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This volume investigates environmental and political crises that occurred in Europe during the late Middle Ages and the early Modern Period, and considers their effects on people’s lives. At this time, the fragile human existence was imagined as a ‘Dance of Death’, where anyone, regardless of social status or age, could perish unexpectedly. This book covers events ranging from cooling temperatures and the onset of the Little Ice Age, to the frequent occurrence of epidemic disease, pest infestations, food shortages and famines. Covering the mid-fourteenth to mid-seventeenth centuries, this collection of essays considers a range of countries between Iceland (to the north), Italy (to the south), France (to the west) and the westernmost parts of Russia (to the east). This wide-reaching volume considers how deeply climate variability and changes affected and changed society in the late medieval to early modern period, and asks what factors, other than climate, interfered in the development of environmental stress and socio-economic crises. This book will be of great interest to students and scholars of Environmental and Climate History, Environmental Humanities, Medieval and Early Modern History and Historical Geography, as well as Climate Change and Environmental Sciences.
Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
The 'Danse Macabre' of Women is a 15th-century French poem found in an illuminated late-medieval manuscript. This book contains reproductions of each manuscript folio, a translation and explanatory chapters by Ann Tukey Harrison. Art historian Sandra L. Hindman also contributes a chapter.
The Ivory Mirror / Stephen Perkinson -- The Light at the End of the Tunnel : Manuscript Illumination and the Concept of Death / Elizabeth Morrison -- Chicart Bailly and the Specter of Death : Memento Mori in a Sixteenth-Century Estate Inventory / Katherine Baker -- Plates -- List of Plates -- Memento mori Beads : Collecting Histories and Contexts / Naomi Speakman -- The Poetry of Death / Emma Maggie Solberg
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
'a vital resource'TLS'Compelling collection'Literary ReviewThe Reformation was a seismic event in history whose consequences are still unfolding in Europe and across the world.Martin Luther's protests against the marketing of indulgences in 1517 were part of a long-standing pattern of calls for reform in the Christian Church. But they rapidly took a radical and unexpected turn, engulfing first Germany, and then Europe, in furious arguments about how God's will was to be'saved'.However, these debates did not remain confined to a narrow sphere of theology. They came to reshape politics and international relations; social, cultural, and artistic developments; relations between the sexes; and the patterns and performances of everyday life. They were also the stimulus forChristianity's transformation into a truly global religion, as agents of the Roman Catholic Church sought to compensate for losses in Europe with new conversions in Asia and the Americas.Covering both Protestant and Catholic reform movements, in Europe and across the wider world, this compact volume tells the story of the Reformation from its immediate, explosive beginnings, through to its profound longer-term consequences and legacy for the modern world. The story is not one of aninevitable triumph of liberty over oppression, enlightenment over ignorance. Rather, it tells how a multitude of rival groups and individuals, with or without the support of political power, strove after visions of 'reform'. And how, in spite of themselves, they laid the foundations for the pluraland conflicted world we now inhabit.
This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.
Renowned environmental historian I.G. Simmons synthesizes detailed research into the landscape history of the coastal area of Lincolnshire between Boston and Skegness and its hinterland of Tofts, Low Grounds and Fen as far as the Wolds. With many excellent illustrations Simmons chronicles the ways in which this low coast, backed by a wet fen, has been managed to display a set of landscapes which have significant differences that contradict the common terminology of uniformity, calling the area ‘flat’ or referring to everywhere from Cleethorpes to King’s Lynn as ‘the fens’. These usually labeled ‘flat’ areas of East Lincolnshire between Mablethorpe and Boston are in fact a mosaic of subtly different landscapes. They have become that way largely due to the human influences derived from agriculture and industry. Between the beginning of Norman rule and the advent of pumped drainage, a number of significant changes took place. The author has accumulated information from Roman times until the beginnings of fossil-fuel powered drainage, bringing together both scientific data and documentary evidence including medieval and early modern documents from the National Archive, Lincolnshire Archives, Bethlem Hospital and Magdalen College, Oxford, to explore the little-known archives of regional interest.
In this small book David Herlihy makes subtle and subversive inquiries that challenge historical thinking about the Black Death. Looking beyond the view of the plague as unmitigated catastrophe, Herlihy finds evidence for its role in the advent of new population controls, the establishment of universities, the spread of Christianity, the dissemination of vernacular cultures, and even the rise of nationalism. This book, which displays a distinguished scholar's masterly synthesis of diverse materials, reveals that the Black Death can be considered the cornerstone of the transformation of Europe.