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A revisionist history, this volume sets out to debunk many of the myths about Czechoslovakia.
The material effects of World War II, in combination with Eastern Europe's disappointingly undemocratic interwar history, placed radical social change on the postwar agenda across the region and shaped the debates that took place in immediate postwar Czech society. These debates adopted both a cultural form, in struggles over the meaning of the recent past and the nation's position on the East-West continuum, and a directly political form, in battles over the meaning of socialism. The Struggle for the Soul of the Nation examines the most important and politically resonant fields of historical and cultural debate in Czech society immediately after World War II. Bradley Abrams finds that communist public figures were largely successful in controlling debate over the nation's recent past--the interwar First Republic and the experiences of Munich and World War II--and over its location on the East-West continuum. This success preceded and was mirrored in the struggles over the political issue of the times: socialism. The communists engaged their political foes in the democratic socialist and Roman Catholic camps, and, surprisingly, found significant support from a major Protestant church. Abrams's careful reading of major publications re-creates a postwar mood sympathetic to radical social change, questioning the standard view of the communists' rise to power. This book not only contributes to the specific literature on Czech history, but also raises questions about the relationship between war and radical social change, about the communist takeover of the region, and about the role of intellectuals in public life.
When Czechoslovakia became independent in 1918, Czechs embraced democracy, which they saw as particularly suited to their national interests. Politicians enthusiastically supported a constitution that proclaimed all citizens, women as well as men, legally equal. But they soon found themselves split over how to implement this pledge. Some believed democracy required extensive egalitarian legislation. Others contended that any commitment to equality had to bow before other social interests, such as preserving the traditional family. On the eve of World War II, Czech leaders jettisoned the young republic for an "authoritarian democracy" that firmly placed their nation, and not the individual citizen, at the center of politics. In 1948, they turned to a Communist-led "people's democracy," which also devalued individual rights. By examining specific policy issues, including marriage and family law, civil service regulations, citizenship law, and abortion statutes, Elusive Equality demonstrates the relationship between Czechs' ideas about gender roles and their attitudes toward democracy. Gradually, many Czechs became convinced that protecting a traditionally gendered family ideal was more important to their national survival than adhering to constitutionally prescribed standards of equal citizenship. Through extensive original research, Melissa Feinberg assembles a compelling account of how early Czech progress in women's rights, tied to democratic reforms, eventually lost momentum in the face of political transformations and the separation of state and domestic issues. Moreover, Feinberg presents a prism through which our understanding of twentieth-century democracy is deepened, and a cautionary tale for all those who want to make democratic governments work.
A diplomatic history of events leading up to the Munich crisis in 1938 in which Great Britain and France decided to appease Hitler's demands to annex the Sudentenland. The book aims to integrate a full understanding of the Czech role with wider events.
The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.
This is an hour-by-hour account of the fall of Czechoslovakia by Warsaw Pact armies in 1968.
In this innovative study of the aftermath of ethnic cleansing, Eagle Glassheim examines the transformation of Czechoslovakia's Sudetenland from the end of the Second World War, through the Cold War, and into the twenty-first century. Prior to their expulsion in 1945, ethnic Germans had inhabited the Sudeten borderlands for hundreds of years, with deeply rooted local cultures and close, if sometimes tense, ties with Bohemia's Czech majority. Cynically, if largely willingly, harnessed by Hitler in 1938 to his pursuit of a Greater Germany, the Sudetenland's three million Germans became the focus of Czech authorities in their retributive efforts to remove an alien ethnic element from the body politic—and claim the spoils of this coal-rich, industrialized area. Yet, as Glassheim reveals, socialist efforts to create a modern utopia in the newly resettled "frontier" territories proved exceedingly difficult. Many borderland regions remained sparsely populated, peppered with dilapidated and abandoned houses, and hobbled by decaying infrastructure. In the more densely populated northern districts, coalmines, chemical works, and power plants scarred the land and spewed toxic gases into the air. What once was a diverse religious, cultural, economic, and linguistic "contact zone," became, according to many observers, a scarred wasteland, both physically and psychologically. Glassheim offers new perspectives on the struggles of reclaiming ethnically cleansed lands in light of utopian dreams and dystopian realities—brought on by the uprooting of cultures, the loss of communities, and the industrial degradation of a once-thriving region. To Glassheim, the lessons drawn from the Sudetenland speak to the deep social traumas and environmental pathologies wrought by both ethnic cleansing and state-sponsored modernization processes that accelerated across Europe as a result of the great wars of the twentieth century.
This study of the most significant movement in post-war Central and East European cinema examines the origins and development of Czechoslovakian film during this time, as well as the political and cultural changes which influenced some of the most important works.