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Comedy Characters: 6 male Interior Set Despite the title, it has intense meaning for these times. The scene is a room in a wealthy country club, to which the men's committee is hastily summoned early one morning after a carousing dance. Problem: what to do about the 16 luscious but low life females who drove up in a Rolls Royces and then proceeded to the tennis courts, where they are now disporting. While the committee huddles, we learn that they are the vulgar, crass peopl
Praise for OPPOSABLE LIVES, Volume One of an Autobiography "I found it fascinating. . . . There are very few people who could write an interesting and entertaining autobiography." Mary Arntfield "A wonderful read!. . . tender and insightful, straight-forward and honest." Bill Guest "What a wonderful gift!. . . it's extremely well written, flows lucidly an easy while highly perceptive read." John Davis "I love your witty title. Opposable thumbs led to curiosity, experimentation, imagining, growth in intellect. Opposable Lives' generates these, and much, much more." Thomas Whitbread "I thoroughly enjoyed it." Brian Carnahan
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
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The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Technically, scatology has been used for various purposes: to shock, to smash puritanical taboos, to exptess hate and disgust, to explain psychological motivation, to satirise, to preach acceptance of the body, to project moral indignation, to shake the fist at God, and to have pure Rabelaisian fun. Above all, modern playwrights have used scatology, verbal and visual, for one great thematic purpose -- as a metaphor for the human condition.
First published in 1970, Dictionary of World Literary Terms brings together in one volume authoritative definitions of literary terms, forms and techniques, figures of speech and detailed notes on the history and development of the literatures and literary movements of the world. Arranged in alphabetical order for easy use, the entries range from anti-hero to zeugma, from classicism to the New Criticism, and from esoteric or archaic terms to contemporary theatre and poetry. This book will be indispensable for writers, students, scholars, researchers, librarians and everyone who has a literary curiosity.