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With her stepsister trying to exact revenge on her, Tara turns to Lord Yama and his deadly conch for help, but she has only twenty-four hours to defeat her enemies or she may have to return to the World of the Dead forever.
Taras triumphant return to Morni is short-lived. Taras deceased former stepmother, Kali, seeks revenge through her daughter, Layla. And so begins a series of carefully orchestrated events to cast suspicion on Tara.
The spirit of Tara s deceased former stepmother, Kali, seeks revenge through her daughter, Layla. And so begins a series of carefully orchestrated events to cast suspicion on Tara: a dead dog in the village temple, contaminated well water, and whispers that Tara is still possessed. Layla fuels the villagers blind superstitions and fears, and soon all of Morni is against Tara, even her own family. Death seems to be the only way to stop her evil stepsister. Tara turns to Lord Yama and his deadly conch for help. He takes her to the Underworld to seek advice, but when she returns, she has only twenty-four hours to prove her innocence and to save the village before she must go back to the World of the Dead. Forever. Can Tara believe in herself once more to defeat Layla, or will Lord Yama and his deadly conch claim their next victim? The harrowing conclusion to the thrilling Tara Trilogy answers these questions and more
What if no one trusted you, not even your own family? Tara's triumphant return to Morni is short-lived. Her stepmother's daughter, Layla is angry and wants to avenge her mother's death. Her actions cast suspicion on Tara: a dead dog in the village temple, contaminated well water, and whispers that Tara is possessed by the demonic spirit of Zarku's mother. Layla fuels the villagers' blind superstitions and fears. Soon all of Morni is against Tara, even her own family. Death seems to be the only way to stop her evil stepsister. Tara turns to Lord Yama and his deadly conch for help. After a visit to the Underworld, Tara has only twenty-four hours to prove her innocence and save the village before she must go back to the world of the dead. And live there forever. Can Tara believe in herself one last time to defeat Layla, or will Lord Yama and his deadly conch claim her living soul? The Tara Trilogy is a middle-grade fantasy adventure set in India. It is infused with Indian mythology, culture, and folklore. A young girl must fight an evil healer, Zarku, who is intent on destroying all that is precious to her. Armed only with courage, perseverance, and an indomitable spirit, she must try and save herself, and the ones she loves. Mahtab Narsimhan is an award-winning author with numerous critically acclaimed books in the fantasy, horror, mystery, and contemporary genres. Many of her books have landed on prestigious lists and The Third Eye won the Silver Birch Fiction Award. She is deeply committed to representing diversity in her books. Please visit www.mahtabnarsimhan.com for more information.
The Tara Trilogy is a middle-grade fantasy adventure set in India. It is infused with Indian mythology, culture, and folklore. A young girl must fight an evil healer, Zarku, who is intent on destroying all that is precious to her. Armed only with courage, perseverance, and spirit she must try and save herself, and the ones she loves. The Third Eye (Book 1) How will Tara escape the malevolent gaze of the Third Eye? For Tara and her brother, Suraj, the year since their mother and grandfather fled the village of Morni, has been a nightmare. Their new stepmother is cruel and deceptive, and their father is indifferent to their suffering. Villagers have been disappearing, often returning in a strange, horrifying form. When a new healer, Zarku, a mysterious man with a third eye possessing strange power, suddenly appears in Morni, all are mesmerized by his magic-all except Tara, who sees through his evil disguise. With nothing but her own courage and wit, Tara tries to find her missing mother and grandfather-the true healer, in time to save her village. Alone and lost in the forest, she must enlist the help of the god Ganesh and the lord of death, Yama, or she, like others before her, will fall victim to Zarku's third eye. ★ Winner of the Silver Birch Fiction Award The Silver Anklet (Book 2) What if the only way to get rid of your worst enemy was to sacrifice your brother? When hyenas snatch Tara's brother, Suraj, and two other children from the local fair in Morni, Tara and her newfound companions embark on a rescue mission. Tara soon discovers that Zarku, her nemesis with the third eye, is back and intent on revenge. A deadly game of hide-and-seek ensues, and Tara and her companions must work together to survive. But is it soon clear that Zarku is only after Tara; the other are dispensable. Should Tara risk the lives of her friends? Or can she once again defeat Zarku and save her brother, armed only with belief in herself and a mysterious silver anklet. The Deadly Conch (Book 3) What if no one trusted you, not even your own family? Tara's triumphant return to Morni is short-lived as her stepmother's daughter, Layla, seeks revenge. And so begins a series of carefully orchestrated events to cast suspicion on Tara: a dead dog in the village temple, contaminated well water, and whispers that Tara is possessed by the demonic spirit of Zarku's mother. Layla fuels the villagers' blind superstitions and fears. Soon all of Morni is against Tara, even her own family. Death seems to be the only way to stop her evil stepsister. Tara turns to Lord Yama and his deadly conch for help. After a visit to the Underworld, Tara has only twenty-four hours to prove her innocence and save the village before she must go back to the world of the dead. And live there. Can Tara believe in herself one last time to defeat Layla, or will Lord Yama and his deadly conch claim her soul? Mahtab Narsimhan is an award-winning author with numerous critically acclaimed books in the fantasy, horror, mystery, and contemporary genres. Many of her books have landed on prestigious lists and The Third Eye won the Silver Birch Fiction Award. She is deeply committed to representing diversity in her books. Please visit www.mahtabnarsimhan.com for more information.
When hyenas snatch Taras brother, Suraj, and two other children from the local fair in Morni, Tara and her newfound companions decide to rescue them on their own. A deadly game of hide-and-seek ensues, and Tara and her companions must work together to survive.
A charming, heartbreaking and beautifully evocative novel about fate, friendship and family Every day in the vast and vibrant city of Bombay, thousands of dabbawalla delivery-men transport hundreds of thousands of freshly prepared lunches in tiffin boxes, straight from workers' homes and into their offices. Even though the city is a maze of streets, and the tiffins carry a delivery code only dabbawallas can understand, no lunch ever gets lost. Well, almost never... When a secret note placed in a tiffin box goes astray, the consequences for a young boy are devastating. Separated from his mother and forced to work as a slave in a cafe, Kunal is sure that if he could just find his family, his life and his fortunes would change forever. Recruiting the help of a dabbawalla friend, Kunal vows to find his mother - and it seems the answer may lie with the tiffins once more. If a lost note was the beginning of his destiny, can he use another to change it?
An edge-of-your-seat thriller from the bestselling author of I Know What You Did Last Summer. When Karen closes her eyes, the visions come. Through time and space, she sees a place where stolen children sleep. And if Karen denies a young policeman's request for help, the children may never go home again. Lois Duncan presents a ticking clock mystery with thrills at every turn.
Elizabeth DeLoughrey invokes the cyclical model of the continual movement and rhythm of the ocean (‘tidalectics’) to destabilize the national, ethnic, and even regional frameworks that have been the mainstays of literary study. The result is a privileging of alter/native epistemologies whereby island cultures are positioned where they should have been all along—at the forefront of the world historical process of transoceanic migration and landfall. The research, determination, and intellectual dexterity that infuse this nuanced and meticulous reading of Pacific and Caribbean literature invigorate and deepen our interest in and appreciation of island literature. —Vilsoni Hereniko, University of Hawai‘i "Elizabeth DeLoughrey brings contemporary hybridity, diaspora, and globalization theory to bear on ideas of indigeneity to show the complexities of ‘native’ identities and rights and their grounded opposition as ‘indigenous regionalism’ to free-floating globalized cosmopolitanism. Her models are instructive for all postcolonial readers in an age of transnational migrations." —Paul Sharrad, University of Wollongong, Australia Routes and Roots is the first comparative study of Caribbean and Pacific Island literatures and the first work to bring indigenous and diaspora literary studies together in a sustained dialogue. Taking the "tidalectic" between land and sea as a dynamic starting point, Elizabeth DeLoughrey foregrounds geography and history in her exploration of how island writers inscribe the complex relation between routes and roots. The first section looks at the sea as history in literatures of the Atlantic middle passage and Pacific Island voyaging, theorizing the transoceanic imaginary. The second section turns to the land to examine indigenous epistemologies in nation-building literatures. Both sections are particularly attentive to the ways in which the metaphors of routes and roots are gendered, exploring how masculine travelers are naturalized through their voyages across feminized lands and seas. This methodology of charting transoceanic migration and landfall helps elucidate how theories and people travel, positioning island cultures in the world historical process. In fact, DeLoughrey demonstrates how these tropical island cultures helped constitute the very metropoles that deemed them peripheral to modernity. Fresh in its ideas, original in its approach, Routes and Roots engages broadly with history, anthropology, and feminist, postcolonial, Caribbean, and Pacific literary and cultural studies. It productively traverses diaspora and indigenous studies in a way that will facilitate broader discussion between these often segregated disciplines.