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Excerpt from The Cruise of the Midge, Vol. 1 of 2 I had no small difficulty in carrying this point, as the extreme insalubrity of the climate, the chance of being plundered by the semi-piratical foreign slavers, to say nothing of the danger of a treacherous attack on the part of the natives themselves, weighed heavily against my going in my worthy uncle's mind; but I had set my heart on it, and where there's a will, there's a way. I will not conceal, however, that after all, when it came to the point, I do not believe he would have allowed me to depart, had it not been for a prank of mine, which put him into a towering passion with me about this time. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Cruise of the Midge Bow an Irishman, the son of an Irishwoman; educated in Scotland, the country of my father, an ancient mariner, who, as master and supercargo, had sailed his own ship for many years in the Virginia trade; removed to England at the age of seventeen, in consequence of his death; I had, by the time I arrived at majority, passed four years of my mercantile apprenticeship in my paternal uncle's counting - house, an extensive merchant in that modern Tyre, the enterprising town of Liverpool during which period, young as I was, I had already made four voyages in different vessels of his to foreign parts - to the West Indies, the Brazils, the Costa Firme, and the United States of America. Being naturally a rambling, harumscarum sort of a young chap, this sort of life jumped better with my disposition than being perched on the t0p of a tall mahogany tripod, poring over invoices, daybooks, journals, and ledgers, with the shining ebony-coloured desk jammed into the pit'ol' my stomach below, and its arbour of bright brass rods constantly perverting the integrity of my curls above; so at the period when the scene opens, I had with much ado prevailed on my uncle to let me proceed once more on a cruise, instead of a senior clerk, in charge of two of his ships, bound to the African coast, to trade for ivory and gold dust, and to fill up with palm oil and hardwood timbers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Cruise of the Midge, Vol. 2 of 2 Confound these old-fashioned snuffers, the spring is broken l My eyes opened at this, wider, I believe, than they had ever done before, and my ears tingled. What a speech from an inhabitant of the other world I thought I. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.