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Strange text messages portend a strange kind of apocalypse...Two brothers find themselves drawn to the only house in the neighborhood not decorated for Halloween…A man returns to his hometown to bury his overbearing mother, and finds more than memories awaiting him in the shadows of his childhood home…A young girl walks a lonely country road, recalling a rhyme that brings with it memories of death…A teenager hoping for romance gets more than he bargained for when the object of his desire introduces him to the object of hers…An aging millionaire awakes buried in a cheap coffin with only a lamp and a bell for company…The son of a woman accused of being a witch accepts the villagers' peace offering at her funeral, but all is not quite as it seems…A woman with a violent past realizes that this year's Halloween party may be coming for her…and a lonely trick-or-treater awakes in a house rumored to be a place of death. Featuring a new introduction, and rounded out by the author's recommended Halloween reading and watching lists, DEAD LEAVES makes for the perfect autumnal read.
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
Praised as a “revelatory” book by The Wall Street Journal, this is the last and most personal work of Pulitzer Prize–winning author and historian Will Durant, discovered thirty-two years after his death. The culmination of Will Durant’s sixty-plus years spent researching the philosophies, religions, arts, sciences, and civilizations from across the world, Fallen Leaves is the distilled wisdom of one of the world’s greatest minds, a man with a renowned talent for rendering the insights of the past accessible. Over the course of Durant’s career he received numerous letters from “curious readers who have challenged me to speak my mind on the timeless questions of human life and fate.” With Fallen Leaves, his final book, he at last accepted their challenge. In twenty-two short chapters, Durant addresses everything from youth and old age to religion, morals, sex, war, politics, and art. Fallen Leaves is “a thought-provoking array of opinions” (Publishers Weekly), offering elegant prose, deep insights, and Durant’s revealing conclusions about the perennial problems and greatest joys we face as a species. In Durant’s singular voice, here is a message of insight for everyone who has ever sought meaning in life or the counsel of a learned friend while navigating life’s journey.
It is January, 1978. Groups of nervous, dutiful white conscripts begin their National Service with Rhodesia's security forces. Ian Smith's minority regime is in its dying days and negotiations towards majority rule are already under way. For these inexperienced eighteen-year-olds, there is nothing to do but go on fighting, and hold the line while the transition happens around them. Dead Leaves is a richly textured memoir in which an ordinary troopie grapples with the unique dilemmas presented by an extraordinary period in history - the specters of inner violence and death; the pressurized arrival of manhood; and the place of conscience, friendship and beauty in the pervasive atmosphere of futile warfare.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
This collection of twelve short stories and one essay by Vietnamese writers reveals the tragic legacy of Agent Orange and raises troubling moral questions about the physical, spiritual, and environmental consequences of war. Between 1962 and 1971, the U.S. military sprayed approximately twenty million gallons of Agent Orange and other chemical defoliants on Vietnam and Laos, exposing combatants and civilians from both sides to the deadly contaminant dioxin. Many of the exposed, and later their children, suffered from ailments including diabetes, cancer, and birth defects. This remarkably diverse collection represents a body of work published after the early 1980s that stirred sympathy and indignation in Vietnam, pressuring the Vietnamese government for support. "Thirteen Harbors" intertwines a woman's love for a dioxin victim with ancient Cham legend and Vietnamese folk wisdom. "A Child, a Man" explores how our fates are bound with those of our neighbors. In "The Goat Horn Bell" and "Grace," families are devastated to find the damage from Agent Orange passed to their newborn children. Eleven of the pieces appear in English for the first time, including an essay by Minh Chuyen, whose journalism helped publicize the Agent Orange victims' plight. The stories in Family of Fallen Leaves are harrowing yet transformative in their ability to make us identify with the other.
Set in the draconian days of the early 80s, a group of friends try to track down a video of The Evil Dead before all copies are destroyed.
This book covers methods of Mathematical Morphology to model and simulate random sets and functions (scalar and multivariate). The introduced models concern many physical situations in heterogeneous media, where a probabilistic approach is required, like fracture statistics of materials, scaling up of permeability in porous media, electron microscopy images (including multispectral images), rough surfaces, multi-component composites, biological tissues, textures for image coding and synthesis. The common feature of these random structures is their domain of definition in n dimensions, requiring more general models than standard Stochastic Processes.The main topics of the book cover an introduction to the theory of random sets, random space tessellations, Boolean random sets and functions, space-time random sets and functions (Dead Leaves, Sequential Alternate models, Reaction-Diffusion), prediction of effective properties of random media, and probabilistic fracture theories.
"In Mister Alexander's neighborhood, it gets very dark very early." - Steve DuBois www.stevedubois.net "The nine stories in Michael Alexander's creepy collection, Boarded Windows, Dead Leaves, explore the creepier side of humanity. The tone is set by 'A Profound Impact' and doesn't let up. He takes on some of the standard horror tropes but also explores new grounds, all the while staying faithful to the theme that there are some very scary things out there, and you'd better be afraid." - Vincent Moore Professor of English & Humanities, Tiffin University Author of Emily Dickinson, Ninja Assassin "In Boarded Windows, Dead Leaves, Michael Jess Alexander takes the reader on a thrill-ride through his haunted imagination. Be sure to hold on tight! There are plenty of twists and turns you won't see coming until it is too late. By the time you manage to avert your gaze, the seeds of nightmare will have already been planted." - Lamont A. Turner "It depends on what you fear more, visiting the dead or being visited by the dead, which of these "nine macabre tales" you will find the most macabre. Will you be haunted more by living (and dying) the last moment of a laser-sliced brain, or by the returning soul able to possess many bodies at once, or by the experience of being eaten alive? Regardless of which one digs deepest into your anxieties, you won't soon forget any of the stories in Michael Jess Alexander's Boarded Windows, Dead Leaves." - H. L. Hix Author of Demonstrategy --- From cultish rituals to cosmic horror, Michael Jess Alexander's collection of horror fiction will leave you disquieted and unsettled. In "Chatterbox," a college professor is haunted by the spirit of a former student. "A Profound Impact" tells the story of a lost group of people who finally find a place they belong. In "Space For Amateurs," a science experiment goes horribly awry. These tales and six others await you in this haunting volume of horror fiction.