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W. Todd Kaneko's The Dead Wrestler Elegies is some kind of miracle. There's nothing else like it. The book succeeds as guilty pleasure and love affair, tribute and indictment, myth-making and intervention, a chronicle of obsession and disappointment, and a meditation on everything from gender politics to the points at which we all, eventually, submit. More than a pack of wild horses, more than spray-tanned human biceps confusing themselves for pythons, more than any kind of mania, really, this book is gonna run wild on you. -MATTHEW GAVIN FRANK When the lights in the arenas go out, the poems and Kaneko's stunning visual work in The Dead Wrestler Elegies honor both these wrestlers and an era. Through Todd Kaneko's fierce but tender elegies, we come to understand that the gods are mortal after all. -OLIVER DE LA PAZ Sheened with baby oil and juice, these powerful poems explore the constructed and painful nature of masculinity's glory and gory days, where the body's currency is a site of both invincibility and vulnerability, transcendence and decay, Kaneko's lines moonsaulting a muscular parabola between cartoon and icon, kitsch and myth, the timeless cage match between ecstasy and grief. -LEE ANN RORIPAUGH These larger-than-life portraits are, more deeply, elegies for a lost family: for a departed mother, for a father who shared his love of wrestling through old VHS tapes. W. Todd Kaneko makes the wrestling ring an allegory of childhood, of masculinity, desire, and loss, a landscape of fantasy and dreams. -TIMOTHY YU
Poems about dead wrestlers, dead fathers, loss, love, violence, and the universe of memory inexorably connected to each of them.
A new edition of the classic tale of a barnstorming Jewish baseball team during the Great Depression Before penning his acclaimed graphic novel Market Day and founding the Center for Cartoon Studies, James Sturm proved his worth as a master cartoonist with the eloquent graphic novel, The Golem’s Mighty Swing, one of the first breakout graphic novel hits of the twenty-first century. Sturm’s fascination with the invisible America has been the crux of his comics work, exploring the rarely-told or oft-forgotten bits of history that define a country. By reuniting America’s greatest pastime with its hidden history, the graphic novel tells the story of the Stars of David, a barnstorming Jewish baseball team of the depression era. Led by its manager and third baseman, the nomadic team travels from small town to small town providing the thrill of the sport while playing up their religious exoticism as a curio for people to gawk at, heckle, and taunt. When the team’s fortunes fall, the players are presented a plan to get people in the stands. But by placing their fortunes in the hands of a promoter, the Stars of David find themselves fanning the flames of ethnic tensions. Sturm’s nuanced composition is on full display as he deftly builds the climax of the game against the rising anti-semitic fervor of the crowd. Baseball, small towns, racial tensions, and the desperate grasp for the American Dream: The Golem’s Mighty Swing is a classic American novel.
Eleven women confront dramas both every-day and outlandish in Caitlin Horrocks’ This Is Not Your City. In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language; the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates; and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks’ women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.
Poetry. Asian & Asian American Studies. "THIS IS HOW THE BONE SINGS by W. Todd Kaneko carries the pulse of ancient lament through the boneyards of war and unspeakable trauma. This lyric collection of profound beauty and grief reminds us to share our tales of generational trauma and topography--shaping our individual and collective memories--in place of forgotten histories."--Karen An-hwei Lee "What does it mean to be safe in America? In THIS IS HOW THE BONE SINGS, W. Todd Kaneko explores the legacy of concentration camps in the United States and how memory is carried forward. This book knows how to sing--to America, not its expected script, but the anthems of its history; and to a son, lessons on how to bring back the dead with stories, with a fading map, with birds."--Traci Brimhall "The best books about history are those that are also about the future. W. Todd Kaneko's marvelous THIS IS HOW THE BONE SINGS is more than a mere song--it is a singing across time and distance. In lyrics both personal and political, Kaneko composes a score that spans four generations, connecting his grandparents, who were prisoners in the unfathomable Minidoka concentration camps, to his young son and this unfathomable era in which he was born."--Dean Rader "To enter this book is to enter an orchard alive with memory's beasts. To read THIS IS HOW THE BONE SINGS is to witness how a poet at the height of his powers can alchemize history's violence into lyric and myth."--Brynn Saito "These are much-needed poems of unapologetic tenderness and talent--in other words, this collection does the near-impossible: it points us towards love even if what we know of this world doesn't."--Aimee Nezhukumatathil
A history of ancient literary culture told through the quantitative facts of canon, geography, and scale.
Winner of the Backwaters Prize in Poetry, Jennifer K. Sweeney’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Poetry expressing criticism of social, political and cultural life is a vital integral part of Persian literary history. Its principal genres - invective, satire and burlesque - have been very popular with authors in every age. Despite the rich uninterrupted tradition, such texts have been little studied and rarely translated. Their irreverent tones range from subtle irony to crude direct insults, at times involving the use of outrageous and obscene terms. This anthology includes both major and minor poets from the origins of Persian poetry (10th century) up to the age of Jâmi (15th century), traditionally considered the last great classical Persian poet. In addition to their historical and linguistic interest, many of these poems deserve to be read for their technical and aesthetic accomplishments, setting them among the masterpieces of Persian literature.
Micrographic reproduction of the 13 volume Oxford English dictionary published in 1933.