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Poems previously published in magazines and books.
In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiers also created accounts of their lives in lyric poetry, putting words to the experience of personal sacrifice and the pious struggle associated with holy war. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones, homes, and earthly duties. Their poems and related visual works offer us insight into the crusaders’ lives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular “crusade idiom” that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross.
The first multivolume encyclopedia to document the history of one of the most influential religious movements of the Middle Ages—the Crusades. The Crusades: An Encyclopedia surveys all aspects of the crusading movement from its origins in the 11th century to its decline in the 16th century. Unlike other works, which focus on the eastern Mediterranean region, this expansive four-volume encyclopedia also includes the struggle of Christendom against its enemies in Iberia, Eastern Europe, and the Baltic region, and also covers the military orders, crusades against fellow Christians, heretics, and more. This work includes comprehensive entries on personalities such as Godfrey of Bouillon, who refused the title "King of Jerusalem," and St. Bernard of Clairvaux, who tore up his own clothing to make symbols of the cross for crusaders, as well as key events, countries, places, and themes that shed light on everything from the propaganda that inspired crusading warriors to the ways in which they fought. Special coverage of topics such as taxation, pilgrimage, warfare, chivalry, and religious orders give readers an appreciation of the multifaceted nature of these "holy wars."
Crusades A Bibliography With Indexes
John Robert Lee has been described as the foremost Caribbean Christian writer of his generation with a truly incarnational view of faith, anchored in the reality of human experience and expressed in richly textured images of Caribbean landscapes, dress, street life, music, dance and his native Creole language. The selected poems in Sighting and other poems of faith mark the pilgrims progress of this writer over three decades. In the poems he sees his life and experiences through the lens of the Christian faith, yet, in the words of Nobel laureate Derek Walcott, his Saint Lucian contemporary, you dont get in the poetry anything that is, in a sense, preachy or self-advertising in terms of its morality. His is a poetry that is rooted in the flesh and blood reality of his times, even as he looks beyond to the transcendent promises of his faith. St. Lucia, Boston, the Haitian earthquake of 2010 are the scenes to which he turns his perceptive gaze, with a poetry that is remarkably mature. The poetry is accessible to anyone who loves a craftsman who turns the language into startling and provocative images.
American Poetry and the First World War connects American poetry to the political and economic forces behind American participation in World War I. Dayton investigates the ways that poetry was used to imagine the war and studies a wide range of poetry: open and closed form, formal and colloquial, well-known and unknown. In a chapter on Edith Wharton, Dayton demonstrates that many of the features of poetry also found expression in prose about the war. Seeing the war as the opening bid in American ascent to global hegemony, Dayton unlocks some of the ways that literature provided a means by which to accept - and occasionally contest - the price to be paid for power. American Poetry and the First World War draws on a wide range of reading in the primary texts of the period, archival research, historical materialist theory, and work in political and economic history and international relations.