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Henry Steegman is hardly "Mr. Personality" aboard the Mars-bound Algonquin 9. Yet it is he who bungles upon the spectacular Macy's-like city beneath the Red Planet's crust. For better or worse, the name Steegman will be immortalized by a discovery that will transform millions of lives. For a struggling screenwriter, the Martian beings could mean a big story, big bucks, headlines...and more women than any many his size has ever known... For an exhiled Russian rocket man, the are a possible route to America's space program, and the land of opportunity... For a flying-saucer faker of flickering fame, the possibilities are out of this world. In a brilliant near-future look at the human condition, Frederick Pohl has honed his satire-sharp science fiction to a steely new edge.
The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.
A comprehensive bibliography of books and short fiction published in the English language.
In the mid-1980s, Easton Press began publishing a series of leather-bound collector editions called “Masterpieces of Science Fiction” and “Masterpieces of Fantasy,” which featured some of the most important works in these genres. James Gunn was commissioned to write introductions to these works, which allowed him to pay tribute to many authors who inspired and influenced his own work. In Paratexts: Introductions to Science Fiction and Fantasy, Gunn has collected the most significant essays produced for the Easton series, along with prefaces he wrote for reprints of his own novels. Cited here are some of the most significant works of 19th and 20th century science fiction and fantasy, such as The Island of Dr. Moreau, 1984, Stranger in a Strange Land, A Clockwork Orange, Speaker for the Dead, The Postman, Do Androids Dream of Electric Sheep?, The Hitchhiker’s Guide to the Universe, The Dead Zone, The Mists of Avalon, Dragon’s Eye, Nine Princes in Amber, Blue Mars, The Last Unicorn, and The Lord of the Rings. Drawing upon Gunn’s lifetime of work in the field, these introductions include analyses of the individual works and the fields in which they were written. Gunn also briefly discusses each novel’s significance in the science fiction canon. Collected here for the first time, these prefaces and introductions provide readers with insight into more than seventy novels, making Paratexts a must-read for science fiction and fantasy aficionados.
One of science fiction's undisputed grandmasters, Frederik Pohl built an astonishing career that spanned more than seven decades. Along the way he won millions of readers and seemingly as many awards while producing novels, short stories, and essays that left a profound mark on the genre. In this first-of-its-kind study, Michael R. Page traces Pohl's journey as an author but also uncovers his role as a transformative figure who shaped the genre as a literary agent, book editor, and in Gardner Dozois' words, "quite probably the best SF magazine editor who ever lived."
Harlan Ellison’s Dangerous Visions made history on its release, receiving a special citation at the World Science Fiction Convention as that year’s “most significant and controversial SF book published.” A landmark short story collection that put New Wave Science Fiction on the literary map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards. Contributing authors include: Robert Silverberg, Frederik Pohl, Brian W. Aldiss, Philip K. Dick, Larry Niven, Fritz Leiber, Poul Anderson, Theodore Sturgeon, J.G. Ballard, Samuel R. Delany, and Ellison himself. As relevant now as it was when first published, Dangerous Visions is a phenomenal collection that deserves a place on every bookshelf.
A new compilation of short fiction includes a never-before-published Heechee story and other science fiction tales.
A group of unlikely heroes goes up against the ruthless Grail Brotherhood, who are exploiting Earth's children.
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.