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The real history of the New World and the visitors, from both East and West, who traveled to the Americas long before 1492 • Provides more than 300 photographs and drawings, including Celtic runes in New England, Gaelic inscriptions in Colorado, and Asian symbols in the West • Reinterprets many archaeological finds, such as the Ohio Serpent Mound • Reveals Celtic, Hebrew, Roman, early Christian, Templar, Egyptian, Chinese, and Japanese influences in North American artifacts and ruins As the myth of Columbus “discovering” America falls from the pedestal of established history, we are given the opportunity to discover the real story of the New World and the visitors, from both East and West, who traveled there long before 1492. Sharing his more than 25 years of research and travel to sites throughout North America, Carl Lehrburger employs epigraphy, archaeology, and archaeoastronomy to reveal extensive evidence for pre-Columbian explorers in ancient America. He provides more than 300 photographs and drawings of sites, relics, and rock art, including Celtic and Norse runes in New England, Phoenician and Hebrew inscriptions in the Midwest, and ancient Shiva linga and Egyptian hieroglyphs in the West. He uncovers the real story of Columbus and his motives for coming to the Americas. He reinterprets many well-known archaeological and astronomical finds, such as the Ohio Serpent Mound, America’s Stonehenge in New Hampshire, and the Crespi Collection in Ecuador. He reveals Celtic, Hebrew, Roman, early Christian, Templar, Egyptian, Chinese, and Japanese influences in famous stones and ruins, reconstructing the record of what really happened on the American continents prior to Columbus. He also looks at Hindu influences in Mesoamerica and sacred sexuality encoded in archaeological sites. Expanding upon the work of well-known diffusionists such as Barry Fell and Gunnar Thompson, the author documents the travels and settlements of trans-Atlantic and trans-Pacific explorers, miners, and settlers who made it to the Americas and left their marks for us to discover. Interpreting their sacred symbols, he shows how their teachings, prayers, and cosmologies reveal the cosmic order and sacred landscape of the Americas.
This definitive, detail-packed biography is the first of Frederick Starr (1856-1933), a founding father of American anthropology at the University of Chicago. It presents a major reevaluation of Starr’s place as the missionizer of anthropology, illuminates the consequences of the professionalization of anthropology, and yields a greater understanding of the United States as it moved into a position of global power. Donald McVicker considers Frederick Starr’s colorful life in the context of the times.In many respects Starr’s early career paralleled that of Franz Boas, “the architect of American anthropology.” Nonetheless, as Boas led professional anthropology into the twentieth century in the United States, Starr, the popularizer, increasingly fell behind. Today, if Starr is remembered at all, he is usually described in terms of his intellectual, professional, and ethical failings. Yet his collections, publications, and photographic and paper archives provide a rich set of resources for archaeologists, ethnologists, folklorists, and historians. McVicker argues that Starr’s mission to bring anthropology to the public and enlighten them was as valid a goal during his career as was Boas’s goal to professionalize the field.
Iowa has more than eighteen thousand archaeological sites, and research in the past few decades has transformed our knowledge of the state's human past. Drawing on the discoveries of many avocational and professional scientists, Lynn Alex describes Iowa's unique archaeological record as well as the challenges faced by today's researchers, armed with innovative techniques for the discovery and recovery of archaeological remains and increasingly refined frameworks for interpretation. The core of this book--which includes many historic photographs and maps as well as numerous new maps and drawings and a generous selection of color photos--explores in detail what archaeologists have learned from studying the state's material remains and their contexts. Examining the projectile points, potsherds, and patterns that make up the archaeological record, Alex describes the nature of the earliest settlements in Iowa, the development of farming cultures, the role of the environment and environmental change, geomorphology and the burial of sites, interaction among native societies, tribal affiliation of early historic groups, and the arrival and impact of Euro-Americans. In a final chapter, she examines the question of stewardship and the protection of Iowa's many archaeological resources.
Writing the history of American archaeology, especially concerning eighteenth- and nineteenth-century arguments, is not always as straightforward as it might seem. Archaeology’s trajectory from an avocation to a semi-profession to a specialized profession, rather than being a linear progression, was an untidy organic process that emerged from the intellectual tradition of antiquarianism. It then closely allied itself with the natural sciences throughout the nineteenth century, especially with geology and the debate about the origins and identity of the indigenous mound-building cultures of the eastern United States. In his reexamination of the eclectic interests and equally varied settings of nascent American archaeology, Terry A. Barnhart exposes several fundamental, deeply embedded historiographical problems within the secondary literature relating to the nineteenth-century debate about “Mound Builders” and “American Indians.” Some issues are perceptual, others contextual, and still others are basic errors of fact. Adding to the problem are semantic and contextual considerations arising from the problematic use of the term “race” as a synonym for tribe, nation, and race proper—a concept and construct that does not in all instances translate into current understanding and usage. American Antiquities uses this early discourse on the mounds to reframe perennial anthropological problems relating to human origins and antiquity in North America.
Offers various opinions on the ethical, legal, and cultural issues regarding the rights and interests of Native Americans, including discussion on the Native American Graves Protection and Repatriation Act.
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
Papers mostly from Geological Society of America Annual Meetings and field trips held in Houston, Texas, October 4-9, 2008.
An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Néaumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.