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Atten-shun! We present ready for your inspection The Dad's Army Movie Dossier. A new and original book that targets Jimmy Perry and David Croft's classic1971 movie spin-off from their top ranking BBC TV sitcom. Under the cover you’ll discover such information as why the making of the film proved to be at times a frustrating experience for Jimmy Perry, why the sequel movie entitled Dad’s Army and the Secret U-boat Base never emerged and how Clive Dunn (Corporal Jones) nearly submerged in a stunt involving a horse, a raft and a river. As well as behind-the-scenes anecdotes, there are quotes from the writers and stars, character and actor biographies, a bumper quiz and more. There is also a passing salute to the 2015 Dad’s Army movie. So, get yourself kitted out with The Dad’s Army Movie Dossier an entertaining and informative book that is an absolute must-have for Dad’s Army fans of all ages. At ease!
This original, informative and entertaining book focuses on ten specially chosen episodes from the eighty Dad's Army shows that were produced during the programme's long run from 1968 to 1977. Amongst the episodes featured are ones that have been favoured by the writers Jimmy Perry and David Croft and by some of its stars - John Le Mesurier, Ian Lavender and Frank Williams. There are anecdotes and quotes from those involved and quizzes on each of the episodes, which are: The Man and the Hour (first episode), The Showing Up of Corporal Jones, The Armoured Might of Lance Corporal Jones, Something Nasty in the Vault, Branded, Mum’s Army, The Deadly Attachment (the “Don’t tell him, Pike” episode), The Royal Train, Ring Dem Bells and Never Too Old (final episode). Dad’s Army The Man and The Hour is an absolute must-have for fans of this classic sitcom.
Offers an analysis of the four collaborative sitcoms of Jimmy Perry and David Croft, 'Dad's Army', 'It Ain't half Hot, Mum!', 'Hi-de-Hi!' and 'You Rang M'Lord?'. Considers the themes and ideas that run through the series in terms of their representation of class and gender, and in terms of other sitcoms and cultures which produced them.
British film propaganda efforts during the Second World War have tended to be presented as a shambles. James Chapman argues that this is not so in this first comprehensive history of wartime film propaganda policy in Britain. He examines the role of the cinema as a vehicle of propaganda, set within its institutional, political and cultural contexts, revealing the complex relationships between the Ministry of Information and the different sectors of the film industry. The author identifies the themes and ideologies presented to audiences through analysis of key wartime films, including Forty-Ninth Parallel, In Which We Serve and The Life and Death of Colonel Blimp. He also corrects a previous misunderstanding of the role in official propaganda of short films and documentaries, demonstrating how these films were as successful as commercial feature films at carrying propaganda to the nation's cinema-goers.
A guide to learning more about your relatives’ experience serving in the U.S. Army during World War II. In this fully revised edition of Finding Your Father’s War, military historian Jonathan Gawne has written an easily accessible handbook for anyone seeking greater knowledge of their relatives’ experience in World War II, or indeed anyone seeking a better understanding of the U.S. Army during World War II. With over 470 photographs, charts, and an engaging narrative with many rare insights into wartime service, this book is an invaluable tool for understanding our “citizen soldiers,” who once rose as a generation to fight the greatest war in American history. “Jonathan's Gawne’s book is a 5-star blueprint, well-written and beautifully illustrated, to deciphering a loved one’s WW2 U.S. Army service.” —The Commander’s Voice “A great read not only for genealogists wishing to research an ancestor, but also for those who simply have an interest in the United States Army during World War II . . . written so that anyone, even those with no military background, can understand, yet also includes more advanced information . . . detail is phenomenal . . . a must read reference book for any professional genealogist or military historian.” —APG Quarterly
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this television genre for the first time. Saints and Avengers uses case studies to look, for example, at the adventure series' representations of national identity and the world of the sixties and seventies. Chapman also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them as big budget films attests.
On British television drama in the 1980's
George Lukas and other leading filmmakers acknowledge their indebtedness to mythographic scholarship on archetypes. In his new study, author Rodney Farnsworth identifies a pattern of filmmakers' obsessions with archetypical rituals centered on sacrifice and the family in films made between 1977 and 1983, a period of political upheaval on both sides of the Atlantic. Combining a strong historical reading of the films in a sociopolitical context and utilizing Queer Theory as a framework for his arguments, Farnsworth offers a close examination of key films of the period, including works by Stanley Kubrick, Robert Altman, and Francis Ford Coppola, and provides a fascinating and timely glimpse of an important political and cinematic time. Marking the end of a more liberal era, the late seventies and early eighties witnessed the growth of reactionary conservative movements such as the New Religious Political Right. These were the years that gave birth to movies--from esoteric art-house pictures to blockbusters such as Star Wars--that seemed in many cases to be adaptations of primordial mythology, subverting liberal-to-moderate views into reactionary depictions of family life. Although filmmakers had turned to these myths to shape their works, Farnsworth observes, the unstable, volatile nature of the archetypes deconstructed their best social intentions into something rich, strange, and deadly. This thought-provoking work will be of interest to students of social history as well as film studies.
Contains alphabetically arranged entries that explore the origin, evolution, and social history of over three thousand English language words.
A double-agent sacrifices all his ideals in order to save his smuggler lover before a government coup takes over their decadent city in Lara Elena Donnelly’s glam spy thriller debut, a Nebula finalist for Best Novel! “Exploring the roots of hatred, nationalism, and fascism, while at the same time celebrating the diversity, love, romance, fashion, and joy the world is capable of producing.” —Bookriot Introducing... The Smuggler: By day, Aristide Makricosta is the emcee for Amberlough City’s top nightclub. By night, he moves drugs and refugees under the noses of crooked cops. The Spy: Covert agent Cyril DePaul thinks he’s good at keeping secrets, but after a disastrous mission abroad, he makes a dangerous choice to protect himself...and hopefully Aristide too. The Dancer: Streetwise Cordelia Lehane, burlesque performer at the Bumble Bee Cabaret and Aristide’s runner, could be the key to Cyril’s plans—if she can be trusted. As the twinkling marquees lights yield to the rising flames of a fascist revolution, these three will struggle to survive using whatever means — and people — necessary. Including each other. “James Bond by way of Oscar Wilde.” —Holly Black “Sparkling with slang, full of riotous characters, and dripping with intrigue, Amberlough is a dazzling romp through a tumultuous, ravishing world.” —Robert Jackson Bennett, winner of the Shirley Jackson Award and the Edgar Award “Astonishing first novel!” —World Fantasy Award-winning author Ellen Kushner At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.