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R A Y N A I stood at death's door and knocked, thinking that being taken by the Grim Reaper was the only way to escape the cruel monster that was coming back for me, intent on finishing what he started a year ago. What opened the door wasn't Death, but it was close enough. What is a broken girl to do when the Devil himself opens the door she's been knocking on? Unfortunately, the choice isn't mine anymore. When you call out into the void, you can't control what answers back. L U C A S Death was coming for her, but I intercepted. She was trying to escape a monster from her past, only to find the Devil of her future. She's mine now, and I won't ever let her go. And the monster she's been running from? He's about to find something far more deadly in his way. Monster, meet the Devil.
We often think of demons appearing only in extravagant and extraordinary manifestations or working only through "bad" people. But the truth is more frightening than that. Most demonic activity takes place undetected, under the radar, and can even be hidden in our own prayer lives and in the churches where we attend Mass. Subtlety, illusion, and deceit are the preferred tactics of Satan's army of fallen angels, and they are waging an invisible battle for souls -- right now -- within and around us all. With St. Teresa of Avila's masterpiece The Interior Castle as his guide, bestselling author Dan Burke takes you on an illuminating journey through the seven levels of spiritual progress, explaining what God is accomplishing within your soul at each stage, as well as the finely tailored demonic strategies applied to throw you off your path. You'll learn how the devil is as active in your prayer life as you are, and how the saints were able to counter Satan as he adapted his schemes to correspond with where they were on their spiritual journeys. By discovering the myriad challenges St. Teresa faced and the remedies she employed to advance the spiritual progress of her soul, you'll know precisely what to expect as you progress in your current state to your final spiritual destination. You'll also learn: The marks of authentic contemplative encounter with God Why God uses dryness in prayer to advance the progress of our souls How to know if you're still in the "Purgative Way" How desolation can work for the good of the soul Why it's dangerous to assume that your decisions are correct if you feel at peace How to fight distraction in prayer The 11 ways to test the authenticity of charismatic gifts
An aging New Yorker, a writer named Nick, feels life ebbing out of him. The world has gone to hell and Nick is so sick of it all that he can't even have a glass of champagne. Then one night he meets a tantalizing young woman who agrees to come back to his apartment. Their encounter is the most strangely extraordinary of his life. Propelled by uncontrollable, primordial desires, he enters a new and unimagined dimension of the forbidden and is filled with a sexual and spiritual ecstasy that is as intense as it is unholy. Suddenly Nick's senses are alive. He feels strong, unconquerable, beyond all inhibition and earthly morality. He indulges in life's pleasures, pure and perverse, sublime and dangerous, from the delicate flavors of the perfect tomato to the fleshy beauty of a woman's thigh. But Nick's desire to sustain his rapture leads him to a madness and a darkness far greater and dreadful than have ever ridden the demon mares of night. Writing in a lineage that includes Dante, William S. Burroughs, Charles Bukowski, Hubert Selby, Jr., and Hunter S. Thompson, Nick Tosches may be America's last real literary outlaw -- a fearless, uncensorable seeker of our deepest secret truths and desires, from the basest to the most beautiful. Me and the Devil is outrageous, disturbing, and brilliant, a raw and blazing novel truly unlike any other. Like the man said: Read him at your peril. "A raw and blazing novel by "the single, most brain-searingly dangerous man of letters. Read him at your peril." -- Anthony Bourdain
What happens when the stories we've been told fail us? In ten provocative and unsettling tales, Pedro Ponce grapples with the human instinct to create a narrative out of disparate experiences. The Devil and the Dairy Princess interrogates the power of stories to impact us for good or ill. We are all taught that love is destined to happen with our soul mate and that hard work eventually leads to success. But when faced with circumstances that no longer fit the chosen narrative, some protagonists cling to their outmoded stories with greater fervor, while others realize the old stories no longer suffice, so they choose to inhabit a new reality in stories yet to be told. Perfect for any reader who enjoys literary realism or speculative fiction, The Devil and the Dairy Princess reveals the episodic history of humanity's romance with narrative, from first love to breakup to hopeful reconciliation.
Julian Kestrel, gentleman sleuth and dandy, becomes fascinated with the unsolved case of the murder of a Milanese aristocrat and the disappearance of his protégé, a brilliant young English opera singer. What has become of the singer’s fiancée and the aristocrat’s notoriously surly manservant? Could the murder be tied to Italy’s tumultuous politics? Furthermore, the murdered marquis left a widow whose beauty makes Kestrel’s heart skip faster.
A charismatic young soldier meets a tragic end in this moving and mesmerizing account of murder and suicide in New Orleans. Brown discovers that this tragedy--like so many others--could have been avoided.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
Damon West is a twenty-eight-year old living in New York City. His life appears to be perfect. He has a loving girlfriend, good friends, lots of money and a job on Wall Street, everything a young man could ask for.However, Damon has a secret. Damon is the Devil. For centuries, Damon has roamed the Earth enjoying everything the human world has to offer. Sex, entertainment, travel and new discoveries. Damon's life appears to be perfect but takes an unexpected turn when he meets a co-worker, Latasha.Damon is suddenly submerged in a spiraling obsession with Latasha he can't control. She plays him for the fool. For all his charms, Damon is unable to deal with those emotions. Is it love? Whilst Damon's world starts to spiral out of control, we start to question who Latasha really is. Is she who she appears to be? Was this all part of a higher plan? Has she been conspiring with the suspicious new boss, Jason Godfrey?In The Devil In I, Damon faces the ultimate battle to hold on to everything he has: his job, his reputation, his girlfriend, and his life. This is a fast paced, sexy, violent modern day thriller. It is the ultimate story of Good vs Evil. Based in New York City, The Devil In I is not for the faint of heart.
Until the end of the eighteenth century, missionaries to the New World agreed that diabolism lay at the heart of the Native American belief system and at the root of their own failure to establish a church purged of Satan and pagan superstition. The Devil mattered, and he occupied a central place in discussions of all non-Christian religious systems and in the bitter disputes over how to combat them. In this elegant and sensitive analysis, Fernando Cervantes gives the Devil his due, illuminating a neglected aspect of the European encounter with America and setting the full history of the "spiritual conquest" in a rich and original context. He reveals how Native Americans reinterpreted the view of Christianity presented to them, how they refused to see the world as the missionaries saw it. Drawing on archival sources, he brings into clear focus the complex, often bewildering, and sometimes tragic clash between a theology that posited the existence of competing forces and one that insisted that all deities were multiform beings within which good and evil coexisted. He deals in compelling and persuasive detail with the social history of the interaction between the two cultures, explaining not only the impact of European ideas upon the New World but the influence of diabolism on the ideology of the Old. And he provides a subtle account of the role of diabolism in the emerging baroque culture of the seventeenth and eighteenth centuries that strikingly challenges conventional explanations of the growth of skepticism in the period.
In this unique and highly entertaining autobiography, Alf Taylor chronicles his life growing up in the infamous New Norcia Mission, north of Perth in the fifties and sixties. At once darkly humorous and achingly tragic, God, The Devil and Me tells of the life and desperation of the young children forced into the care of the Spanish Nuns and Brothers who ran the Mission. Their lives made up of varying degrees of cruelty and punishments, these children were the 'little black devils' that God and religion forgot. Written with an acerbic and brutal wit, Alf intersperses dark childhood memories with a Monty Pythonesque retelling of the Bible, in which Peter is an alcoholic and Judas is a good guy.As a child, underfed, poorly clothed and missing his family, Alf sought refuge in the library in the company of Shakespeare and Michelangelo. He writes with joy about the camaraderie of the boys, their love of sport and their own company, but also notes that many descended into despair upon leaving. Most died early. Alf Taylor is one of the 'lucky ones'.'At once horrific and hilarious, this ''little black devil'' has created a work unique not just in Aboriginal writing, but in Australian literature altogether.' - Dennis Haskell, Australian poet, critic and academic