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HYMN: a song in praise to God, or gods. UNDERBELLY: the underside of an animal; an inferior or concealed part of something. Staple these two ideas together in dark unnatural congress and you get something like a mime with Tourette's Syndrome, shouting random obscenities at a little girl on the street. You get men (and a heavily tattooed, bodily-modified woman named Godiva - rowrrr!) who just aren't right in the head, but who are allowed to roam the streets with razors and drivers licenses and ferrets like they're normal, church-going people, singing normal, church-going songs, right up until that moment when you realize they're really singing demented clown-chants. No, these stories are not hymns, but "The Dark Underbelly of Hymns". Enjoy! Martin Mundt's second collection of horror, humor and the macabre contains a dozen must-read tales, including "The Worst Mime In The World" and "The 'Nothing Good Ever Came Out Of Being Asked By Your Girlfriend If You Were A Cannibal' Blues."
The Dark Side of Statius' Achilleid explores systematically and for the first time the darker aspects of Statius' Achilleid, bringing to light the poem's tragic and epic dimensions. By seeking to position at centre-stage these darker elements, the book offers several new readings of the Achilleid in relation to its literary inheritance, its gender dynamics, and its generic tensions. This volume delves beneath the surface of a story that ostensibly deals with a light subject matter—the cross-dressing of a young Achilles on Scyros—to offer an in-depth examination of the poem's relationship to its epic and tragic precursors, and to explore its more serious themes. It is shown to challenge traditional epic narratives, examine Achilles' complex familial relationships and his deviant and transgressive heroism, highlight the tragic character of Thetis, and provide glimpses of the horrors that the cataclysmic Trojan War will beget. By looking into Statius' wide-ranging dialogue with his literary predecessors, such as Homer, Sophocles, Virgil, Ovid, Lucan, and Seneca, as well as Statius' previous epic magnum opus, the Thebaid, the multidimensional characterisations of Achilles and other of the poem's key characters, such as Ulysses, Calchas, and Thetis are investigated. Far from simply representing a shameful but essentially humorous cross-dressing episode in Achilles' life that is destined to be forgotten, the Achilleid can be seen to challenge the very fabric of epic by probing the validity and authority of its literary tradition, as well as highlighting its highly innovative and experimental nature.
Demons, devils, spirits and vampires are present throughout popular Western culture in film, music and literature. Their religious significance has only recently begun to be explored. 'The Lure of the Darkside' brings together the work of some of the most important and creative scholars in the field of Biblical and Religious Studies. The essays explore demonology in popular culture from a range of perspectives: Satanism within contemporary music; the relationship between hymn and horror film; the career of Hannibal Lecter; the portrayal of Satan in films about Christ; and spiritual perversion in the Harry Potter Stories. This fresh and ground-breaking volume will be of interest to students of religious studies and theology, as well as literary and popular culture.
The Dark Side of Church/State Separation analyzes the Enlightenment's attack upon the Judeo-Christian tradition and its impact upon the development of secular regimes in France, Germany, and Russia. Such regimes followed the anti-Semitic/anti-Christian agenda of the French Enlightenment in blaming the Judeo-Christian tradition for all the ills of European society and believing that human beings can develop their own set of values and purposes through rational means, apart from any revelation from God or Scripture. Stephen Strehle's analysis extends our understanding of church/state relations and its history. He confirms the spiritual roots of modern anti-Semitism within the ideology of the Enlightenment and recognizes the intimate relationship between anti-Semitism and anti-Christianity. Strehle questions the absolute doctrine of church/state separation, given its background in the bigotries of the philosophes. He notes the nefarious motives of subsequent regimes, which used the French doctrine to replace the religious community with the state and its secular ideology. This detailed historical analysis of original sources and secondary literature is woven together with special appreciation for the philosophical and theological ideas that contributed to the emergence of political institutions. Readers will gain an understanding of the most influential ideas shaping the modern world and present-day culture.
Take a Walk on the Dark Side is the ultimate book for today's rock and roll fan: a fascinating compendium of facts, fictions, prophecies, premonitions, coincidences, hoaxes, doomsday scenarios, and other urban legends about some of the world's most beloved and mysterious pop icons. Updating, revising, and expanding on material from his cult classic Hellhounds on Their Trail, Patterson offers up a delectable feast of strange and occasionally frightening rock and roll tales, featuring the ironies associated with the tragic deaths of many rock icons, unsolved murders, and other tales from the "fell clutch of circumstance." Beginning with the fateful place where it all started -- a deserted country crossroads just outside Clarksdale, Mississippi, where Robert Johnson made his deal with the devil -- through the Buddy Holly curse (rock and roll's first great tragedy) and beyond, this incredible volume uncovers some of rock and roll's most celebrated murders, twists of fate, and decades-long streaks of bad luck that defy rational explanation. Inside you'll find: Facts about Jimmy Page and the Zeppelin Curse. Chilling quirks of fate in the fatalities in the Allman Brothers and Lynyrd Skynyrd. Facts about Jimmy Page and the Zeppelin curse Chilling quirks of fate surrounding the deaths of musicians in the Allman Brothers Band and Lynyrd Skynyrd A provocative look at "The Club," membership in which requires an untimely death at age twenty-seven and whose inductees include Kurt Cobain, Jimi Hendrix, and Janis Joplin Cryptic messages in song lyrics that have proved eerily prophetic Carefully researched, wildly enjoyable, and often harrowing, Take a Walk on the Dark Side takes the reader on a mysterious ride through rock and roll history.
This collection of brief, hard-hitting poems exploits the natural rhythms of traditional English poetry with the power of rhyme that has made G. F. McHugh's modern perspective on comic verse unique.
This is a collection of short stories that shows the dark side of humanity in a sometimes humorous, introspective way, exploring various sides of the human psyche in a variety of circumstances.
Musaicum Books presents to you this unique and meticulously edited sea adventure collection: Content: Captain Charles Johnson: The History of Pirates R. L. Stevenson: Treasure Island Jack London: The Sea Wolf The Mutiny of the Elsinore A Son of the Sun Daniel Defoe: Robinson Crusoe Captain Singleton Tobias Smollett: The Adventures of Roderick Random Walter Scott: The Pirate Frederick Marryat: Mr. Midshipman Easy Masterman Ready; Or, The Wreck of the "Pacific" Edgar Allan Poe: The Narrative of Arthur Gordon Pym of Nantucket James Fenimore Cooper: The Pilot: A Tale of the Sea The Red Rover Afloat and Ashore: A Sea Tale Miles Wallingford Homeward Bound; Or, The Chase: A Tale of the Sea Thomas Mayne Reid: The Ocean Waifs: A Story of Adventure on Land and Sea Victor Hugo: Toilers of the Sea Herman Melville: Redburn White-Jacket Moby Dick Benito Cereno R. M. Ballantyne: The Coral Island: A Tale of the Pacific Ocean Fighting the Whales Jules Verne: The Voyages and Adventures of Captain Hatteras In Search of the Castaways; Or, The Children of Captain Grant 20 000 Leagues under the Sea Dick Sand: A Captain at Fifteen An Antarctic Mystery L. Frank Baum: Sam Steele's Adventures on Land and Sea Randall Parrish: Wolves of the Sea Charles Boardman Hawes: The Dark Frigate The Mutineers Joseph Conrad: The Nigger of the 'Narcissus' Lord Jim Typhoon The Shadow Line The Arrow of Gold Rudyard Kipling: Captains Courageous Ralph Henry Barbour: The Adventure Club Afloat Rafael Sabatini: Captain Blood The Sea-Hawk Jeffery Farnol: Black Bartlemy's Treasure Martin Conisby's Vengeance Henry De Vere Stacpoole: The Blue Lagoon The Garden of God
Jane Austen’s novels are read all over the globe, and adaptations of her works have graced both film and TV screens. Although sometimes criticised for being detached from the real world, providing nothing more than light-hearted plot-driven story lines, the reality is very different. Jane was aware of the evils of society, of the problems faced by women whether single or married. Underneath the entertaining story lines are much darker aspects of Regency and Georgian life. Staying single resulted in serious problems for young women; there were very few alternatives open to them, while marriage itself resulted in other risks. The threats of poverty or becoming a victim of crime were also an issue. Indeed, Jane’s aunt spent months in prison and faced the threat of transportation for theft. Other problems society faced included those posed by opium addiction, poor medical standards, and a lack of property leaving young men and women struggling to survive. Many sought solutions in India, leading to the creation of ‘fishing fleets’ with girls sent to marry total unknowns. Meanwhile, the issues of slavery brought more problems, and social disorder was rife. Jane Austen created classic stories that have endured the test of time, reflecting society in all its aspects, faults, values both good and bad. This is Jane Austen as you have never seen her before.
Living by faith in the light is hard enough, but it is in the dark that we learn to believe God not just believe in Him. In the time or place of faith when we just do not see how things will work out we have to know how to "be still and know that God is God" all the time, not just in the light.