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Medardus is the Capuchin monk who is ignorant of his family history and what he knows about his childhood is based upon fragments of memory and a few events his mother has explained to him. Medardus cannot resist the devil's elixir, which has been entrusted to him and which awakens in him sensual desires. After being sent from his cloister to Rome, he finds a Count, disguised as a monk as a means of seeing his lover, and pushes him from a "devil's perch". Unbeknownst to all involved, the Count is Medardus's half-brother and the Count's lover is his half-sister. The Count becomes his lunatic doppelgänger and crosses his path multiple times after Medardus abandons his ecclesiastical position, drifting throughout the world.
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Medardus is the Capuchin monk who is ignorant of his family history and what he knows about his childhood is based upon fragments of memory and a few events his mother has explained to him. Medardus cannot resist the devil's elixir, which has been entrusted to him and which awakens in him sensual desires. After being sent from his cloister to Rome, he finds a Count, disguised as a monk as a means of seeing his lover, and pushes him from a "devil's perch". Unbeknownst to all involved, the Count is Medardus's half-brother and the Count's lover is his half-sister. The Count becomes his lunatic doppelgänger and crosses his path multiple times after Medardus abandons his ecclesiastical position, drifting throughout the world.
This book explores some of the ways in which word and image worked together in the nineteenth century, in terms of pictures, poetry and fiction. The authors keep in mind how word and image negotiate and compete for each other’s spaces. They seek to interrogate how image arises from absences in texts, and how image gives rise to narrative or voice. Topics include ekphrasis, illustration, literary representations of artists, the visual in writing, the staging of images and the textualization of theatrical tableaux, and related cultural and ideological tropes. This is covered in three main areas: ideological and philosophical resonances of image and text in fiction; the peculiar fusion of text and image that was the bread and butter of the Pre-Raphaelites; and book illustration, especially the tensions between writer and artist as authors of the text. The volume will be of interest to students and scholars in the field of Victorian literary and art history studies.
This early work by E. T. A. Hoffmann was originally published in the 19th century. Born in Königsberg, East Prussia in 1776, Hoffmann's family were all jurists, and during his youth he was initially encouraged to pursue a career in law. However, in his late teens Hoffman became increasingly interested in literature and philosophy, and spent much of his time reading German classicists and attending lectures by, amongst others, Immanuel Kant. Hoffman went on to produce a great range of both literary and musical works. Probably Hoffman's most well-known story, produced in 1816, is 'The Nutcracker and the Mouse King', due to the fact that - some seventy-six years later - it inspired Tchaikovsky's ballet The Nutcracker. In the same vein, his story 'The Sandman' provided both the inspiration for Léo Delibes's ballet Coppélia, and the basis for a highly influential essay by Sigmund Freud, called 'The Uncanny'. (Indeed, Freud referred to Hoffman as the "unrivalled master of the uncanny in literature.") Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions.
This carefully crafted ebook: "HORROR CLASSICS Ultimate Collection" is formatted for your eReader with a functional and detailed table of contents: H. P. Lovecraft: The Call of Cthulhu The Shadow Over Innsmouth Dagon The Dunwich Horror The Picture in the House The Outsider The Silver Key In the Vault The Whisperer in Darkness The Thing on the Doorstep The Shadow out of Time The Colour out of Space The Music of Erich Zann The Haunter of the Dark The Rats in the Walls Pickman's Model From Beyond Herbert West-Reanimator At The Mountains Of Madness Edgar Allan Poe: The Fall of the House of Usher The Cask of Amontillado The Pit and the Pendulum The Tell-Tale Heart The Masque of the Red Death The Black Cat The Murders in the Rue Morgue Ambrose Bierce: The Damned Thing An Occurrence at Owl Creek Bridge The Devil's Dictionary Chickamauga Arthur Machen: The Three Impostors The Hill of Dreams The Terror The Secret Glory The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Great Return ... H. P. Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories. Edgar Allan Poe (1809-1849) was an American writer. He is best known for his poetry and short stories, particularly his tales of mystery and the macabre. Ambrose Bierce (1842-1914) was an American journalist and writer. He employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events, and the theme of war. Arthur Machen (1863-1947) was a Welsh author and mystic. He is best known for his influential supernatural, fantasy, and horror fiction
This carefully crafted ebook: "HORROR CLASSICS Ultimate Collection" is formatted for your eReader with a functional and detailed table of contents: H. P. Lovecraft: The Call of Cthulhu The Shadow Over Innsmouth Dagon The Dunwich Horror The Picture in the House The Outsider The Silver Key In the Vault The Whisperer in Darkness The Thing on the Doorstep The Shadow out of Time The Colour out of Space The Music of Erich Zann The Haunter of the Dark The Rats in the Walls Pickman's Model From Beyond Herbert West-Reanimator At The Mountains Of Madness Edgar Allan Poe: The Fall of the House of Usher The Cask of Amontillado The Pit and the Pendulum The Tell-Tale Heart The Masque of the Red Death The Black Cat The Murders in the Rue Morgue Ambrose Bierce: The Damned Thing An Occurrence at Owl Creek Bridge The Devil's Dictionary Chickamauga Arthur Machen: The Three Impostors The Hill of Dreams The Terror The Secret Glory The White People The Great God Pan The Inmost Light The Shining Pyramid The Red Hand The Great Return ... H. P. Lovecraft (1890-1937) was an American author who achieved posthumous fame through his influential works of horror fiction. He is now regarded as one of the most significant 20th-century authors in his genre. Some of Lovecraft's work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories. Edgar Allan Poe (1809-1849) was an American writer. He is best known for his poetry and short stories, particularly his tales of mystery and the macabre. Ambrose Bierce (1842-1914) was an American journalist and writer. He employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events, and the theme of war. Arthur Machen (1863-1947) was a Welsh author and mystic. He is best known for his influential supernatural, fantasy, and horror fiction
The centuries-old murder of a dark wizard resulted in a vow of revenge upon all the descendants of those responsible, condemning them to death at the age of 32. After the curse takes its toll, only Count Antoine de C remains, together with his servant and guardian, Pierre. With his thirty-second year fast approaching and the recent death of Pierre, Antione begins exploring the many ruined parts of the castle alone, eventually coming across a mysterious passage that leads to the true cause behind the untimely deaths of his ancestors. Written when Lovecraft was in his late teens, "The Alchemist" is among the first works that he ever published. A classic horror story with a centuries-old curse at its centre, this book is highly recommended for fans of horror fiction and is not to be missed by lovers of Lovecraftian literature. Howard Phillips Lovecraft (1890–1937) was an American writer of supernatural horror fiction. Though his works remained largely unknown and did not furnish him with a decent living, Lovecraft is today considered to be among the most significant writers of supernatural horror fiction of the twentieth century. Other notable works by this author include: “At the Mountains of Madness”, “The Rats in the Walls”, and “The Shadow Over Innsmouth”. Read & Co. is publishing this classic short story now as part of our “Fantasy and Horror Classics” imprint in a new edition with a dedication by George Henry Weiss.
The modern horror story grew and developed across the nineteenth century, embracing categories as diverse as ghost stories, the supernatural and psychological horror, medical and scientific horror, colonial horror, and tales of the uncanny and precognition. This anthology brings together twenty-nine of the greatest horror stories of the period, from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century — Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, and Zola — as well as established genre classics from M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman, and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible, stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!
DigiCat presents to you the biggest collection of supernatural, macabre, horror and gothic classics: H. P. Lovecraft: The Case of Charles Dexter Ward At The Mountains of Madness The Colour out of Space The Whisperer in Darkness The Dunwich Horror The Shunned House... Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye... John William Polidori: The Vampyre Edgar Allan Poe: The Tell-Tale Heart The Cask of Amontillado The Black Cat... Henry James: The Turn of the Screw The Ghostly Rental... Bram Stoker: Dracula The Jewel of Seven Stars The Lair of the White Worm... Algernon Blackwood: The Willows A Haunted Island A Case of Eavesdropping Ancient Sorceries... Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Washington Irving: The Legend of Sleepy Hollow Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla Uncle Silas... M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Woman in White The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Terror by Night... Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables... Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories Arthur Machen: The Great God Pan The Terror... William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement... Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Rudyard Kipling: The Phantom Rickshaw Guy de Maupassant: The Horla Jerome K. Jerome: Told After Supper...
This is the first book-length study of best-selling writer John Saul's psychological and supernatural thrillers. Author Paul Bail compares John Saul's novels to a cocktail: (mix) one part , one part The Exorcist, a dash of Turn of the Screw, blend well, and serve thoroughly chillingly. Bail traces John Saul's literary career from his 1977 debut novel Suffer the Children—the first paperback original ever to make the New York Times best seller list—to his most recent novel, Black Lightning (1995). It features detailed analyses of eleven of his novels. The study includes never-before-published biographical information, drawing an original interview with John Saul, and a chapter on the history of tales of horror and the supernatural and how these genres have influenced Saul's fiction. Each chapter in this study examines an individual novel. The novels are analyzed for plot structure, characterization, thematic elements, and their relationship to prior and later novels by Saul. In addition, Bail defines and applies a variety of theoretical approaches to the novels—feminist, deconstructionist, Freudian, Jungian, and sociopolitical—to widen the reader's perspective. Bail shows how John Saul enlarged his repertoire from stories of supernatural possession to science-fiction based horror. A complete bibliography of John Saul's fiction and a bibliography of reviews and criticism complete the work. Because of John Saul's great popularity among teenagers and adults, this unique study is a necessary purchase by secondary school and public libraries.