
INSTANT NEW YORK TIMES BESTSELLER “It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell––his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle’s most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.