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The book, "The Cruise of the Make-Believes" is a novel written by Tom Gallon. "The thin young man with the glossy hat got out of the cab at the end of the street, and looked somewhat distrustfully down that street; glanced with equal distrust at the cabman. A man lounging against the corner public house, as though to keep that British institution from falling, and leaving him without refreshment, got away from it, and inserted himself between the driver and the fare, ready to give information or advice to both, on the strength of being a local resident..." is an excerpt from the first chapter, "The Princess Next Door," of the book.
The honeymoon is fake, but the feelings are real. Private investigator Callum's next case is sending him on a Caribbean cruise, but there's a catch: it's a honeymoon cruise, and he needs a wife. A former Navy Seal with a rough childhood, Callum isn't the easiest to get to know. He definitely isn't close enough to someone to ask them to play the role of fake spouse. Callum is usually a consummate professional, but when he meets a gorgeous single mother recommended by a colleague, he's off his game. Widowed ex-cop Jessie moved back home to Atlanta after losing her husband. She has enough on her plate getting her son settled in a new school and starting over as a PI, but when Callum offers her the gig, she jumps at the chance to work with a successful peer and quickly finds herself caught up in their act. As the case unfolds, they find themselves uncovering a web of lies more complicated than they expected... and falling for each other at the same time. Can they solve the case, or will they get caught up in the tropical atmosphere and start mixing business with pleasure? Explore all the books in Vivi Holt's Make Believe collection: Make Believe Proposal Make Believe Fiancé Make Believe Wedding Make Believe Honeymoon Make Believe Husband Make Believe Marriage
Brutally honest memoir of an award-winning filmmaker who dropped his selfish focus on what he could become in Hollywood and learned to become totally dependent on God.
The wedding is fake, but the feelings are real. Molly was abandoned at the altar and has no intention of heading back there anytime soon. When she crosses paths with arrogant fireman Tim, she knows better than to let her heart get involved. A serious journalist working for her family's newspaper, Molly's plan is to focus on her career and her adorable new labrador puppy. Tim left his own family's newspaper to become a fireman with the Atlanta Fire Department. He watched the media business consume his family and he has no time for journalists, let alone a beautiful and feisty one from his family's rival paper. When the feud gets even more personal, Molly and Tim have had enough. They hatch a Romeo & Juliet-esque plan to bring peace to their warring families with a fake engagement—and a fake wedding to go with it. But when their bid to reunite their families backfires, their attraction only grows—and Molly and Tim start to doubt if love truly conquers all. Explore all the books in Vivi Holt's Make Believe collection: Make Believe Proposal Make Believe Fiancé Make Believe Wedding Make Believe Honeymoon Make Believe Husband Make Believe Marriage
Nita Nolan came to Hollywood in 1921, star-struck, beautiful, and broke, like thousands of other young girls who dreamed of becoming the next Mary Pickford, Mabel Normand, or Theda Bara. Nita made her first screen appearance as a pie-throwing cutie in a comedy two-reeler, but soon, with the help of comedian Billy Bowers, she became a member of the dazzling, glamorous movie-star world she’d only read about. Nita learned, however, that Hollywood’s glittering surface concealed a morass of depravity and violence unlike anything she’d ever experienced. Drugs, bootleg booze, and sexual permissiveness threatened to destroy both her movie career and the new love she’d found with screen idol Eric Gray. Sensuality Level: Behind Closed Doors
Dark days for Hal Andrews, New York artist and scion of an eccentric New England family. His cat has just died in a plunge from his apartment window. His brother Beck, manic-depressive and hopelessly nostalgic, is about to marry Lisa Lyman, heiress to the Family Wipes fortune and certifiably the world's most abominable girl. Their sister Fishie, an Olympic swimming champion who uses her television appearances to berate Hal, has recently shaved her head bald. And their father is withholding Hal's inheritance until he becomes more responsible, or at least until he's sixty-five. Hal's artwork clutters the floors of his girlfriend's apartment and does about as much for his putative gallery. Hoping for a genius grant and settling for a decrepit dog and a derisive girlfriend, Hal's optimism begins to wane as he descends into a moody twilit world of obscure urban horror. Therefore, when a wrong number from out of town walks into his life, the situation is grim. Mary-Ann Beavers and her hostile brother arrive in New York via Greyhound, in search of celebrities and success, both rare commodities back home in Patent, Texas. She snaps her chewing gum and writes wretched poetry; her brother has bad teeth and a temper to match. While Mary-Ann stalks Liza Minnelli in the supermarket and treasures the autograph of Dustin Hoffman's agent's sister, a darkness that lasts for days falls over Hal's new but awful apartment. There is light, however, at the end of the tunnel, and Hal, in spite of himself, will bask in it. Make-Believe Ballrooms captures the true contemporary dilemma in this tale of Hal's decline and rehabilitation in much-too-postmodern New York.
The Man in the Moon has dropped down to earth for a visit. Over the hedge, a rabbit in trousers is having a pipe with his evening paper. Elsewhere, Alice is passing through a looking glass, Dorothy riding a tornado to Oz, and Jack climbing a beanstalk to heaven. To enter the world of children's literature is to journey to a realm where the miraculous and the mundane exist side by side, a world that is at once recognizable and real--and enchanted. Many books have probed the myths and meanings of children's stories, but Goldthwaite's Natural History is the first exclusively to survey the magic that lies at the heart of the literature. From the dish that ran away with the spoon to the antics of Brer Rabbit and Dr. Seuss's Cat in the Hat, Goldthwaite celebrates the craft, the invention, and the inspired silliness that fix these tales in our minds from childhood and leave us in a state of wondering to know how these things can be. Covering the three centuries from the fairy tales of Charles Perrault to Maurice Sendak's Where the Wild Things Are, he gathers together all the major imaginative works of America, Britain, and Europe to show how the nursery rhyme, the fairy tale, and the beast fable have evolved into modern nonsense verse and fantasy. Throughout, he sheds important new light on such stock characters as the fool and the fairy godmother and on the sources of authors as diverse as Carlo Collodi, Lewis Carroll, and Beatrix Potter. His bold claims will inspire some readers and outrage others. He hails Pinocchio, for example, as the greatest of all children's books, but he views C.S. Lewis's The Chronicles of Narnia as a parable that is not only murderously misogynistic, but deeply blasphemous as well. Fresh, incisive, and utterly original, this rich literary history will be required reading for anyone who cares about children's books and their enduring influence on how we come to see the world.
"The Second Dandy Chater" by Tom Gallon is a classic tale that follows the adventures of Dandy Chater. Gallon's storytelling transports readers to a bygone era, filled with wit and charm. As readers accompany Dandy on his escapades, they discover a world of humor and intrigue. This book is a timeless choice for those who enjoy stories of charismatic characters navigating the complexities of society.
Far from a realm of pure fantasy helping people to escape harsh realities, fairy tales and the films that rooted themselves in their tropes and traditions played an integral role in formulating and expressing the anxieties of modernity as well as its potential for radical, magical transformation. In Film and Fairy Tales, Kristian Moen examines the role played by fairy tales in shaping cinema, its culture, and its discourse during its most formative years. Well-established by the feerie of the nineteenth century as popular entertainment and visual spectacle, the wonders of mutability offered by fairy tale fantasies in the early films of Melies situated cinema itself as a realm of enchantment rife with enthralling and disturbing possibilities. Through an analysis of early film theorists and a detailed case study of Tourneur's 1918 film The Blue Bird, Moen shows how the spectacles and tropes of the fairy tale continued to shape ideas of cinema's place in modern life. Stars like Mary Pickford and Marguerite Clark, who not only played fantasy roles but presented their off-screen personae in deliberately fantastic terms, and the transformative claims of modernity expressed through visions such as Orientalist fairylands are analysed to show the extent to which fairy tales were used to negotiate different experiences of modernity - the giddy adventures of social mobility, consumer culture and identity transformation, the threats and anxieties of cultural change, impermanence and mutability. Moen traces the evolution of the fairy tale in film to its self-aestheticising peak in Snow White and the Seven Dwarfs, alongside ironic allusions in films like Hitchcock's Rebecca and Howard Hawks' Ball of Fire, concluding with an examination of how fairy tale visions of fantastic transformation have seen a resurgence in contemporary cinema, from Tim Burton to Harry Potter. In the process, he shows how cinema made fairy tales modern - and fairy tales helped make cinema what it is today.