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Finalist for the 2017 Shamus Award Michael Craven, author of The Detective & The Pipe Girl, delivers another mystery—for fans of Elmore Leonard and Carl Hiaasen—featuring private detective John Darvelle, who must crack a cold case that pulls him into the high-stakes world of exotic fish collectors. Private Detective John Darvelle is back—drinking cheap beer, playing ping-pong and sharing his philosophy on everything from work/life balance to restaurants with bad air-conditioning. (He doesn’t believe in the former, he despises the latter.) Darvelle is hired to find the killer of Keaton Fuller, a well-born Los Angeles man gunned down in his own driveway. The cops couldn’t solve the case, in part because everyone who came in contact with Keaton despised him. Translation: Anybody could have done it. Following a trail of the dead man’s betrayals, Darvelle finds himself in the exotic, high-stakes world of rare tropical fish. The fish are certainly valuable enough to kill for, but is there something more menacing going on? As Darvelle relentlessly drives toward the truth, a showdown awaits that is at once riveting, visceral, and very, very dangerous. It’s a case only he could solve—just as long as he’s willing to put his life on the line.
The reigning view of literary historians has been that the May Fourth movement of 1919 marks the division between the traditional and the modern in Chinese literature. This book argues that signs of reform and innovation can be discerned long before May Fourth, and that as China entered the arena of modern, international history in the late Qing, it was already developing its own complex matrix of incipient modernities. It demonstrates that late Qing fiction nurtured a creative, innovative poetics, one that was spurned by the reformers of the May Fourth generation in favor of Western-style realism. The author recognizes that a full account of modern Chinese fiction needs to ask why so many genres, styles, themes, and figures found in late imperial fiction were repressed by "modern" Chinese literary discourse. He focuses on four genres of late Qing fiction that have been either rudely dismissed in pejorative terms or simply ignored: depravity romances, court-case and chivalric cycles, grotesque exposés, and scientific fantasies. The author shows that in spite of the realist orthodoxy that has dominated Chinese literature since the May Fourth movement, these unwelcome genres have continually found their way back into mainstream discourse, their influence being increasingly evident in recent decades. This first comprehensive study of late Qing fiction discusses more than sixty works, at least half of which have rarely or never been dealt with by Western or Chinese scholars. Richly informed by contemporary literary theory, this book constitutes a polemical rethinking of the nature of Chinese literary and cultural modernity.
The Collector’s Voice is a major four-volume project which brings together in accessible form material relevant to the history and practice of collecting in the European tradition from c. 1500 BC to the present day. The series demonstrates how attitudes to objects, the collecting of objects, and the shape of the museum institution have developed over the past 3000 years. Material presented includes translations of a wide range of original documents: letters, official reports, verse, fiction, travellers' accounts, catalogues and labels. Volume 1: Ancient Voices, edited by Susan Pearce and Alexandra Bounia Volume 2: Early Voices, edited by Susan Pearce and Kenneth Arnold Volume 3: Imperial Voices, edited by Susan Pearce and Rosemary Flanders Volume 4: Contemporary Voices, edited by Susan Pearce and Paul Martin
This critical text examines the fiction of Earl Derr Biggers, S. S. Van Dine, and Dashiell Hammett during a crucial half-decade when they transformed the detective story. The characters they created, including Charlie Chan, Philo Vance, and the Continental Op, represented a new style of detective solving crimes in fresh ways. Their successes would push crime and detective fiction in startling and rejuvenating directions. Topics covered include the highbrow detective, the ethnic detective, the exploitation of contemporary sensations, and the exploitation of women. Instructors considering this book for use in a course may request an examination copy here.
Introducing Donald Tremaine, P.I. Once the world's number one surfer, Donald Tremaine quit at the top of his game, moved into a trailer in Malibu, and became a detective. Beautiful women don't ask for his autograph anymore. Now they ask for his help—like the stunning Nina Aldeen, who wants Tremaine to solve the murder of her uncle, advertising mogul Roger Gale, brutally slayed in his L.A. office a year earlier. The police investigation went nowhere. The suspects are many, and the victim had more secrets than anyone ever knew. But the closer Tremaine gets to the truth, the closer he comes to a killer who just might make his most complicated case his last. A novel that both honors and invigorates the classic private eye novel, Body Copy loudly heralds the arrival—with a bullet—of a major contender on the noir scene.