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This 1,008-page sourcebook answers many questions to quench the soul's thirst for God and Self-knowledge. Every spiritually-inclined human being will be enriched by the path revealed in this extraordinary book. India's tolerant and diverse vision of the Divine is all here: meditative, devotional, philosophical, scriptural and yogic. In question-and-answer style, Dancing with Siva guides the aspirant deep into the Hindu heart. Lavishly illustrated with 165 black and white reproductions of paintings from India. Resources include a Hindu timeline, comparisons of 12 world religions, a children's primer and more.
This is a full account of Siva's Dance of Bliss, which has become a popular symbol in the West for Hinduism and Eastern Mysticism. Siva is one of the two main gods of Hinduism, and his worshippers comprise half of all Hindus. Siva's Dance of Bliss is based on a remarkable Sanskrit poem written by Umapati Sivacarya, Saiva theologian and temple priest in Cidambaram, South India, in the fourteenth century. Starting with the bronze image of Nataraja, King of Dancers, thereafter the Cidambaram temple, its myth and its priests are viewed in the light of the poem. Umapati's Saiva theology is discussed in relation to his life and also in relation to Vedanta and yoga. The iconography and mythology of the Goddess and of other forms of Siva provide necessary perspective. Art from Cidambaram and neighbouring sites illuminates the text.
Shiva: Lord of the Dance recalls captivating ancient tales of kingly sacrifices, sinister plots, ghastly armies, spontaneous incinerations and plummeting rivers that threaten the planet. These are stories of otherworldly passions and celestial dancing, worthy of retelling again and again. Coupled with over 30 full-color illustrations, this attractive mini book eclipses traditional symbolism, exploring the very nature of this complex god and how he relates to us. For many of us, the mention of Shiva's name conjures up images of an ash-smeared ascetic meditating high in the Himalayas, a protector of Parvati and Ganesh, or a dancing, destructive god. In traditional art, he is seen sitting on a tiger skin rug, his long matted hair tied in a topknot, adorned by the crescent moon. But who is this mysterious figure, and what does he have to teach us?
The stories that await you are an exhilarating mix of devotion, history and myths! Dance of Shiva & Other Divine Tales explores the mysteries that lie behind some of our most ancient and revered temples—from Kanyakumari to Kanchipuram. Revealing the legends behind the origins of these temples and the wonders associated with them, these stories will delight anyone fascinated by Indian folklore. These timeless and enchanting stories narrate the triumph of good over evil; they portray god’s compassion towards man; they reveal the miracles worked by devotion. Immensely engaging and magical, the action in these narratives ranges over heaven and earth: Indra is punished for lusting after a sage’s wife; Narada uses his tricks to stop Shiva’s marriage to Parvati; Kannagi’s curse reduces Madurai to ashes; Vishnu saves Gajendran, the elephant, from the crocodile’s clutches … and much more. A collection that is in equal parts enlightening and enthralling.
After high school, I was not sure about whether I should pursue dance or a technical subject. Awaiting clarity, I spent many months considering my options. While I was in the midst of this confusion, someone asked me, “What brings you closer to yourself?” I didn’t respond immediately, but in my mind the answer was clear. “Dance brings me closer to myself,” I thought. It was such an odd question, yet strangely it influenced a life decision. How can one be closer to or farther from oneself? I knew that dance would begin to reveal something to me at some point in time, but I wasn’t sure of what this thing would be. The act of dancing holds something within it that I wanted to discover. What if I could imbibe my life with the clarity of thought, precision, control and simultaneous surrender that I am able to wield as a performer? Wouldn’t life change inexplicably for the better? The applause bursts like rain clattering From a cloud too heavy to hold, My elation bathes me as sweat trickles Down my forehead a moment before It stings my eye to remind me to see, They applaud the dance, not me. If I were to fall prey, my dance entwined With only moments of applause to remind Of my days of yore. No never not. Dance is me and yet not at all... - Rukmini Vijayakumar
In India, a talented dancer sacrifices friends and family for her art.
This book is a guide for one who is ready to diligently walk the spiritual path. Great new vistas open up throughout its 365 daily lessons as Gurudeva shares, in the clearest terms, deep metaphysical insights into the nature of God, soul and world, mind, emotions, ultimate realizations, chakras, purpose of life on earth and much, much more. Simple but effective practices are taught: how to remould our nature and karmas, calm the mind, develop self-esteem, begin to meditate, clear up the past and create a bright future. At the same time, the seeker is guided in establishing a regular devotional and yogic practice whereby the gains of his inner life and realizations are stabilized and used in practical ways.
In this book, Anne-Marie Gaston, a professional exponent of several Indian classical dance styles, combines her knowledge of the oral and literary traditions of Bharata Natyam with an extensive review of Saivite sculpture. She demonstrates that sculptural depictions of Siva, and his manifestations in dance, have a common root in mythology, and shows the interdependence of the two arts through an examination of symbolic stances and postures of the hands and feet. Beginning with a brief historical survey of the dance in India, Gaston discusses its secular-religious functions and the extent to which changing social norms have affected the form.
In 1913, photos of The Nataraja bronze from the Chennai Museum inspired Auguste Rodin's text The Dance of Shiva. Written at the end of his life, this vision of Shiva, Lord of actor/dancers, revealed the underlying links between Rodin's dance sculptures (1910), the Cambodian dancer drawings, and his private collection of antique Venus and Buddha sculptures and wood carvings from India. In this book, historians, artists and poets both French and Indian, bring us a new international vision of Rodin's work.