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The story of the appointment of a Protestant librarian in a largely Catholic county in 1930s Ireland that sparked a major uproar between church and state.
The mixture of serious topics, tongue-in-cheek items, and outright silliness provides something to please everyone familiar with libraries, making a fun read and a wonderful gift.
A broad, comparative history of librarianship, this intriguing work goes beyond the standard focus on institutions and collections to help you explore the part modern librarianship played—and continues to play—in forming Western cultures. Previous histories of libraries in the Western world—the last of which was published nearly 20 years ago—concentrate on libraries and librarians. This book takes a different approach. It focuses on the practice of librarianship, showing you how that practice has contributed to constructing the heritage of cultures. To do so, this groundbreaking collection of essays presents the history of modern librarianship in the context of recent developments of the library institution, professionalization of librarianship, and innovation through information technology. Organized by region, the book addresses the widely recognized, international impact of Anglo-American librarianship and its continuing influence over the past century, combining critical analysis with chronological histories of modern librarianship in Europe, North America, Australia/New Zealand, and Africa. An introductory chapter explains the origins of the project, and a concluding chapter examines the effects of digitization on modern librarianship in the 21st century.
This ground-breaking political history of the two Irish States provides unique new insights into the 'Troubles' and the peace process. It examines the impact of the fraught dynamics between the competing identities of the Nationalist-Catholic-Irish Community on the one hand and the Unionist-Protestant-British community on the other.
Analyses the attempted reform of the Poor Law system in Ireland between 1910 and 1932. This period represented one of the most formative and crucial eras in Irish politics and society with the ideas of culture, nation, state and identity widely contested.
As a poet and literary critic, Thomas MacGreevy is a central force in Irish modernism and a crucial facilitator in the lives of key modernist writers and artists. The extent of his legacy and contribution to modernism is revealed for the first time in The Life and Work of Thomas MacGreevy. Split into four sections, the volume explains how and where MacGreevy made his impact: in his poetry; his role as a literary and art critic; during his time in Dublin, London and Paris and through his relationships with James Joyce, Samuel Beckett, Wallace Stevens, Jack B Yeats and WB Yeats. With access to the Thomas MacGreevy Archive, contributors draw on letters, his early poetry, and contributions to art and literary journals, to better understand the first champion of Jack B. Yeats, and Beckett's chief correspondent and closest friend in the 1930s. This much-needed reappraisal of MacGreevy, the linchpin between the main modernist writers, fills missing gaps, not only in the story of Irish modernism, but in the wider history of the movement.
There is a huge library of books on the Irish revolutionary period but a dearth of material on the first ten years of independent Ireland. This book fills that gap in the literature. Freedom to Achieve Freedom reviews the processes of state-building and the policies adopted in all the major areas of government, paying particular attention to law and order, the creation of the Irish public service, land, health, education and the Irish language, as well as other areas of public policy. It is easy to forget that the establishment of a stable, democratic state in the circumstances in which Ireland found itself in 1922 was an achievement unique in Europe: all the other independent states that emerged from the rubble of World War I soon yielded to some form of authoritarian or fascist government. Considered in that light, the achievement of the founding fathers of the Irish state, so ably chronicled in this book, remains remarkable.
Exploring aspects of Irish medical history, from the nature and proposed remedies for various illnesses in eighteenth century Ireland, to the treatment of influenza in twentieth-century Ireland, this book shows how the cultures of medical care evolved over three centuries.
The essays in this collection examine Ireland at war and peace from the Revival period to the present day, examining key aspects of Irish literature and history—culturally rich but politically turbulent—from the late nineteenth century to the early twenty-first century. Ireland at War and Peace examines important social, political and aesthetic contexts which have shaped modern Irish society and culture, from the First World War and the Easter Rising of 1916 through to the Troubles and beyond. A key focus is on the ideological and artistic significance of Irish culture in a wide sense; the volume includes essays on the cultural significance of commodity culture and advertising in Ireland, images of the child in Irish culture, the importance of the horse in the Irish imagination, and the manner in which narratives of eighteenth and nineteenth-century Irish uprising, execution and imprisonment informed Irish theatre both before and after the 1916 Uprising. The book’s dual focus is exemplified in its opening essays on Padraig Pearse as both rebel-rousing separatist polemicist and Volunteer leader, and on his related careers as dramatist, story writer and educationalist. Subsequent essays deal with Yeats and the Easter Rising, consumer culture in James Joyce’s Ulysses, the riotous reception afforded J. M. Synge’s Playboy of the Western World and Sean O’Casey’s The Plough and the Stars, and Samuel Beckett’s vexed relationship with his homeland. There are also important essays here on the contemporary Irish writers Seamus Heaney and Deirdre Madden. The focus of the collection is wide, ranging from canonical literary figures such as Joyce, Beckett, and Yeats, modern-day authors such as Heaney, Paul Muldoon and Nuala Ní Dhomhnaill, through to popular-cultural phenomena from Dion Boucicault’s nineteenth-century melodrama Robert Emmet, to Alan Parker’s movie of Roddy Doyle’s The Commitments and that great Irish sitcom Father Ted.