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An accessible and wide-ranging survey of modern Arab culture covering political, intellectual and social aspects.
This handbook is designed to specifically provide the trainer a 'hip pocket training' resource. It is intended for informal squad or small group instruction. The goal is to provide soldiers with a basic overview of Arab culture. It must be emphasized that there is no "one" Arab culture or society. The Arab world is full of rich and diverse communities, groups and cultures. Differences exist not only among countries, but within countries as well. Caveat: It is impossible to talk about groups of people without generalizing. It then follows that it is hard to talk about the culture of a group without generalizing. This handbook attempts to be as accurate and specific as possible, but inevitably contains such generalizations. Treat these generalizations with caution and wariness. They do provide insight into a culture, but the accuracy and usefulness will depend on the context and specific circumstances.
Essential reading for Middle Eastern studies students and anyone interested in Middle Eastern literature and culture.
An Introduction to Modern Arab Culture exposes readers to fundamental characteristics of the Arab people, their culture, and their society. Over the course of 13 chapters, readers learn about the emergence and influence of Islam in Arab culture, religious and ethnic minorities within the Arab world, the critical role of family in Arab life, and the origin and evolution of the Arabic language. Dedicated chapters provide an introduction to the religion of Islam and the Qur'an, and an exploration of Islamic communities throughout the ages. Additional chapters explore Arab poetry, literature, music, values, and thought, revealing the impact of major artworks and their creators on Arab life and tradition. The final chapters address the Arab Spring, the ongoing Syrian refugee crisis, and contemporary challenges and opportunities. An Introduction to Modern Arab Culture introduces readers to aspects of Arab culture while demonstrating how these facets intertwine to create a unique tapestry of identity, experience, and history. The book is well suited to courses in Middle East culture and history, politics, thought, literature, religion, and language, and courses in sociology, anthropology, and cultural studies.
When in the Arab World is written from the inside for anyone who wants to live or work with Arab culture.
Arabic Culture and Society examines the important role religion plays in the Middle East and how it shapes people's personalities in the Arab world by informing both their belief systems and their lifestyles. Spanning centuries of history, the book explores the Middle East before the advent of Islam, the expansion of Islam, and the modern Middle East. In addition to the early history of the region, Part I of the book addresses pre-Islamic religion, early Islam, the Qur'an, Islamic holidays, Shi'ism, Sufism, and marriage and divorce in Islam. Part II of the text discusses the making of the modern Middle East, democracy in the Arab world, Arab media and the Al-Jazeera broadcast network, Muslim women in the Middle East, and political change. Arabic Culture and Society clarifies the connection between religion and the state, giving students a better understanding of the Middle East--past and present. It can be used in Islamic studies courses, as well as classes in humanities and international affairs.
With the accession of the Arab dynasty of the 'Abbasids to power and the foundation of Baghdad, a Graeco-Arabic translation movement was initiated, and by the end of the tenth century, almost all scientific and philosophical secular Greek works that were available in late antiquity had been translated into Arabic. This book explores the social, political and ideological factors operative in early 'Abbasid society that sustained the translation movement.
Introduction: Complex legacies : materiality, memory, and myth in the Arabian Peninsula / Ileana Baird -- Frankincense and its Arabian burner / William Gerard Zimmerle -- The tyranny of the pearl : desire, oppression, and nostalgia in the Lower Gulf / Victoria Hightower -- Palm dates, power, and politics in pre-oil Kuwait / Eran Segal -- Circulating things, circulating stereotypes : representations of Arabia in eighteenth-century imagination / Ileana Baird -- "Who will change old lamps for new ones?" : Aladdin and his wonderful lamp in British and American children's entertainment / Jennie MacDonald -- Creative cartography : from the Arabian Desert to the garden of Allah / Holly Edwards -- Kinetic symbol : falconry as image vehicle in the United Arab Emirates / Yannis Hadjinicolaou -- Al-Sadu weaving : significance and circulation in the Arabian Gulf / Rana Al-Ogayyel and Ceyda Oskay -- Head coverings, Arab identity, and new materialism / Joseph Donica -- Written in silver : protective medallions from inner Oman / James Redman -- From cradle to grave : a life story in jewelry / Marie-Claire Bakker and Kara McKeown -- Cine-things : the revival of the Emirati past in Nojoom Alghanem's cinemascape / Chrysavgi Papagianni -- Afterword: All things collected / Hülya Yağcıoğlu.
In the Western imagination, Islamic cultures are dominated by dogmatic religious norms that permit no nuance. Those fighting such stereotypes have countered with a portrait of Islam’s medieval “Golden Age,” marked by rationality, tolerance, and even proto-secularism. How can we understand Islamic history, culture, and thought beyond this dichotomy? In this magisterial cultural and intellectual history, Thomas Bauer reconsiders classical and modern Islam by tracing differing attitudes toward ambiguity. Over a span of many centuries, he explores the tension between one strand that aspires to annihilate all uncertainties and establish absolute, uncontestable truths and another, competing tendency that looks for ways to live with ambiguity and accept complexity. Bauer ranges across cultural and linguistic ambiguities, considering premodern Islamic textual and cultural forms from law to Quranic exegesis to literary genres alongside attitudes toward religious minorities and foreigners. He emphasizes the relative absence of conflict between religious and secular discourses in classical Islamic culture, which stands in striking contrast to both present-day fundamentalism and much of European history. Bauer shows how Islam’s encounter with the modern West and its demand for certainty helped bring about both Islamicist and secular liberal ideologies that in their own ways rejected ambiguity—and therefore also their own cultural traditions. Awarded the prestigious Leibniz Prize, A Culture of Ambiguity not only reframes a vast range of Islamic history but also offers an interdisciplinary model for investigating the tolerance of ambiguity across cultures and eras.
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