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Jeeva understands he is not ordinary. He is indeed born with an intense congenital drive to kill a bizarre wily black lord. The drive in fact is running him extremely mad that without killing him or possibly killed in his arms, he could be no normal. But, in order to kill the enemy ‘He must be dead still come out alive, he must marry a girl, mingle with her physically, still emerge out virgin.’ The prophecy demands even more. On one side were the crazy droves believing him as their saviour and on the other side was the troop of toxic demons wanting to ridicule him, to kill him. Whether Jeeva was able to accomplish the task or failed in the attempt...?
Nation states and communities throughout the world have reached certain decisions about capital punishment: It is the destruction of human life. It is ineffective as a deterrent for crime. It is an instrument the state uses to contain or eliminate its political adversaries. It is a tool of “justice” that disproportionality affects religious, social, and racial minorities. It is a sanction that cannot be fixed if unjustly applied. Yet the United States—along with countries notorious for human rights abuse—remains an advocate for the death penalty. In these thirteen pieces, Mario Marazziti exposes the profound inhumanity and irrationality of the death penalty in this country, and urges us to join virtually every other industrialized democracy in rendering capital punishment an abandoned practice belonging to a crueler time in human history. A polemical book, yes, yet one that brings together a wide range of stories to compel the heart as well the mind.
Death beyond Disavowal utilizes “difference” as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism. According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post–World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism’s exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense. In Audre Lorde’s Sister Outsider, Cherríe Moraga’s The Last Generation and Waiting in the Wings, Oscar Zeta Acosta’s The Revolt of the Cockroach People, Ana Castillo’s So Far from God, Gayl Jones’s Corregidora, Isaac Julien’s Looking for Langston, Inge Blackman’s B. D. Women, Rodney Evans’s Brother to Brother, and the work of the late Barbara Christian, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase. Hong posits cultural production as a compelling rejoinder to neoliberalism’s violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism.
Natalie’s near death experience when her truck was hit with a roadside bomb in Iraq. She recalls the entire spirit side experience as they repair her body so she could live.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The ordeals of the POWs put to slave labour by their Japanese masters on the Burma Railway have been well documented yet never cease to shock. It is impossible not to be horrified and moved by their stoic courage in the face of inhuman brutality, appalling hardship and ever-present death.While Barry Custance Baker was enduring his 1000 days of captivity, his young wife Phyllis was attempting to correspond with him and the families of Barrys unit. Fortunately these moving letters have been preserved and appear, edited by their daughter Hilary, in this book along with Barrys graphic memoir written after the War. Surviving the Death Railways combination of first-hand account, correspondence and comment provide a unique insight into the long nightmare experienced by those in the Far East and at home. The result is a powerful and inspiring account of one of the most shameful chapters in the history of mankind which makes for compelling reading.
She was a passionate lover. But was she also a murderess? In the first of Paul Doherty's series featuring the time travelling scholar Nicholas Segalla, the reader is transported to the 16th century Scottish court. Perfect for fans of Susanna Gregory and C. J. Sansom. Edinburgh, 1567. Beautiful Mary, Queen of Scots, leaves her ill husband's bedside to attend the wedding festivities of her maid of honour. Hours later, the calm night is shattered by a devastating explosion. The King's body is found in a field with a cloak, a chair, a slipper and a dagger by his lifeless corpse. When stolen letters cast suspicion on the queen herself, she is accused of murder. Was the fiery Mary the perpetrator of the King's bloody murder, or the object of a ruthless plot of betrayal, crafted by England's most masterful assassin, the Raven Master? Only the shadowy scholar Nicholas Segalla can uncover the truth. What readers are saying about Paul Doherty: 'A cracker, full of twists and turns, with an overarching mystery of who exactly is Segalla' 'Paul Doherty's books are a joy to read' 'The sounds and smells of the period seem to waft from the pages of [Paul Doherty's] books'