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This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful. In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition.
The Argonautika, the only surviving epic of the Hellenistic era, is a retelling of the tale of Jason and the Golden Fleece, probably the oldest extant Greek myth. Jason, a young prince, is sent on a perilous expedition but comes through various ordeals with the aid of the king's daughter, Medeia, winning the golden fleece and carrying off Medeia herself. He is a very modern figure, not at all Achillean: almost an anti-hero. Along the way, the story incorporates vivid accounts of early exploration and colonizing ventures. Peter Green's lively, readable verse translation captures the swift narrative movement of Apollonios's epic Greek. Apollonios Rhodios (c. 305-235 B.C.), the author of the Argonautika, was appointed Chief Librarian in the legendary library at Alexandria around 265 B.C. His first draft of this poem, composed when he was a very young man, drew scornful reactions from the literati of the day, Kallimachos in particular, who thought epic passé and long poems vulgar. Apollonios withdrew to the maritime island of Rhodes (his work is notable for its nautical expertise), where he hammered out the text as we know it today, returning to eventual success in the city that had rejected him. The compromise that resulted is a fascinating combination of age-old myth and modern treatment that produces a gripping and unforgettable narrative. Peter Green has translated this renowned poem with skill and wit, offering a refreshing interpretation of a timeless story. The cloth edition of the Argonautika includes Peter Green's lively and incisive commentary, the first on all four books since Mooney's in 1912. While clarifying text and background, the commentary takes full advantage throughout of the recent upsurge of scholarly interest in Apollonios. Alternate spelling: Argonautica, Apollonius Rhodius
This revelatory exploration of Book One of the Argonautica rescues Jason from his status as the ineffectual hero of Apollonius' epic poem. James J. Clauss argues that by posing the question, "Who is the best of the Argonauts?" Apollonius redefines the epic hero and creates, in Jason, a man more realistic and less awesome than his Homeric predecessors, one who is vulnerable, dependent on the help of others, even morally questionable, yet ultimately successful. In bringing Apollonius' "curious and demanding poem" to life, Clauss illuminates two features of the poet's narrative style: his ubiquitous allusions to the poetry of others, especially Homer, and the carefully balanced structural organization of his episodes. The poet's subtextual interplay is explored, as is his propensity for underscoring the manipulation of the poetry of others through ring composition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Essay by Deborah Wye. Foreword by Glenn D. Lowry.
Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.