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Planned and written specifically for teaching and preaching needs, this critically acclaimed biblical commentary is a major contribution to scholarship and ministry.
The speech-force of language -- On the way to Yucatan -- The Olson Codex
Caring for the wounded in the World War II Pacific Theater posed serious challenges to doctors and surgeons. The thick jungles, remote atolls and heavily defended Japanese islands of the Pacific presented dangers to medical personnel never before encountered in modern warfare, as did the devastating new kamikaze attacks. Sophisticated treatments, including complex surgery, were by necessity far removed from the fighting, requiring front line doctors to do the minimum--often under fire--to stabilize patients until they could be evacuated: "damage control," it would later be called. Navy doctors responsible for thousands of sailors aboard fleets in battle found caring for the wounded daunting or nearly impossible. Yet to save lives, medical resources had to be kept as close as possible to the action. This book systematically details the efforts and innovations of the doctors and surgeons who worked to preserve life under extreme peril.
Wolf, Bear, Eagle, Deer, Buffalo.
This overture provides the interested reader with a fresh approach to commentary writing, one that engages all the traditional concern with total coverage of the text in question, but with the added feature of uniting that commentary under a single set of larger working concerns. The first-time reader of Deuteronomy is introduced both to the standard critical issues and to the text itself, but within the context of a concern to understand the book's abiding theological legacy. Christopher R. Seitz, from the Editor's Foreword
The Meanings We Choose is an engagement with responsible bible reading-Hebrew Bible/Old Testament and New Testament texts-for the past as well as for the present and future. Its stated perspectives are multi-denominational Christian but the implications of such readings go far beyond a specific confessional framework. In the present political climate the aware, responsible "personal" is meaningful for any community, confessedly religious as well as otherwise. While the articles collected in this volume, broadly speaking, can and perhaps should be compartmentalized as ideological criticism, their significance for reading ideologies "different" from their own is more than considerable.
From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.
The author provides an account of his experiences as a crew member on a tall-masted schooner during a six-week voyage through the Great Lakes, and discusses his other explorations of the lakes, looking at their history, geology, and environmental disaster and rescue.
This work uses anthropological theory and field studies to investigate the social function and meaning of sacrifice. All rituals, including sacrifice, communicate social beliefs and morality, but these cannot be determined outside of a study of the social context. Thus, there is no single explanation for sacrifice - such as those advanced by René Girard or Walter Burkert or late-19th and early-20th century scholars. The book then examines four different writings in the Hebrew Bible - the Priestly Writing, the Deuteronomistic History, Ezra-Nehemiah, and Chronicles - to demonstrate how different social origins result in different social meanings of sacrifice.