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This previously unpublished novel by the author of America Is in the Heart dramatizes the resourcefulness, cunning, and pain of the Filipino peasants' struggle against a heritage of colonization, first by Spain and later by the United States. Set during the political upheavals of the 1940s and 1950s, seven underground rebels-old and young, male and female, intellectual and peasant-set off across the Philippine countryside fueled by their outrage over continued U.S. domination. They combat both internal foes from their past memories and experiences and visible enemies who view their clandestine work as a destructive force of communism. As they confront danger and face physical and emotional sacrifices along the way, their sense of mission conveys a profound vision of democracy and self-determination.Bulosan's exceptional narrative, at once an allegorical and a psychological critique of the West's racism and delusion of supremacy, portrays an armed rebellion that can represent many Third World peoples. Literary and political, Bulosan's work embodies his personal dream of equality and freedom. When asked what impelled him to write, Bulosan replied, "To give literate voices to the voiceless...to translate the desires and aspirations of the whole Filipino people in the Philippines and abroad in terms relevant to contemporary history." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.
At the end of WWII, American Gar Stanley, returns to his native Philippines to help a good friend try to find her lost husband. His search will take him from one island to another and put him in contact with all levels of humanity. He finds he must move quickly to stay ahead of all the deadly conspirators before they can kill his friend.
Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture and politics, and makes his case through the example of literature.
A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan's short stories, essays, poetry, and correspondence. Bulosan's writings expound his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a "new world order" liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan's writings "help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America." Author note: Born in 1911 in the Philippines to a peasant family, Carlos Bulosan was one of the first wave of Filipino immigrants to come to the United States in the 1930s. After several arduous years as a farmworker in California, Bulosan became involved with radical intellectuals and started editing the workers' magazine The New Tide.While hospitalized for three years for tuberculosis and kidney problems, Bulosan began writing poetry and short stories. Despite having little formal education, he saw his talent for writing as a means to give a voice to Filipino struggles, both in the Philippines and in the United States. He went on to publish three volumes of poetry, a best-selling collection of stories, The Laughter of My Father, and America Is in the Heart, the much acclaimed chronicle based on his family's battle to overcome poverty, violence, and racism in the United States. The Cry and the Dedication carries on Bulosan's passionate, satirical style. >P>E. San Juan, Jr. is Fellow of the Center for the Humanities and Visiting Professor of English, Wesleyan University, and Director of the Philippines Cultural Studies Center. He was recently chair of the Department of Comparative American Cultures, Washington University, and Professor of Ethnic Studies at Bowling Green State University, Ohio. He received the 1999 Centennial Award for Literature from the Philippines Cultural Center. His most recent books are Beyond Postcolonial Theory, From Exile to Diaspora, After Postcolonialism, and Racism and Cultural Studies.
Offers a new way of reading Asian American and Asian Diaspora literatures, thereby addressing an overlapping lacuna in ethnic, postcolonial, and area studies: the construction of immigrant subjectivities.
In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations—across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñoz, Édouard Glissant, and Eduardo Corral—while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multisensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being.
DigiCat Publishing presents to you this special edition of "The Goshawk" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Man's eternal quest for self-knowledge and self-fulfillment demands a continuing expansion of consciousness. Consciousness, the secret of life, determines man's experiences. Discovery of this secret is the primary purpose of man's presence in the world.
Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan’s work and life for the first time. This anthology—which includes rare, out-of-print documents—provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan’s prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan’s twin commitment to art and social change.
Part of the American Literatures Initiative Series Beyond the Nation charts an expansive history of Filipino literature in the U.S., forged within the dual contexts of imperialism and migration, from the early twentieth century into the twenty-first. Martin Joseph Ponce theorizes and enacts a queer diasporic reading practice that attends to the complex crossings of race and nation with gender and sexuality. Tracing the conditions of possibility of Anglophone Filipino literature to U.S. colonialism in the Philippines in the early twentieth century, the book examines how a host of writers from across the century both imagine and address the Philippines and the United States, inventing a variety of artistic lineages and social formations in the process. Beyond the Nation considers a broad array of issues, from early Philippine nationalism, queer modernism, and transnational radicalism, to music-influenced and cross-cultural poetics, gay male engagements with martial law and popular culture, second-generational dynamics, and the relation between reading and revolution. Ponce elucidates not only the internal differences that mark this literary tradition but also the wealth of expressive practices that exceed the terms of colonial complicity, defiant nationalism, or conciliatory assimilation. Moving beyond the nation as both the primary analytical framework and locus of belonging, Ponce proposes that diasporic Filipino literature has much to teach us about alternative ways of imagining erotic relationships and political communities.