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In 'The Dance (by An Antiquary): Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.', Anonymous delves into the rich history of dance through a collection of historic illustrations spanning over 5000 years. The book meticulously showcases the evolution of dance from ancient civilizations to more contemporary societies, providing a comprehensive look at the cultural significance of dance throughout history. Anonymous' writing style is scholarly and informative, making this book a valuable resource for anyone interested in the art of dance and its historical context. The detailed illustrations included in the book further enhance the reader's understanding of how dance has evolved over time. This book is a must-read for dance enthusiasts and historians alike. The author's dedication to compiling such a diverse and thorough collection of illustrations speaks to their expertise in the field of dance history, making this book an essential addition to any library.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Setting out from the observation made in the social sciences that maternal grief can at times be a motor of societal change, Ekaterina E. Kozlova demonstrates that a similar mechanism operates also in the biblical world. Kozlova argues that maternal grief is treated as a model or archetype of grief in biblical and Ancient Near Eastern literature. The work considers three narratives and one poem that illustrate the transformative power of maternal grief in the biblical presentation: Gen 21, Hagar and Ishmael in the desert; 2 Sam 21: 1-14, Rizpah versus King David; 2 Sam 14, the speech of the Tekoite woman; Jer 31: 15-22, Rachel weeping for her children. Although only one of the texts literally refers to a bereaved mother (2 Sam 21 on Rizpah), all four passages draw on the motif of maternal grief, and all four stage some form of societal transformation.
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