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The twentieth century was, by any reckoning, the age of the child in America. Today, we pay homage at the altar of childhood, heaping endless goods on the young, reveling in memories of a more innocent time, and finding solace in the softly backlit memories of our earliest years. We are, the proclamation goes, just big kids at heart. And, accordingly, we delight in prolonging and inflating the childhood experiences of our offspring. In images of the naughty but nice Buster Brown and the coquettish but sweet Shirley Temple, Americans at mid-century offered up a fantastic world of treats, toys, and stories, creating a new image of the child as "cute." Holidays such as Christmas and Halloween became blockbuster affairs, vehicles to fuel the bedazzled and wondrous innocence of the adorable child. All this, Gary Cross illustrates, reflected the preoccupations of a more gentle and affluent culture, but it also served to liberate adults from their rational and often tedious worlds of work and responsibility. But trouble soon entered paradise. The "cute" turned into "cool" as children, following their parental example, embraced the gift of fantasy and unrestrained desire to rebel against the saccharine excesses of wondrous innocence in deliberate pursuit of the anti-cute. Movies, comic books, and video games beckoned to children with the allures of an often violent, sexualized, and increasingly harsh worldview. Unwitting and resistant accomplices to this commercial transformation of childhood, adults sought-over and over again, in repeated and predictable cycles-to rein in these threats in a largely futile jeremiad to preserve the old order. Thus, the cute child-deliberately manufactured and cultivated--has ironically fostered a profoundly troubled ambivalence toward youth and child rearing today. Expertly weaving his way through the cultural artifacts, commercial currents, and parenting anxieties of the previous century, Gary Cross offers a vibrant and entirely fresh portrait of the forces that have defined American childhood.
Be Cool Be Nice® (BCBN) is not just a book . . . it is mandatory reading for boys and girls, men and women, and anyone with a smartphone. Be Cool Be Nice launched with Kendall Jenner and Willow Smith on the covers of Garage magazine and an unprecedented Snapchat collaboration. Be Cool Be Nice beautifully advocates kindness, good manners and civility, and encourages us all to interact and use social media in a positive way so we 'check it before we wreck it.' “I aim to treat others as I want to be treated.” –Kendall Jenner on the Be Cool Be Nice campaign The official Be Cool Be Nice book is for people who: Deal with drama Have experienced bullying Have experienced selfie addiction Have experienced Chronic Bad Attitude Syndrome (CBAS) Have goals (squad or otherwise) Part journal, part interactive manual, and part friend, Be Cool Be Nice is as beneficial as it is beautiful. Sharing values that will last a lifetime, this book bridges the gap between adult and child and conveys a timeless message through its beautiful artwork, motivational advice, and positive affirmations. Its clever activity pages encourage the reader to reflect and learn, and the illustrations, stickers, and postcards are the work of design icons including Burberry, Marc Jacobs, Marc Newson, Pat McGrath, DSquared2 and so many more. This book is a starter pack for a positive online life.
Silently they stalk, carefully they creep, with perfect precision, they pounce! Face it folks, leopards are just SO COOL. Leopards are among the world's top predatory big cats, but that's just ONE reason why they are SO COOL. So who wouldn't want to hang out with them to learn more? These books blend awesome animal photos with silly quips and info that will delight young readers and animal enthusiasts. For example, kids can learn that leopards are the best climbers of all the big cats, that they have excellent night vision, and that black panthers are just leopards that are born black. This is the perfect little reader to start kids' brains buzzing and keep them laughing during downtime, bedtime, or anytime!
The zany, the cute, and the interesting saturate postmodern culture, dominating the look of its art and commodities as well as our ways of speaking about the ambivalent feelings these objects often inspire. In this radiant study, Ngai offers an aesthetic theory for the hypercommodified, mass-mediated, performance-driven world of late capitalism.
"Provides information about one of the world's top predators, including hunting habits, behaviors, and where they live."--
A beginning nonfiction introduction to penguins for kids.
Its round, fuzzy body, its fluffy ears, those button eyes ... Let's face it: Koalas are SO CUTE. And so is this book! Get ready for some koala-ty time with this cute critter! But in case you're wondering if cuteness is all there is to koalas, think again! This little guy's got attitude! You'll flip over the adorable photos and be equally charmed by what this sassy little koala is thinking on every page. Introducing the brand-new series from National Geographic Kids that combines two wonderful things: supercute photos of all your favorite fluffy animals and silly text that will have the whole family laughing. Add to that some great nonfiction content that gets kids learning, and, what can we say? This series is just so cute and cool!
Describes different kinds of chameleons, examining their physical features, their behavior, and their ability to change color.
An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokémon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T.—all reflect its gathering power. But what does “cute” mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on—in a lighthearted way? In The Power of Cute, Simon May provides nuanced and surprising answers. We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness’s dark and unpindownable side—unnerving, artful, knowing, apprehensive—elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today’s pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power. The Power of Cute delves into a phenomenon that speaks with strange force to our age.