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This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.
This is a critical study of the great British man of letters G.K. Chesterton, devoted to the novels, stories and essays that explore the darker fringes of his wild imagination. "Everything is different in the dark," wrote Chesterton; "perhaps you don't know how terrible a truth that is." Chesterton's use of the theme of "gargoyles" provides the thematic structure of the book. It covers the detective stories of Father Brown and others, the locked rooms and miracle crimes in his writing, his status as a science fiction writer, and the riddles and paradoxes of three works--Job, The Man Who Was Thursday, and the play The Surprise. This volume also includes an interlude about Chesterton and Jorge Luis Borges and a robust appendix including interviews about the formation of Ignatius Press's Collected Chesterton.
The Wisdom of Father Brown G. K. Chesterton - From London to Cornwall, then to Italy and France, a short, shabby priest runs to earth bandits, traitors, killers. Why is he so successful?The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.The stories included are ""The Paradise of Thieves,"" ""The Duel of Dr. Hirsch,"" ""The Man in the Passage,"" ""The Mistakes of the Machine,"" ""The Head of the Caesar,"" ""The Purple Wig,"" ""The Perishing of the Pendragons,"" ""The God of the Gongs,"" ""The Salad of the Colonel Cray,"" ""The Strange Crime of John Boulnois"" and ""The Fairy Tale of Father Brown.""
A collection of 12 short stories from the Father Brown series; The Blue Cross; The Secret Garden; The Queer Feet; The Flying Stars; The Invisible Man; The Honour of Israel Gow; The Wrong Shape; The Sins of Prince Saradine; The Hammer of God; The Eye of Apollo; The Sign of the Broken Sword; and, The Three Tools of Death.
This seventh volume fo the Collected Works of G.K. Chesterton brings together three of his most acclaimed works of fiction, with introduction and notes by Chesterton scholar Iain Benson. A must for serious fans of Chesterton, this features the same quality and sturdy binding as the other volumes in this series.
'It would not be fair to record the adventures of Father Brown, without admitting that he was once involved in a grave scandal...It happened in a picturesque Mexican road-house of rather loose repute...' After many years in the priesthood, Father Brown knows human nature and is not afraid of its dark side. In this fifth and final series of mysteries, the clerical mastermind confronts slander, passion, radical politics, superstition, high crimes and misdemeanours, outwitting some quite extraordinary and villainous adversaries on the way. G. K. Chesterton was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best- known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much (1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. 'Chesterton knew how to make the most of a detective story' Jorge Luis Borges
A behind-the-scenes, in-depth look at the making of one of the greatest sonic masterpieces and most commercially successful albums of all time.
"This world of ours has some purpose; and if there is a purpose, there is a Person. I had always felt life first as a story: and if there is a story, there is a Storyteller." --G. K. Chesterton During Chesterton's lifetime, a host of perspectives clamored for his attention, but he saw nothing as vital and alive as Christianity. A Year with G. K. Chesterton, a daily devotional dedicated to the life and legacy of G. K. Chesterton, brings this truth into a brand new light. A true anthology, A Year with G. K. Chesterton compiles the best of Chesterton's many works and presents them in concise, memorable selections. From New Year's Day to New Year's Eve, each daily entry will guide you through: A timeless verse from Scripture A thoughtful passage from G. K. Chesterton’s incredible body of work A moment for reflection and appreciation Praise for A Year with G. K. Chesterton: "Chesterton once a day? Well, that's a start. It is good to see that someone is finally recognizing the need for a daily minimum requirement of mirth and meditation from GKC." --Dale Ahlquist, President, American Chesterton Society "Who could not be grateful for a year spent with GKC? The great subverter of everything taken for granted, he stretches and deepens us with his insights, shakes us with his startling paradoxes and delights us with his wit. Thank God there is no getting to the end of Chesterton." --Os Guinness, author of A Free People's Suicide
Father Brown is a short, unpresuming, non-descript Catholic priest who has a knack for being present at mysterious murders and thefts. As a priest, he has heard a lot of confessions, so that his innocence is only on the surface. His understanding of the psychological and spiritual nature of Man, coupled with his keen observation and deductive reasoning enables him to solve the most mysterious of crimes. Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous-nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean face was dark by contrast, and ended in a curt black beard that looked Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with the seriousness of an idler. There was nothing about him to indicate the fact that the grey jacket covered a loaded revolver, that the white waistcoat covered a police card, or that the straw hat covered one of the most powerful intellects in Europe. For this was Valentin himself, the head of the Paris police and the most famous investigator of the world; and he was coming from Brussels to London to make the greatest arrest of the century.Indeed, while the art of Holmes is the purpose of Conan Doyle's stories, Chesterton often has a moral message, for which the plot is merely the housing.
Sometimes it seems that nothing is more heretical than being orthodox. Westerners live in a world that celebrates rebels who step out of the norm and critique long held traditions and beliefs. In some cases, these rebels call attention to wrongs and abuses such as segregation and slavery, but there is a dark side to celebrating rebels. The ranks of those who rebel against traditional Christian beliefs grow increasingly vocal and proud of their defiance of God's Word. This is not a new phenomenon, but was noticed, documented, and critiqued in 1905 by G. K. Chesterton in his work Heretics. The eccentric Englishman employs his biting wit to expose heretics as wrong and dangerous. Although over 100 years old, Heretics is remarkably relevant to today's culture.