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Edward Leithen is one of John Buchan's most famous heroes. Here Leithen finds himself in Greece with an old friend and must save the life a stubborn but beautiful young women.
From the New York Times-bestselling author, a novel of a daring woman, a seductive English garden, and rumors of witchcraft . . . For years, Heather Tradescant had dreamed of the journey she and her father would take to England—a pilgrimage to the great gardens of history. Now that her father is dead, Heather is determined to fulfill his dreams. Unfortunately, her request to see the fabled seventeenth-century garden of Troytan House is denied by the wealthy new owner. Though unwelcome, she braves the walls of briars and reaches the Victorian manor house beyond. She senses a strange frisson of evil lurking, tainting the manor’s peaceful beauty. Only then does Heather begin to wonder if it is simply stories of long-vanished witchcraft that haunt Troytan House or if there is some more modern horror, nearer at hand, and far, far more dangerous . . . In The Dancing Floor, the author of such acclaimed novels of suspense as Vanish with the Rose and House of Stone provides a chilling tale to keep you reading until the last page. “An enigmatic cat, a missing child, a clay figure pierced with thorns, and the continuing role of the Pendle Witches are but a few of the puzzles that trouble Heather in this well-crafted mystery.” —Booklist “The intrigue just won’t quit.” —Kirkus Reviews “Everything a romance reader can ask for.” —Publishers Weekly
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
From the New York Times-bestselling author, a novel of a daring woman, a seductive English garden, and rumors of witchcraft . . . For years, Heather Tradescant had dreamed of the journey she and her father would take to England—a pilgrimage to the great gardens of history. Now that her father is dead, Heather is determined to fulfill his dreams. Unfortunately, her request to see the fabled seventeenth-century garden of Troytan House is denied by the wealthy new owner. Though unwelcome, she braves the walls of briars and reaches the Victorian manor house beyond. She senses a strange frisson of evil lurking, tainting the manor’s peaceful beauty. Only then does Heather begin to wonder if it is simply stories of long-vanished witchcraft that haunt Troytan House or if there is some more modern horror, nearer at hand, and far, far more dangerous . . . In The Dancing Floor, the author of such acclaimed novels of suspense as Vanish with the Rose and House of Stone provides a chilling tale to keep you reading until the last page. “An enigmatic cat, a missing child, a clay figure pierced with thorns, and the continuing role of the Pendle Witches are but a few of the puzzles that trouble Heather in this well-crafted mystery.” —Booklist “The intrigue just won’t quit.” —Kirkus Reviews “Everything a romance reader can ask for.” —Publishers Weekly
Ballroom dancing is back! And now anyone can move like a pro. DVD included! In addition to the step-by-step photos, footwork illustrations, and instruction covering all the common ballroom dances, this new edition of the bestselling Complete Idiot’s Guide® to Ballroom Dancing includes a 90-minute instructional DVD featuring award-winning dancer and dance instructor Jeff Allen. It corresponds with the text seamlessly, giving readers the next best thing to one-on-one instruction, at a fraction of the cost. • The #1 selling ballroom dancing book • Includes a fantastic, new instructional DVD and hundreds of illustrations and instructions • Allen is a renowned, award-winning ballroom-dance teacher
Southern California is many things to many people. A continuous influx of new people, new ideas, new interests, and different life styles creates a mind-boggling diversity. This story covers the life of an individual who is part of that diverse mosaic - an East Coast transplant who comes to Southern California by way of the US Marine Corps and San Diego. This book is a chronology of indelible memories that begin with family life in the depression thirties and the early-on impact of Catholicism from elementary school to mid-college. It provides a unique insiders view of life in a near monastic setting when the author, at age 15, commits himself to a religious order. Leaving the order in mid-college, he joins another highly disciplined organization the United States Marine Corps where, as both an enlisted man and officer, he sheds the earlier mold of the religious life. After military service, years of mainstream jobs follow including city halls, county government, and aerospace - all blended with a heavy dose of politics and teaching. His engagement with entrepreneurial undertakings follows with responses to critical needs such as jobs for displaced aerospace engineers when space programs are cutback, creation of a charter school to meet the need for better public schools, and his expansion of academic programs to engage older Americans in mentally stimulating and life enhancing learning experiences. All these experiences are couched within the context of events that highlighted each decade. This multifaceted career takes its toll on a marriage of thirty years whose continuity has been sustained in large measure through a family- shared hobby of dancing. But even dancing cant hold together the strains put on a marriage by a roller coaster life of continuous change. Divorce and the premature death of 3 of 4 children mar a life absorbed with programs designed to benefit the community. Despite these losses, the author continues to lead, teach, and dance. This book reflects so many facets of southland life that many readers, especially long time residents of Southern California, will identify with one or more aspects the military, former aerospace workers, city workers, teachers, and the retirement community. It provides a unique overview of Southern Californias dance scene especially in the Los Angeles-Orange County-San Bernardino/Riverside, and San Diego areas. Dancing has long been central to the authors family - ballroom, country, folk, and swing. The hobby continues to fuel the authors energy and pleasure. To those in or about to enter the expanding ranks of Americas seniors, the author sets an example of an age-impervious effort to enhance a communitys learning resources. His current efforts involve formation of a senior think tank whose analyses of current events will be shared with schools and the community.
Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures. In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.
Originally published in 1963 and authored by the then Editor of the Dancing Times, this was a pioneer work discussing not only the origins and development of many social dance forms from early times, but also relating these forms to their environment. As well as its role in social history, the book analyses the role of dance as a prime creative power in Renaissance spectacles which depicted and celebrated diplomatic, military and regal occasions. After a wide-ranging introductory chapter on the origins of dancing, the book takes the reader through the centuries, discussing in turn the Basse Danse and the Moresco of the Middle Ages, the Pavane, Galliard and Courante of the 16th Century, the Minuet of the 17th & 18th, the Allemande, the Waltz and the Polka as well as Jazz, the Cha Cha Cha, the Jive and Twist.
Thanks to the pioneering tours of the Creole Band, jazz began to be heard nationwide on the vaudeville stages of America from 1914 to 1918. This seven-piece band toured the country, exporting for the first time the authentic jazz strains that had developed in New Orleans at the start of the 20th century. The band's vaudeville routines were deeply rooted in the minstrel shows and plantation cliches of American show business in the late 19th century, but its instrumental music was central to its performance and distinctive and entrancing to audiences and reviewers. Pioneers of Jazz reveals at long last the link between New Orleans music and the jazz phenomenon that swept America in the 1920s. While they were the first important band from New Orleans to attain national exposure, The Creole Band has not heretofore been recognized for its unique importance. But in his monumental, careful research, jazz scholar Lawrence Gushee firmly establishes the group's central role in jazz history. Gushee traces the troupe's activities and quotes the reaction of critics and audiences to their first encounters with this new musical phenomenon. While audiences often expected (and got) a kind of minstrel show, the group transcended expectations, taking pride in their music and facing down the theatrical establishment with courage. Although they played the West Coast and Canada, most of their touring centered in the heartland. Most towns of any size in Iowa, Illinois, and Indiana heard them, often repeatedly, and virtually all of their appearances were received with wild enthusiasm. After four years of nearly incessant traveling, members of the band founded or joined groups in Chicago's South Side cabaret scene, igniting the craze for hot New Orleans music for which the Windy City was renowned in the early 1920s. The best-known musicians in the group--cornetist Freddie Keppard, clarinetist Jimmy Noone and string bassist Bill Johnson--would play a significant role in jazz, becoming famous for recordings in the 1920s. Gushee effectively brings to life each member of the band and discusses their individual contributions, while analyzing the music with precision, skillful and exacting documentation. Including many never before published photos and interviews, the book also provides an invaluable and colorful look at show business, especially vaudeville, in the 1910s. While some of the first jazz historians were aware of the band's importance, attempts to locate and interview surviving members (three died before 1935) were sporadic and did little or nothing to correct the mostly erroneous accounts of the band's career. The jazz world has long known about Gushee's original work on this previously neglected subject, and the book represents an important event in jazz scholarship. Pioneers of Jazz brilliantly places this group's unique importance into a broad cultural and historical context, and provides the crucial link between jazz's origins in New Orleans and the beginning of its dissemination across the country.
“Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.