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*A 2019 Michael L. Printz Award Honor Book* A dark, twisted, unforgettable fairy tale from Elana K. Arnold, author of the National Book Award finalist What Girls Are Made Of The rite has existed for as long as anyone can remember: When the king dies, his son the prince must venture out into the gray lands, slay a fierce dragon, and rescue a damsel to be his bride. This is the way things have always been. When Ama wakes in the arms of Prince Emory, she knows none of this. She has no memory of what came before she was captured by the dragon or what horrors she faced in its lair. She knows only this handsome young man, the story he tells of her rescue, and her destiny of sitting on a throne beside him. It’s all like a dream, like something from a fairy tale. As Ama follows Emory to the kingdom of Harding, however, she discovers that not all is as it seems. There is more to the legends of the dragons and the damsels than anyone knows, and the greatest threats may not be behind her, but around her, now, and closing in.
To-do: Stop the bad guys. Rescue the wizard. Find the perfect outfit for New Year’s Eve. At last, Owen Palmer, the dreamboat wizard at Magic, Spells, and Illusions, Inc., has conjured up the courage to get Katie Chandler under the mistletoe at the office holiday party. But just when it looks like Katie has found her prince, in pops her inept fairy godmother, Ethelinda, to throw a wand into the works. Ethelinda’s timing couldn’t be worse. A plot hatched by MSI’s rogue ex-employees, Idris and his evil fairy gal pal Ari, threatens to expose the company’s secrets–and the very existence of magic itself. Even worse, it could also mean the end of Katie’s happily-ever-after. Now Katie and Owen must work side by side (but alas, not cheek to cheek) to thwart the villains’ plans. Braving black-magic-wielding sorceresses, subway-dwelling dragons, lovelorn frog princes, and even the dreaded trip to meet Owen’s parents at Christmas, Katie and her beau are in a battle to beat Idris at his own sinister game. All mischief and matters of the heart will come to a head at a big New Year’s Eve gala, when the crystal ball will drop, champagne will pour, and Katie will find herself truly spellbound. Praise for Shanna Swendson’s Once Upon Stilettos “Magical and totally delightful . . . [a] quirky, lighthearted romance.” –freshfiction.com “A fast and funny read. Chicklit meets urban fantasy.” –Mary Jo Putney, author of The Marriage Spell
Third in the medieval fantasy series. “A perfectly delicious, not entirely serious, reimagining of part of Thomas Malory’s Le Morte d’Arthur.”—Booklist Her castle under siege by an evil knight who keeps beheading all her would-be rescuers, Lady Lynet realizes the only way to get help is to get it herself. So one night she slips away and strikes out for King Arthur’s court where she hopes to find a gallant knight to vanquish the Knight of the Red Lands and free her castle. Gerald Morris’s Arthurian novel is a highly comic tale of hidden identities, mysterious knights, faeries and enchantments, damsels-in-distress, and true love. “In Morris’s third wry, sometimes hilarious, take on an Arthurian legend, a sharp-tongued young damosel gets an education in sorcery, intrigue and what true knighthood is all about . . . Fans of Gail Carson Levine’s Ella Enchanted, Patricia Wrede’s Enchanted Forest Chronicles and similarly lighthearted fantasy will be delighted.”—Kirkus Reviews “A rollicking treatment of a lesser-known episode from Sir Thomas Malory’s Le Morte d’Arthur . . . The novel is also enjoyable for its good-natured spoofing of the conventions of its medieval setting.”—School Library Journal “A rare action-fantasy that crosses age and gender lines.”—The Bulletin
Damsel is a story of action and adventure as a daughter rescues her father from the clutches of an evil wizard in a land inhabited by dragons, trolls, heroes and damsels.
A collection of thirteen traditional tales from various parts of the world, with the main character of each being a fearless, strong, heroic, and resourceful woman.
Enter the world of Scottish folklore with this unique hardcover guide. Retellings of traditional tales, full-color photographs of knitted costumes inspired by the stories, plus patterns for simpler versions of the original designs.
Emmeline de Lonnieres swore she would never belong to a man again, so she is plunged into confusion by her feelings for Lord Talvas of Boulogne. His powerful charisma is irresistible, but she cannot give what she knows he will eventually demand—marriage. A demand she knows he will make when he discovers their passion has created the tiny new life growing inside her….
THIS BOOK IS WRITTEN TO GIVE YOU GUIDELINES ON HOW YOU CAN BECOME A BETTER DAMSEL
When faced with the danger of giants, ogres, and witches, other damsels might quake with fear . . . but not LillyBelle! At the School for Damsels, LillyBelle enjoys many damsel-in-training classes, like cake baking and vocal training, but the rule that a damsel must be in distress . . . not so much. When she's captured by one villain after another, LillyBelle will need to use her charm and her wit to save herself and prove once and for all that damsels don't have to be in distress--all in time for tea!
This book explores American mythology through the lens of comic books and superheroes, specifically exploring the subject from an historical perspective in order to capture the origins of sexism and misogyny, as found in the comic book stories that have shaped so many young people and their attitudes. It provides a detailed analysis of Americaâ (TM)s inextricable relationship with sexist institutions, specific historical events, and cultural attitudes, all of which are captured by, and perpetuated, in comic books, TV, film, and advertising. The implicit argument this book makes is that sexism and misogyny are not the product of nefarious individuals with overt agendas; instead, sexism and misogyny are products of our mythology and the associated archetypal components that shape a fabricated design of the world, a design shaped by men and unwittingly agreed to by women, thus, perpetuating a male-dominated mythological, religious, and historical social structure.