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In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.
This book's findings are rich and intriguing: In his death, Jesus--the chief architect in the production of space in the Christian realm--founds an alternative community that reorders space and creates a new reality for believers. This new community, which dwells in this radical new space, successfully resists the domination of oppressive regimes and mindsets, such as the Roman Empire. Suffering is transformed here. Many recent biblical studies have utilized various methodologies and historical-critical viewpoints, which have been helpful. However, drawing on theories of space and postcolonial approaches, Dr. Ajer breaks new ground in Johannine studies, a new terrain that will yield much fruit. The new understandings of "space" provide a key with which we may unlock more of the mysteries of the Fourth Gospel, as Ajer here demonstrates with powerful new discoveries and insights into John's Passion narrative.
Faye Blakemore is a photojournalist for a major New York newspaper. Faye has been taking photos since she was a small child, taught by her photographer grandfather, after spending hours in the strange blood-red light of his darkroom. Now Faye specializes in what one reviewer calls, “blood-and-guts journalism.” Her first book of photos is as celebrated as it is controversial—and as harrowing. Faye convinces her editor to send her to Afghanistan and the Congo to report on the acid burnings, the machete attacks, and the women survivors. Yet that series of assignments—each darker and more dangerous than the next—brings Faye closer to her both her own demons and to the family secrets that still haunt her and threaten to destroy her and the woman she loves.
Blanks, Print, Space, and Void in English Renaissance Literature is an inquiry into the empty spaces encountered not just on the pages of printed books in c.1500-1700, but in Renaissance culture more generally. The book argues that print culture in the sixteenth and seventeenth centuries helped to foster the modern idea of the 'gap' (where words, texts, images, and ideas are constructed as missing, lost, withheld, fragmented, or perhaps never devised in the first place). It re-imagines how early modern people reacted not just to printed books and documents of many different kinds, but also how the very idea of emptiness or absence began to be fashioned in a way which still surrounds us. Jonathan Sawday leads the reader through the entire landscape of early modern print culture, discussing topics such as: space and silence; the exploration of the vacuum; the ways in which race and racial identity in early modern England were constructed by the language and technology of print; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on reading practices; the social spaces of the page; gendered surfaces; hierarchies of information; books of memory; pages constructed as waste or vacant; the genesis of blank forms and early modern bureaucracy; the political and devotional spaces of printed books; the impact of censorship; and the problem posed by texts which lack endings or conclusions. The book itself ends by dwelling on blank or empty pages as a sign of human mortality. Sawday pays close attention to the writings of many of the familiar figures in English Renaissance literary culture - Sidney, Shakespeare, Donne, Jonson, and Milton, for example - as well as introducing readers to a host of lesser-known figures. The book also discusses the work of numerous women writers from the period, including Aphra Behn, Ann Bradstreet, Margaret Cavendish, Lady Jane Gray, Lucy Hutchinson, Æmelia Lanyer, Isabella Whitney, and Lady Mary Wroth.
A lucid and delicate exploration of memory and grief from the author of Essayism.
This collection of essays on the Singaporean writer and artist Arthur Yap is dedicated to his multifaceted creative work and makes it accessible to both general and academic readers. It features new and innovative essays on Yap’s prose, poetry and paintings by an international group of scholars and critics. The essays approach Yap’s work through literary and analytical methods drawn from postcolonial criticism, ecocriticism, studies of urban spaces, visual art and sexuality, with particular consideration for how his work contributes to a specifically Singaporean form of postcolonial critique.
One of the most attractive features of the young discipline of Space Science is that many of the original pioneers and key players involved are still available to describe their field. Hence, at this point in history we are in a unique position to gain first-hand insight into the field and its development. To this end, The Century of Space Science, a scholarly, authoritative, reference book presents a chapter-by-chapter retrospective of space science as studied in the 20th century. The level is academic and focuses on key discoveries, how these were arrived at, their scientific consequences and how these discoveries advanced the thoughts of the key players involved. With over 90 world-class contributors, such as James Van Allen, Cornelis de Jager, Eugene Parker, Reimar Lüst, and Ernst Stuhlinger, and with a Foreword by Lodewijk Woltjer (past ESO Director General), this book will be immensely useful to readers in the fields of space science, astronomy, and the history of science. Both academic institutions and researchers will find that this major reference work makes an invaluable addition to their collection.
On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand. Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. Starman tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret. Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.
Thrilling, true tales from the Vidocq Society, a team of the world's finest forensic investigators whose monthly gourmet lunches lead to justice in ice-cold murders Three of the greatest detectives in the world--a renowned FBI agent turned private eye, a sculptor and lothario who speaks to the dead, and an eccentric profiler known as "the living Sherlock Holmes"-were heartsick over the growing tide of unsolved murders. Good friends and sometime rivals William Fleisher, Frank Bender, and Richard Walter decided one day over lunch that something had to be done, and pledged themselves to a grand quest for justice. The three men invited the greatest collection of forensic investigators ever assembled, drawn from five continents, to the Downtown Club in Philadelphia to begin an audacious quest: to bring the coldest killers in the world to an accounting. Named for the first modern detective, the Parisian eugène François Vidocq-the flamboyant Napoleonic real-life sleuth who inspired Sherlock Holmes-the Vidocq Society meets monthly in its secretive chambers to solve a cold murder over a gourmet lunch. The Murder Room draws the reader into a chilling, darkly humorous, awe-inspiring world as the three partners travel far from their Victorian dining room to hunt the ruthless killers of a millionaire's son, a serial killer who carves off faces, and a child killer enjoying fifty years of freedom and dark fantasy. Acclaimed bestselling author Michael Capuzzo's brilliant storytelling brings true crime to life more realistically and vividly than it has ever been portrayed before. It is a world of dazzlingly bright forensic science; true evil as old as the Bible and dark as the pages of Dostoevsky; and a group of flawed, passionate men and women, inspired by their own wounded hearts to make a stand for truth, goodness, and justice in a world gone mad.