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"An ancient promise is redeemed, a dream rides up on a bay horse, a boy becomes something finer than a man. The young scribe of Tornor is taken by the chearis, the dancing warriors, to the warmlands where he learns what it means to be a witch."--Pg. [4] of cover.
In a land brought to life by warriors and lovers, war and honor, the legendary tower Tornor Keep is invaded by raiders. No longer the watchtower at the winter end of a summer land, Tornor turns to a young prince with the hopes that he might protect the future of the enchanting land.
"Psychedelic White is one of the most innovative, refreshingly different analyses of race I have read in the last decade." —Elizabeth Grosz, author of The Nick of Time: Politics, Evolution and the Untimely The village of Anjuna, located in the coastal Indian state of Goa, has been one of the premier destinations on the global rave scene for nearly two decades. The birthplace of Goa trance, the most psychedelic variety of electronic dance music, Anjuna first attracted adventurous Westerners in the 1970s who were drawn there by its tropical beaches, tolerant locals, and readily available drugs. Today, rave tourists travel to Goa to take part in round-the-clock dance parties and lose themselves in the crowds, the music, and the drugs. But do they really escape where they come from and who they are? A rich and theoretically sophisticated ethnography, Psychedelic White explains how race plays out in Goa’s white counterculture and grapples with how to make sense of racism when it is not supposed to be there. Goa is a site of particularly revealing forms of interracial collision, and contrary to author Arun Saldanha’s expectations that the nature of rave would create an inclusive atmosphere, he repeatedly witnessed stark segregation between white and Indian tourists. He came to understand race in its creative dimension as a shifting and fuzzy assemblage of practices, environments, sounds, and substances—dance skills, sunlight, conversation, cannabis, and tea. In doing so, his work shows how the rave scene in Goa harbors conflicting tendencies regarding race. The complicated intersection of cultures and phenotypes, Saldanha asserts, helps to consolidate whiteness. Race emerges not through rigid boundaries but rather through what he terms viscosity, the degree to which bodies gather together for pleasure and self-transformation. Challenging the prevailing conception of racial difference as a purely social construction and offering building on the works of Gilles Deleuze and Flix Guattari, Psychedelic White presents nothing less than a new materialist approach to race. Arun Saldanha is assistant professor of geography at the University of Minnesota.
Mahatma Gandhi’s grandson tells the story of how his grandfather taught him to turn darkness into light in this uniquely personal and vibrantly illustrated tale that carries a message of peace. How could he—a Gandhi—be so easy to anger? One thick, hot day, Arun Gandhi travels with his family to Grandfather Gandhi’s village. Silence fills the air—but peace feels far away for young Arun. When an older boy pushes him on the soccer field, his anger fills him in a way that surely a true Gandhi could never imagine. Can Arun ever live up to the Mahatma? Will he ever make his grandfather proud? In this remarkable personal story, Arun Gandhi, with Bethany Hegedus, weaves a stunning portrait of the extraordinary man who taught him to live his life as light. Evan Turk brings the text to breathtaking life with his unique three-dimensional collage paintings.
“Both a tragic monument to the abused bar girls of Bombay and a celebration of their amazing resilience and spirit.”—William Dalrymple, bestselling author of The Anarchy Published in India to great acclaim and named a Time Out Subcontinental Book of the Year and an Observer Book of the Year, Beautiful Thing is a stunning piece of journalism that offers a rare firsthand glimpse into Bombay’s notorious sex industry. Sonia Faleiro was a reporter in search of a story when she met nineteen-year-old Leela, a charismatic exotic dancer with a story to tell. Leela introduced Sonia to the underworld of Bombay’s dance bars: a world of glamorous women; of fierce love, sex, and violence; of gangsters, police, prostitutes, and pimps. When an ambitious politician cashed in on a tide of false morality and had Bombay’s dance bars wiped out, Leela’s proud independence faced its greatest test. In a city where almost everyone is certain that someone, somewhere, is worse off than them, she fights to survive—and to win. In Beautiful Thing, Sonia Faleiro has crafted one of the most original works about India in years, an “intimate and valuable book of literary reportage . . . [that] will break your heart several times over” (The New York Times). “Reporting at its best.”—Junot Díaz, The Rumpus “A glimpse into a frightening subculture . . . In lesser hands, these young people could have come off as clichés, but the author makes sure we care for them and root for them to survive a life that most will never understand. Gritty, gripping, and often heartbreaking—an impressive piece of narrative nonfiction.”—Kirkus Reviews (starred review)
“Set in 1970s Bombay, the novel explores art, ambition, gender roles and class with the same shimmering prose of Swamy’s first book, the story collection A House Is a Body.” —San Francisco Chronicle “[A] sublime, boundary-pushing exploration of sexuality, creativity, and love.” —NPR In this transfixing novel, a young woman comes of age in 1960s- and 1970s-era Bombay, a vanished world that is complex and indelibly rendered. Vidya’s childhood is marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home. Restless, observant, and longing for connection with her brilliant and increasingly troubled mother, Vidya navigates the stifling expectations of her life with a vivid imagination until one day she peeks into a classroom where girls are learning kathak, a dazzling, centuries-old dance form that requires the utmost discipline and focus. Her pursuit of artistic transcendence through kathak soon becomes the organizing principle of her life, even as she leaves home for college and falls in complicated love with her best friend. As the uncertain future looms, she must ultimately confront the tensions between romantic love, her art, and the legacy of her own imperfect mother. Lyrical and deeply sensual, with writing as mesmerizing as kathak itself, Shruti Swamy’s The Archer is a bold portrait of a singular woman coming of age as an artist—navigating desire, duty, and the limits of the body. It is also an electrifying and utterly immersive story about the transformative power of art, and the possibilities that love can open when we’re ready.
Shivapriya was just a child when thugs murdered her parents on the outskirts of their town in Kashmir. From that moment, she was raised by her grandfather, her Dada-ji, in an ashram deep in the Himalaya Mountains of Northern India. Its mostly an idyllic life until their security is threatened by forces from outside their peaceful valley. Just as Shivapriya grows to love Gopi, the man she became betrothed to as a youngster, and they plan a wedding, Gopi dies from injuries suffered in a mysterious accident. Dada-ji determines that Shivapriyas life is also in peril. He arranges for her to travel undetected to New York where he hopes she can begin life anew. But, New York and her adopted family bring their own challenges which test her faith instilled in her by her grandfather years before. A work of cultural heritage fiction, Shivapriyas Dance follows a young girl as she leaves her birth home of India and is forced to survive alone on the cruel streets of the Bronx.
The Foreigner is a story of a young man who is detached, almost alienated — a man who sees himself as a stranger wherever he lives or goes — in Kenya, where he is born, in England and USA where he is a student and in India where he finally settles down. His detachment transcends barriers of geography, nationality and culture. It propels him from one crisis to another, sucking in the wake several other people, including June, an attractive American with whom he has a short lived but passionate affair. The transitoriness associated with the word 'foreigner' permeates the novel and is handled with remarkable maturity reminding the reader of epoch-making The Outsider by Albert Camus. The protagonist's anguish at the meaninglessness of the human condition and the eventual release from the anxieties of life through karmayoga, the principle of action without attachment, add to the aesthetics of the work.
“One beautiful day, when the sun shone and the wind blew so hard that people felt they were gliding even when standing still, Arun let his kite fly high. It was the type of day that made peoples faces shine. As his kite flew higher, Arun's spirits soared. He let it fly higher and higher until it was only a sparkle in the blue sky...” The Avrah Stories is a collection of children’s stories created to entertain and pass on a father’s wisdom to his children. Each story is set in a different time and place, and based on the author’s experiences of different cultures. While each story is independent from the one before, woven into each one are the threads of people’s thoughts and emotions. This collection is aimed at children aged 5 to 10 and encourages them to look into the mechanics of the heart and mind to understand a person’s actions and character. Among the collection is ‘Jake’s Lake’, which explores the difficulties faced by a child who is transplanted into unfamiliar surroundings. This particular story suggests that sometimes fighting one's own corner is not enough. The adventure draws the reader into the narrative but in the process, describes some of the life lessons we all face. The story underlines the importance of self-esteem and self-worth that in turn, liberates individuals to value those around them.
One of bestselling author Georgette Heyer's most suspenseful Regency romances, The Quiet Gentleman combines an ingenious mystery plot with her signature witty style and effervescently engaging characters. Less than a hero's welcome... Returning to his family seat from Waterloo, Gervase Frant, seventh Earl of St Erth, could have expected more enthusiasm for his homecoming. His quiet cousin, stepmother, and young half-brother seem openly disappointed that he survived the wars. And when he begins to fall for his half-brother's sweetheart, his chilly reception goes from unfriendly to positively murderous. Praise for Georgette Heyer and The Quiet Gentleman: "Fascinating reading...authentic atmosphere in a delightful English tale"—Chicago Sunday Tribune "Georgette Heyer was one of the great protagonists of the historical novel in the post-war golden age of the form. Her regency romances are delightful light reading, and her historical novels such as The Spanish Bride and An Infamous Army demonstrate how fiction and history can work together to make a valuable literary form."—Philippa Gregory, bestselling author