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In April 1890 the steamer Janet Nicoll set off from Sydney for a three-month trading voyage through the central and western Pacific. Aboard were seven white men, a crew of forty islanders, and one woman: a short-haired, barefoot, cigarette-smoking American, Fanny Van de Grift Stevenson, wife of the famous novelist Robert Louis Stevenson. The Cruise of the Janet Nichol is Fannys account of her journey with her husband and grown son through what are today the Cook Islands, Tuvalu, Kiribati and the Marshall Islands.
The Cruise of the Janet Nichol Among the South Sea Islands is a diary by Fanny Van de Grift Stevenson. It details her adventures with her husband, novelist Robert Louis Stevenson, as they travel to "Pacific paradise" at a time when the area was still largely untouched by western culture.
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General Books publication date: 2009 Original publication date: 1914 Original Publisher: C. Scribner's sons Subjects: Oceania Oceanica Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or an index. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.
A journal kept by Mrs Robert Louis Stevenson during the third voyage around the South Sea Islands she took with her husband in 1890. Illustrated with photographs throughout. First published in 1914.
Explores Robert Louis Stevenson's collaborative processContains new readings of thirteen works by Robert Louis Stevenson, including several rarely discussedSheds light on connections between authorship, celebrity, the literary marketplace and the creative processSupported by extensive manuscript researchThis book investigates Stevenson's literary collaborations with family and friends as he travelled Scotland, America and the Pacific. With critical readings of both major and minor Stevenson texts, supported and contextualised by unpublished manuscripts and letters by both Stevenson and those he wrote with, this book argues that Stevenson's writings are both a product of and a meditation on collaborative writing. Stevenson's self-reflective body of work reimagines late-Victorian authorship by examining the ways that authors choose material, negotiate the marketplace and, ultimately, maintain power over their own words, or let that power go.