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Poems deal with parents, Western landscapes, Native Americans, peace, childhood, nature, and the past.
Nominee for National Book Critics Circle Award, this volume contains many delights and some long poems. There is a European feel about Hecht's verse that is striking, partly due to the richness of the classical allusions, and partly due to the way Hecht handles autobiography. Poetry in the 20th century is very much shaped by the individualism of our times, but poetry that is in essence confessional, eccentric, and overly particularized quickly becomes tiresome. Hecht often avoids this pitfall by realizing his own insight through cultural rather than personal metaphor, and this allows his words and imagery to remain fresh and resonant. ISBN 0-394-58506-2: $18.95.
Ninety poems gathered from four privately printed limited editions are now available to the general public. Stafford's poems demonstrate his profound understanding of freedom and social justice while showing us ways to establish harmony in our own lives.
A collection of poems by twentieth-century American poet William Stafford, featuring unpublished works from his last year of life, including the poem he wrote the day he died, and providing selections drawn from throughout his career, from the 1960s through the 1990s.
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu
Stanley Kunitz has received ... the Pulitzer Prize for Selcted Poems 1928-1958, the Brandeis Medal of Achievement, the Harriet Monroe Award, and Poetry's Levinson Prize. ... --Little, Brown and Company"He has a bold dramatic imagination that can wrest meanings from bleak and difficult material. He can break into truly passionate speech."--Theodore Roethke.
In this stunning collection of new poems, Mary Oliver returns to the imagery that has defined her life’s work, describing with wonder both the everyday and the unaffected beauty of nature. Herons, sparrows, owls, and kingfishers flit across the page in meditations on love, artistry, and impermanence. Whether considering a bird’s nest, the seeming patience of oak trees, or the artworks of Franz Marc, Oliver reminds us of the transformative power of attention and how much can be contained within the smallest moments. At its heart, Blue Horses asks what it means to truly belong to this world, to live in it attuned to all its changes. Humorous, gentle, and always honest, Oliver is a visionary of the natural world.
“An early-autumn treat fit for late-night devouring.” —Publishers Weekly “A taut gothic mystery with an intriguing twist.” —Susanna Calkins, award-winning author of the Lucy Campion Mysteries and the Speakeasy Murders A Ghostly Window Into the Past Nurse Nellie Lester can’t escape death. Fleeing Chicago at the height of the 1918 Spanish flu, she takes a nursing job at a decrepit mansion on a desolate Michigan island. She’s convinced the island holds the secret to her mother’s murky past. The only problem? Her dead mother seems to have followed her there. Nightly she’s haunted by a ghostly presence that appears in her bedroom. But is it her mother or something more sinister? When the frozen body of the prior nurse is unearthed, Nellie suspects her family’s history and the nurse’s uncanny death are connected to a mysterious group that disappeared from the island twenty-four years earlier. As winter closes in, past and present collide resurrecting a lurid killer, hell-bent on keeping the island’s secrets. Will Nellie uncover her mother’s shocking past before the killer enacts his final revenge? “Lukasik blends all the elements needed for a dark suspense novel: a forbidding mansion, ghostly presences, secret passages, a hostile housekeeper, a temperamental employer, and residents unwilling to talk to outsiders. For fans of Rebecca, The Woman in White, and The Death of Mrs. Westaway.” —Library Journal
"Included in the book are a selection of Stafford's poetry on the subject of writing, and an essay on the origins and influences of his art."--Page 4 of cover.