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Folklore Studies, No. 11, University Of California Publications. Additional Editors Are Charles Speroni And M. A. Zeitlin.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
Devil Stories: An Anthology' assembles a diverse tapestry of narratives that delve into the enigmatic and often misunderstood character of the devil across various cultures, times, and literary styles. This collection, noteworthy for its breadth and depth, seamlessly weaves together the sinister with the satirical, the profound with the profane, offering readers an unparalleled exploration of the devil motif. From the macabre imaginings of Edgar Allan Poe to the cunning satire of Niccolò Machiavelli, each piece stands as a testament to the multifaceted portrayals of the devil, highlighting the range and versatility of its contributors. The anthology becomes a crucible in which the evolving perception of the devil is distilled, reflecting societal, theological, and philosophical angst and fascination through the ages. The authors and editors, hailing from diverse cultural and literary backgrounds, collectively embody the zeitgeist of their respective eras, making 'Devil Stories' a rich historical and literary mosaic. The convergence of such towering figures as Guy de Maupassant, Anatole France, and Maxím Gorky within a singular volume underscores the universal allure and enduring legacy of the devil archetype. This anthology not only aligns with but also transcends historical, cultural, and literary movements, offering a kaleidoscopic view of the human condition and its perpetual entanglement with good and evil, freedom and fate, chaos and order. 'Devil Stories: An Anthology' invites readers on a captivating journey into the heart of darkness and the myriad ways it has been envisioned and re-envisioned through time. It is a must-read for those fascinated by the complexity of moral narratives and the enduring allure of the devil as a symbol of rebellion, temptation, and defiance. This anthology provides an educational foray into the evolution of devil lore and its impact on literature, making it an invaluable resource for students, scholars, and anyone eager to explore the depths of human creativity and our collective nightmares.
A retelling of the story of Noah's ark, embellished with elements from Romanian folklore, including how the devil sneaked aboard, the reason Noah threw a cat overboard, and the role of a snake in saving the ark. In this Romanian folk version of the Noah story, getting the animals to march, two by two, onto the ark is the easy part. It's Noah's stubborn wife who insists that she's staying on dry land. Frustrated, Noah finally declares, "Oh, you devil, come in!" and not only persuades his wife but also gives the Devil himself the invitation he needed to come aboard.
New essays revealing the enduring significance of the story made famous in the 1587 Faustbuch and providing insights into the forces that gave the sixteenth century its distinct character. The Reformation and Renaissance, though segregated into distinct disciplines today, interacted and clashed intimately in Faust, the great figure that attained European prominence in the anonymous 1587 Historia von D. Johann Fausten. The original Faust behind Goethe's great drama embodies a remote culture. In his century, Faust evolved from an obscure cipher to a universal symbol. The age explored here as "the Faustian century" invested the Faustbuch and its theme with a symbolic significance still of exceptional relevance today. The new essays in this volume complement one another, providing insights into the tensions and forces that gave the century its distinctcharacter. Several essays seek Faust's prototypes. Others elaborate the symbolic function of his figure and discern the resonance of his tale in conflicting allegiances. This volume focuses on the intersection of historical accounts and literary imaginings, on shared aspects of the work and its times, on concerns with obedience and transgression, obsessions with the devil and curiosity about magic, and quandaries created by shifting religious and worldlyauthorities. Contributors: Marguerite de Huszar Allen, Kresten Thue Andersen, Frank Baron, Günther Bonheim, Albrecht Classen, Urs Leo Gantenbein, Karl S. Guthke, Michael Keefer, Paul Ernst Meyer, J. M. van der Laan, Helen Watanabe-O'Kelly, Andrew Weeks. J. M. van der Laan is Professor of German and Andrew Weeks is Professor of German and Comparative Literature, both at Illinois State University.